Frank Martin, qui « transporte » des colis pour des clients inconnus, doit convoyer un colis plutôt « remuant ». Les ennuis commencent.Frank Martin, qui « transporte » des colis pour des clients inconnus, doit convoyer un colis plutôt « remuant ». Les ennuis commencent.Frank Martin, qui « transporte » des colis pour des clients inconnus, doit convoyer un colis plutôt « remuant ». Les ennuis commencent.
- Réalisation
- Scénario
- Casting principal
Avis à la une
There's no question that Luc Besson is one of Europe's biggest action producers. I mean with the cult classics "La Femme Nikita" (1991) and "The Professional" (1994) behind him, he's basically been given the green-light for every big action picture he comes across. One of his latest and most ambitious projects was "The Transporter," released in 2002.
I have to admit this is one flick I approached with a very open mind - very open. I mean, I like Jason Statham. I think he's a pretty cool guy and at first, even I questioned his casting as Frank Martin in "The Transporter." But the problem is, and I'm assuming this is the result of the quickly edited action scenes (which were toned down to make the film "PG-13"), he's not being given the room to really be the best he can be.
As the lead character, he's a transporter. He can get you, your associates or your property anywhere, anytime, on time, no questions asked. But you know what? Common sense tells us that it was curiosity that killed the cat, and the cat in this picture thankfully doesn't die some horrible death but instead, curiosity yields him a break - a beautiful woman named Lai (Shu Qi) - bound and gagged, and in the trunk of his BMW.
It's not spoiling much that she and Frank get together and as a result, are forced to do battle with shady and vicious American businessman Wall Street (Matt Schulze) and his army of high-kicking, disposable assassins. There's a little more to the plot and Lai, and the circumstances surrounding her appearance in the trunk of Frank's car, and it involves some smuggling of poor Chinese immigrants from China to Europe, where much of the action takes place.
Speaking of action and there's plenty of it, Statham does display some pretty impressive moves but the frantic editing just doesn't do him justice. He obviously worked out for this part and there are frequent moments when his ripped torso is on display. He also (barely) manages to shy away any possible accusations that he's just a British novelty to American audiences. Director Corey Yuen (whose work on Jet Li's 2001 action film "Kiss of the Dragon" I admired), is behind it and Besson's got a producer credit.
The problem may not be Statham because I think he's a really cool actor with a raspy British accent, but the script is worth some deeper examination by more thoughtful minds. There are plenty of holes and unanswered questions (i.e., the extent of Frank's military training and experiences, Lai and how she wound up with Frank and her quarrelsome relationship with her father who is played by Ric Young, and the plot with the Chinese smuggling).
But why am I making such complaints? "The Transporter" is an action movie; no plot required. Despite some bumps in the road, "The Transporter" is pure action fun from beginning to end, and I got my free ticket to see "The Transporter 2" on Friday.
7/10
I have to admit this is one flick I approached with a very open mind - very open. I mean, I like Jason Statham. I think he's a pretty cool guy and at first, even I questioned his casting as Frank Martin in "The Transporter." But the problem is, and I'm assuming this is the result of the quickly edited action scenes (which were toned down to make the film "PG-13"), he's not being given the room to really be the best he can be.
As the lead character, he's a transporter. He can get you, your associates or your property anywhere, anytime, on time, no questions asked. But you know what? Common sense tells us that it was curiosity that killed the cat, and the cat in this picture thankfully doesn't die some horrible death but instead, curiosity yields him a break - a beautiful woman named Lai (Shu Qi) - bound and gagged, and in the trunk of his BMW.
It's not spoiling much that she and Frank get together and as a result, are forced to do battle with shady and vicious American businessman Wall Street (Matt Schulze) and his army of high-kicking, disposable assassins. There's a little more to the plot and Lai, and the circumstances surrounding her appearance in the trunk of Frank's car, and it involves some smuggling of poor Chinese immigrants from China to Europe, where much of the action takes place.
Speaking of action and there's plenty of it, Statham does display some pretty impressive moves but the frantic editing just doesn't do him justice. He obviously worked out for this part and there are frequent moments when his ripped torso is on display. He also (barely) manages to shy away any possible accusations that he's just a British novelty to American audiences. Director Corey Yuen (whose work on Jet Li's 2001 action film "Kiss of the Dragon" I admired), is behind it and Besson's got a producer credit.
