Il suit un groupe de personnes animées d'un profond désir de changement. Pour tourner le dos à la société, elles abandonnent tout et se lancent dans le rude paysage des Galápagos.Il suit un groupe de personnes animées d'un profond désir de changement. Pour tourner le dos à la société, elles abandonnent tout et se lancent dans le rude paysage des Galápagos.Il suit un groupe de personnes animées d'un profond désir de changement. Pour tourner le dos à la société, elles abandonnent tout et se lancent dans le rude paysage des Galápagos.
Daniel Brühl
- Heinz
- (as Daniel Bruehl)
Benjamin Gorroño
- Governor's Translator
- (as Benjamin Gorrono)
Nicholas Burton
- Hancock Crew
- (non crédité)
Austin Hayden
- American Sailor
- (non crédité)
Avis à la une
Set in the Galápagos Islands, but filmed in Australia.
I was able to see the press conference that Ron Howard and the four main stars gave. Howard explained that he had the project in mind for a time, worked on it some during the recent COVID pandemic and lockdowns. He knew it would not be a project that a typical studio would go for so he went at it his way.
The movie is a fictional drama based on real people and their attempt to find their own Eden in the Galápagos Islands (filmed in Australia). It doesn't work out as hoped because, in the end, people are people and they can cooperate together for only so long.
This is analogous to the theme that played out in the year 2000 movie, "The Beach" with Leo Dicaprio. As I wrote in my comments for that one, "Even though these 20 or 30 men and women all went to the island for "pleasure seeking", ultimately roles need to be taken, duties accepted, not everyone agrees, jealousy starts to erode relationships, certain people seek power, and when some get seriously injured, "out of sight, out of mind" is the remedy so as not to upset "paradise." In other words, they end up creating on a smaller scale the same world that they sought to escape from. Eventually this "house of cards" starts to fall down, and ultimately everyone realizes paradise is internal, not some idyllic place."
Good for Howard to bring this story to the screen.
I was able to see the press conference that Ron Howard and the four main stars gave. Howard explained that he had the project in mind for a time, worked on it some during the recent COVID pandemic and lockdowns. He knew it would not be a project that a typical studio would go for so he went at it his way.
The movie is a fictional drama based on real people and their attempt to find their own Eden in the Galápagos Islands (filmed in Australia). It doesn't work out as hoped because, in the end, people are people and they can cooperate together for only so long.
This is analogous to the theme that played out in the year 2000 movie, "The Beach" with Leo Dicaprio. As I wrote in my comments for that one, "Even though these 20 or 30 men and women all went to the island for "pleasure seeking", ultimately roles need to be taken, duties accepted, not everyone agrees, jealousy starts to erode relationships, certain people seek power, and when some get seriously injured, "out of sight, out of mind" is the remedy so as not to upset "paradise." In other words, they end up creating on a smaller scale the same world that they sought to escape from. Eventually this "house of cards" starts to fall down, and ultimately everyone realizes paradise is internal, not some idyllic place."
Good for Howard to bring this story to the screen.
An extremely interesting story, based on true events, an accomplished director, a top cast, Hans Zimmer behind the score. A smash hit? At least not at the box office, the budget is not even close to being recouped. In terms of feeling, 'Eden' was not represented in the media at all, apparently these days there is a lack of the muse to be caught up in realistic darkness and human abysses. The only partially resolved 'Galapagos Affair' sheds light on the hopes and utopias of conquering a new land or escaping the old world in order to build an alternative civilisation there, and how human nature buries all dreams again. The supposed heaven turns into a hell of envy, jealousy, selfishness and vanity. Not forgetting the harsh reality of the supposed island paradise. All the supposed and proven events are almost unbelievable, which makes this survival trip all the more fascinating. A real true-crime story. The film adaptation does justice to this, the well-known cast performs excellently and there is little to criticise in terms of craftsmanship. The response does not do justice to the result, so I recommend it.
"Eden" focuses on a group of mostly German citizens who attempt to settle Floreana, an uninhabited island in the Galapagos after World War I. Their aim for a slice of paradise does not go as planned.
Noah Pink's screenplay for the film is based on a true story (adapted from conflicting accounts written by two of the people who lived it) that almost seems unbelievable at times, except it's not--in fact, most of the details here are historically accurate, down to the individuals' names, characterizations, and, more or less, the series of events that transpired. With that context in mind, it is worth noting that the events depicted here are perhaps not as outlandish as they may seem.