The problem may not be Statham because I think he's a really cool actor with a raspy British accent, but the script is worth some deeper examination by more thoughtful minds. There are plenty of holes and unanswered questions (i.e., the extent of Frank's military training and experiences, Lai and how she wound up with Frank and her quarrelsome relationship with her father who is played by Ric Young, and the plot with the Chinese smuggling).
But why am I making such complaints? "The Transporter" is an action movie; no plot required. Despite some bumps in the road, "The Transporter" is pure action fun from beginning to end, and I got my free ticket to see "The Transporter 2" on Friday.
7/10
Jason Statham plays the Transporter, an ex-military man who will move anything that needs to be moved...no questions asked. He has three simple rules. But when he breaks his cardinal rule, no peeking, he opens a varitable pandora's box that he might not survive. Statham plays one cool character. I could see him as a serious action hero type. The project was spearheaded by Luc (The Professional) Besson and directed by Cory Yuen. The film has high energy and is a load of fun. The fighting scenes are cool and the beginning and ending sequences are a blast. Forget the Fast and the Furious use The Transporter 8/10
Back in the 1990s Luc Besson was a top action director in the US and France, best known for films like Leon and Nikita. In the early part of the 21st Century, he turned to producing and one of his major hits was The Transporter, the film that made Jason Statham into an action star.
Frank Martin (Statham) is an ex-military man who turned into a driver for hire in the South of France. He lives by three rules: No.1 never change the deal, No.2 no names, No.3 never open the package. But on a job he opens the package to find a Chinese woman (Shu Qi) tied up and gag, resulting with him crossing an American gangster, Bettencourt (Matt Schulze) who wants Frank dead. Frank has to work with the woman, Lai, and a police detective, Inspector Tarconi (François Berléand), to bring down Bettencourt and his operator.
The Transporter takes a basic B-Movie plot and story and gives it an MTV flash. The highlight of the film is action sequences which director Corey Yuen injected a load of fun elements with martial arts, gun battles, an axe fight and the famous oil fight scene. There are flashy moments like when a gun is in the air and the downwards camera on a gun when a machine gun magazine clip drops to the ground. There is some weak CGI but it is rare and the best parts of the action is the practical effects and stunt work. The real problem with the action is at times there was too much quick cutting which made some of the action sequence and it made them hard to follow: this was the particularly the case with the fight in the bus which was too tight, too close and overly edited. The best sequence for me was the highway chase because it was easier to tell what was happening and for the most part the fighting and gun fights were well done.
The Transporter was Statham's first leading role outside of Guy Ritchie's films. He had the action chops with his physique and his martial arts ability and he was already showing his shy wit. But he gave his character a weak American accent which kept slipping. Likely Statham had enough charisma and was able to give Frank enough menace in his look. Statham also had very good chemistry with Qi who did have charm as Lai. The pair worked well and were surprisingly believable in the context of their world.
The Transporter lacked a threaten villain: Schulze played his role more as a man who is partier then a ruthless crime lord who will kill anyone who crosses him. Schulze's performance also did not help giving the character smug, frat boy characteristics. The film also introduces a character called Leon who was able to beat up and knock out Frank, leading you to think that there is going to be a showdown between the characters: but it never comes about, which is very disappointing.
Stanley Clarke gave The Transporter a more modern, techno score which was fitting for the most part, especially when it becomes pumping for the action sequences near the end. The score combined by the French setting reminded me a little bit of The Bourne Identity. But The Bourne Identity is a much more intelligentially stimulating film.
The Transporter is a very paced actioner that does not rest. There are fine action sequences throughout the film and a decent start to The Stath's action persona: but this is a film for Statham fans.
Frank Martin (Statham) is an ex-military man who turned into a driver for hire in the South of France. He lives by three rules: No.1 never change the deal, No.2 no names, No.3 never open the package. But on a job he opens the package to find a Chinese woman (Shu Qi) tied up and gag, resulting with him crossing an American gangster, Bettencourt (Matt Schulze) who wants Frank dead. Frank has to work with the woman, Lai, and a police detective, Inspector Tarconi (François Berléand), to bring down Bettencourt and his operator.
The Transporter takes a basic B-Movie plot and story and gives it an MTV flash. The highlight of the film is action sequences which director Corey Yuen injected a load of fun elements with martial arts, gun battles, an axe fight and the famous oil fight scene. There are flashy moments like when a gun is in the air and the downwards camera on a gun when a machine gun magazine clip drops to the ground. There is some weak CGI but it is rare and the best parts of the action is the practical effects and stunt work. The real problem with the action is at times there was too much quick cutting which made some of the action sequence and it made them hard to follow: this was the particularly the case with the fight in the bus which was too tight, too close and overly edited. The best sequence for me was the highway chase because it was easier to tell what was happening and for the most part the fighting and gun fights were well done.
The Transporter was Statham's first leading role outside of Guy Ritchie's films. He had the action chops with his physique and his martial arts ability and he was already showing his shy wit. But he gave his character a weak American accent which kept slipping. Likely Statham had enough charisma and was able to give Frank enough menace in his look. Statham also had very good chemistry with Qi who did have charm as Lai. The pair worked well and were surprisingly believable in the context of their world.
The Transporter lacked a threaten villain: Schulze played his role more as a man who is partier then a ruthless crime lord who will kill anyone who crosses him. Schulze's performance also did not help giving the character smug, frat boy characteristics. The film also introduces a character called Leon who was able to beat up and knock out Frank, leading you to think that there is going to be a showdown between the characters: but it never comes about, which is very disappointing.
Stanley Clarke gave The Transporter a more modern, techno score which was fitting for the most part, especially when it becomes pumping for the action sequences near the end. The score combined by the French setting reminded me a little bit of The Bourne Identity. But The Bourne Identity is a much more intelligentially stimulating film.
The Transporter is a very paced actioner that does not rest. There are fine action sequences throughout the film and a decent start to The Stath's action persona: but this is a film for Statham fans.
The first time I watched this movie, I was hooked, I think it is a sleeper cult classic.
This movie has all the makings of a great testosterone flick. It starts with a wild car chase in France, introduces some memorable phrases, adds an attractive woman and antagonist with a very bad hair piece. There is also the required explosions and fight scenes, but they are not over-the-top.
The plot is not spectacular, but hey, it's a guy movie. Jason Statham makes a great tough guy, loved him in The Italian Job as well.
I recommend inviting your friends over, grabbing some Orangina, and watching this great movie.
This movie has all the makings of a great testosterone flick. It starts with a wild car chase in France, introduces some memorable phrases, adds an attractive woman and antagonist with a very bad hair piece. There is also the required explosions and fight scenes, but they are not over-the-top.
The plot is not spectacular, but hey, it's a guy movie. Jason Statham makes a great tough guy, loved him in The Italian Job as well.
I recommend inviting your friends over, grabbing some Orangina, and watching this great movie.
This thrilling film is packed with unstopped action , stirring car races and sensational fights .The former mercenary called Frank Martin(Jason Statham in his starring debut) turned in security agent is now serving as chauffeur for delinquents and mobsters . He is contracted by a gangster to make a delivery, but when Martin stops along route, he aware his "package" is moving. Frank's curiosity leads him to break the rules, and he discovers the package is delivering to Wall Street contains an amazing surprise . Violating his own personal rules, he breaks his own code and looks inside the trunk , finding its contents to be a wonderful Oriental woman named Lai ( the Chinese Qi Shu ) . Learning that Martin broke the rules and aware about Lai, Wall Street (Matt Schulze) orders his mercenaries to kill him . Later on , he becomes involved in human smuggling by ominous nasties( Matt Schulze, Ric Young). Meanwhile , an astute Police Instector (Francois Berleand ) is investigating the deeds .
This exciting picture gets frenetic action, suspense, thrills, tension , terrific chase scenes, and lots of violence when the struggles and killings happen , being pretty entertaining. Chases galore abound with breathtaking velocities and overwhelming pursuits where the cars bound, leap and fly. It's a run-of-the-mill action film but from the start to the finish the action-packed is interminable. Furthermore , incredible fights with bound and leaps by the trainer master Corey Yeun (artificer of spectacular choreography from Hong Kong cinema) and spectacular chases including a moving ending involving a plane and trucks . Impressive car races and pursuits were made by authentic stunts and computer generator effects. Jason Statham is top-notch as action hero, he lives what seems to be a luxurious life along the French Mediterranean, hiring himself out as a mercenary "transporter" who moves goods from one location to another , he's a tough man fighting stunningly . Matt Schulze is magnificent as an extremely clever villainous .Lively musical score fitting to the action by Stanley Clarke . Spectacularly photographed by prestigious cameraman Pierre Morel (Taken , District 13), subsequently successful director , shot on location in the followings places : Avenue De Saissy, Cannes, Alpes-Maritimes, Cassis, Bouches-Du-Rhône, Eze Village, Alpes-Maritimes, Marseille, Nice, Paris, and Rue Pierre et Marie Curie, Aix-en-Provence;Saint-Tropez, Var, France , Villefranche-Sur-Mer, Alpes-Maritimes, France. The motion picture is lavishly produced by the notorious producer , writer and director Luc Besson and well directed by Louis Leterrier (Fury of Titans, Incredible Hulk , Danny the Dog) and Corey Yeun , two notable experts on action cinema. In conclusion the film provides fast and furious entertainment and action unstopped with no sense and developed with fast paced and continuous movement. It's a must see for action lovers .Followed by two sequels Transporter 2 (2005) by Louis Leterrier and Transporter 3 (2008) by Olivier Megaton , repeating Jason Statham and Francois Berleand .