The film is directed by Ron Howard, who is known for his glossy big-budget films, and in that regard, "Eden" does not deviate too far from the director's norm, though the material is notably darker than the kind of fare Howard typically tackles. As often grey and drab is it looks, the film is well-shot and has an epic sort of look about it that audiences have come to expect from him.
Where the film perhaps suffers a bit is in the "movie magic" elements of a production like this, where the nitty gritty realities and sheer difficulty of homesteading on such an island feel glossed over at times. The actors often appear too clean, too rested (which for at least one of them, I suppose, makes senses) and too primped. This is a fine line to balance, as overindulging in the mintutaeua of homesteading and working a tropical landscape like this could become tedious, but a certain amount of it is necessary for the viewer to buy into the circumstances. There is never a significant sense that these people will succumb to the landscape-only to each other-and perhaps that may be the point.
The performances here are largely strong, with Jude Law and Vanessa Kirby playing the intellectual quasi-hippies who were the first to land on this hallowed ground. Daniel Brühl and Sydney Sweeney play a husband-and-wife who arrive and prove to be superior settlers with the the fundamental skills necessary to work the land; while they dedicate their bodies to harnessing the natural resources, the egomaniacal Law pontificates and philosophizes (obsessively quoting Nietzsche and other philosophers) his way through circumstances, with Kirby lending an effective performance as his multiple sclerosis-stricken lover. Ana de Armas gives an outrageous, campy turn as a self-described Baroness who lands on Floreana with grand ideas and a Clara Bow-esque posture, but no real means (intellectual, physical, or otherwise) of achieving any such fantasies. Instead, she utilizes her own sociopathy and manipulation tactics in a diabolical quest for control. I suspect that most of the performances here could be cited by some critics for overacting, but when stacked against the historical record, these depictions of such extreme personalities don't actually seem to be that far from the truth of who these individuals were. Sweeney and Brühl are perhaps the most believable simply because their characters are the most relatable, and their salt-of-the-earth nature prove to be a great asset in this conflict of personalities.
Even for those not familiar with the actual story, there is some predicability here in terms of what will play out, but the funeral procession marches on in a manner that is no less engaging and attention-getting. In some regards, I think audiences will simultaneously expect more and less from this film. It never quite reaches the fever pitch we want, and yet the result remains largely satisfying. As with the performances, I suspect many of the critiques here will hinge on the mere facts of the story. Are these people outrageous? Yes. Does the story at times seem far-fetched? Sure. But as the old adage goes, oftentimes truth is stranger than fiction. 7/10.
Noah Pink's screenplay for the film is based on a true story (adapted from conflicting accounts written by two of the people who lived it) that almost seems unbelievable at times, except it's not--in fact, most of the details here are historically accurate, down to the individuals' names, characterizations, and, more or less, the series of events that transpired. With that context in mind, it is worth noting that the events depicted here are perhaps not as outlandish as they may seem.
The film is directed by Ron Howard, who is known for his glossy big-budget films, and in that regard, "Eden" does not deviate too far from the director's norm, though the material is notably darker than the kind of fare Howard typically tackles. As often grey and drab is it looks, the film is well-shot and has an epic sort of look about it that audiences have come to expect from him.
Where the film perhaps suffers a bit is in the "movie magic" elements of a production like this, where the nitty gritty realities and sheer difficulty of homesteading on such an island feel glossed over at times. The actors often appear too clean, too rested (which for at least one of them, I suppose, makes senses) and too primped. This is a fine line to balance, as overindulging in the mintutaeua of homesteading and working a tropical landscape like this could become tedious, but a certain amount of it is necessary for the viewer to buy into the circumstances. There is never a significant sense that these people will succumb to the landscape-only to each other-and perhaps that may be the point.
The performances here are largely strong, with Jude Law and Vanessa Kirby playing the intellectual quasi-hippies who were the first to land on this hallowed ground. Daniel Brühl and Sydney Sweeney play a husband-and-wife who arrive and prove to be superior settlers with the the fundamental skills necessary to work the land; while they dedicate their bodies to harnessing the natural resources, the egomaniacal Law pontificates and philosophizes (obsessively quoting Nietzsche and other philosophers) his way through circumstances, with Kirby lending an effective performance as his multiple sclerosis-stricken lover. Ana de Armas gives an outrageous, campy turn as a self-described Baroness who lands on Floreana with grand ideas and a Clara Bow-esque posture, but no real means (intellectual, physical, or otherwise) of achieving any such fantasies. Instead, she utilizes her own sociopathy and manipulation tactics in a diabolical quest for control. I suspect that most of the performances here could be cited by some critics for overacting, but when stacked against the historical record, these depictions of such extreme personalities don't actually seem to be that far from the truth of who these individuals were. Sweeney and Brühl are perhaps the most believable simply because their characters are the most relatable, and their salt-of-the-earth nature prove to be a great asset in this conflict of personalities.