This exciting picture gets frenetic action, suspense, thrills, tension , terrific chase scenes, and lots of violence when the struggles and killings happen , being pretty entertaining. Chases galore abound with breathtaking velocities and overwhelming pursuits where the cars bound, leap and fly. It's a run-of-the-mill action film but from the start to the finish the action-packed is interminable. Furthermore , incredible fights with bound and leaps by the trainer master Corey Yeun (artificer of spectacular choreography from Hong Kong cinema) and spectacular chases including a moving ending involving a plane and trucks . Impressive car races and pursuits were made by authentic stunts and computer generator effects. Jason Statham is top-notch as action hero, he lives what seems to be a luxurious life along the French Mediterranean, hiring himself out as a mercenary "transporter" who moves goods from one location to another , he's a tough man fighting stunningly . Matt Schulze is magnificent as an extremely clever villainous .Lively musical score fitting to the action by Stanley Clarke . Spectacularly photographed by prestigious cameraman Pierre Morel (Taken , District 13), subsequently successful director , shot on location in the followings places : Avenue De Saissy, Cannes, Alpes-Maritimes, Cassis, Bouches-Du-Rhône, Eze Village, Alpes-Maritimes, Marseille, Nice, Paris, and Rue Pierre et Marie Curie, Aix-en-Provence;Saint-Tropez, Var, France , Villefranche-Sur-Mer, Alpes-Maritimes, France. The motion picture is lavishly produced by the notorious producer , writer and director Luc Besson and well directed by Louis Leterrier (Fury of Titans, Incredible Hulk , Danny the Dog) and Corey Yeun , two notable experts on action cinema. In conclusion the film provides fast and furious entertainment and action unstopped with no sense and developed with fast paced and continuous movement. It's a must see for action lovers .Followed by two sequels Transporter 2 (2005) by Louis Leterrier and Transporter 3 (2008) by Olivier Megaton , repeating Jason Statham and Francois Berleand .
Le saviez-vous
- AnecdotesWhen Lai is flipping through the pictures at Frank's house, the photo of the little boy with the monkey really is Jason Statham.
- GaffesLai is tied to a chair (hands and feet). She is able to get to the car by tiptoeing. How does she then open the door, drag herself and the chair into the car and close the door behind her? Not to mention the fact that someone as careful as Frank steals the car without noticing a woman tied to an office chair in the back seat.
- Citations
Frank Martin: Rule #1. Never change the deal.
- Versions alternativesJapanese two-disc DVD set features a full bitrate DTS 6.1 sound mix, and restores the bus fight and motorway fights in full.
- ConnexionsFeatured in Knoc-Turn'Al Feat. Samuel Christian: Muzik (2002)
- Bandes originalesThe Case
(D.J. Pone & Drixxxe)
Performed by D.J. Pone & Drixxxe
Recorded and Mixed at Digital Factory by Bruno Fourrier
Assisted by Fabrice Sauré (as Fabrice Saure)
©EuropaCorp. (SACEM) / Eastory / B.M.G. Publishing (SACEM)
(p)2002 EuropaCorp.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- El transportador
- Lieux de tournage
- Cassis, Bouches-du-Rhône, France(Frank's home, French Highway Scenes)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 21 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 25 296 447 $US
- Week-end de sortie aux États-Unis et au Canada
- 9 107 816 $US
- 13 oct. 2002
- Montant brut mondial
- 43 928 932 $US
- Durée1 heure 32 minutes
- Couleur
- Mixage
- DTS-ES(original version)
- Dolby Digital EX(original version)
- SDDS
- Rapport de forme
- 2.39 : 1
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