Even for those not familiar with the actual story, there is some predicability here in terms of what will play out, but the funeral procession marches on in a manner that is no less engaging and attention-getting. In some regards, I think audiences will simultaneously expect more and less from this film. It never quite reaches the fever pitch we want, and yet the result remains largely satisfying. As with the performances, I suspect many of the critiques here will hinge on the mere facts of the story. Are these people outrageous? Yes. Does the story at times seem far-fetched? Sure. But as the old adage goes, oftentimes truth is stranger than fiction. 7/10.
7.5/10
I was surprisingly really drawn to the story, i found it fascinating and intriguing, and i thoroughly enjoyed it from start to finish, the storytelling was strong and kept me engaged the entire time, which is a big plus, and Ron Howard definitely has that good filmmaking quality aspect in the film that are shown.
The cast, on paper, is absolutely stacke, just looking at the names, it sounds like a dream lineup, while i don't have any issues with Jude Law and Vanessa Kirby, i felt that the other three main stars didn't quite deliver their best performances, i've seen Daniel Brühl, Ana De Armas, and Sydney Sweeney doing a really great job as a performer, but in this film, their acting didn't quite hit the mark.
The main issue, in my opinion, was the accents they had to use, acting with an accent is like acting on top of acting, it becomes a double task, you not only have to perform the role but also maintain an unnatural speech pattern, which can be distracting, in this case, i'd say they were decent at best, not terrible by any means, just not as compelling as i've seen them before, Sydney Sweeney, to her credit, did slightly better than the other two, but it's not bad, if it's bad then it's another case, decent is definitely more passable than bad.
The two male co-stars who accompanied Ana de Armas also had similar issues, just a little bit worse, but still fine, there are a few nitpicks here and there, but overall, Eden is a pretty well-made film with a compelling, engaging, and fascinating story, despite its flaws, i found it to be a genuinely interesting watch.
I was surprisingly really drawn to the story, i found it fascinating and intriguing, and i thoroughly enjoyed it from start to finish, the storytelling was strong and kept me engaged the entire time, which is a big plus, and Ron Howard definitely has that good filmmaking quality aspect in the film that are shown.
The cast, on paper, is absolutely stacke, just looking at the names, it sounds like a dream lineup, while i don't have any issues with Jude Law and Vanessa Kirby, i felt that the other three main stars didn't quite deliver their best performances, i've seen Daniel Brühl, Ana De Armas, and Sydney Sweeney doing a really great job as a performer, but in this film, their acting didn't quite hit the mark.
The main issue, in my opinion, was the accents they had to use, acting with an accent is like acting on top of acting, it becomes a double task, you not only have to perform the role but also maintain an unnatural speech pattern, which can be distracting, in this case, i'd say they were decent at best, not terrible by any means, just not as compelling as i've seen them before, Sydney Sweeney, to her credit, did slightly better than the other two, but it's not bad, if it's bad then it's another case, decent is definitely more passable than bad.
The two male co-stars who accompanied Ana de Armas also had similar issues, just a little bit worse, but still fine, there are a few nitpicks here and there, but overall, Eden is a pretty well-made film with a compelling, engaging, and fascinating story, despite its flaws, i found it to be a genuinely interesting watch.
I went into this movie blind, it was a Monday Mystery Movie at Regal.
It's a philosophical journey of the human condition and the troubles that we have with each other. As the story unfolds you could definitely find something in it that resonates with the way you see the world. Finding out that this was based on a true story makes me want to read the two perspectives of what happened on the island. Not a bad movie, I think the critics might have been too critical of the movie.
It's a philosophical journey of the human condition and the troubles that we have with each other. As the story unfolds you could definitely find something in it that resonates with the way you see the world. Finding out that this was based on a true story makes me want to read the two perspectives of what happened on the island. Not a bad movie, I think the critics might have been too critical of the movie.
Le saviez-vous
- AnecdotesSet in the Galápagos Islands, but filmed in Australia.
- GaffesIn a scene, Rudolph tells the truth about Baroness to Heinz and Margaret explaining how she is like a "Black Hole swallowing everything in her orbit". The theory which was first discovered only in 1958.
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- How long is Eden?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 1 334 475 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 048 374 $US
- 24 août 2025
- Montant brut mondial
- 2 159 516 $US
- Durée
- 2h 9min(129 min)
- Couleur
- Rapport de forme
- 2.39 : 1
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