Ajouter une intrigue dans votre langueBecause of an offense to a Camorra chief's neighborhood, the sixteen-year-old Veronica become hostage inside an abandoned building on the far outskirts of Naples, pending punishment. One to ... Tout lireBecause of an offense to a Camorra chief's neighborhood, the sixteen-year-old Veronica become hostage inside an abandoned building on the far outskirts of Naples, pending punishment. One to watch her is Salvatore, a timid fear and a clamor with which in the hours of waiting Veron... Tout lireBecause of an offense to a Camorra chief's neighborhood, the sixteen-year-old Veronica become hostage inside an abandoned building on the far outskirts of Naples, pending punishment. One to watch her is Salvatore, a timid fear and a clamor with which in the hours of waiting Veronica establishes a relationship of complicity and affection.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 16 victoires et 8 nominations au total
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But during their time in the condemned building, their initial animosity becomes a friendship, as they roam the area together, and share thoughts and anecdotes. Veronica doesn't want to have anything to do with the mobsters that kidnapped her, so she frequently tries to escape, but when she becomes aware that Mimmo will be hurt if she flees, her view on things change a bit.. but will it be enough to keep her from running away? The two leading actors are very likable, and there's a good tension throughout the movie, as you never really know what will happen when the gangsters return, and their growing relationship along with the fear of the unknown will keep you watching to the end.
However, when looking back upon the movie, it is very forgettable, as nothing really exciting happens during the story.. it is a very enjoyable film though, so it is definitely recommended for people who loves movies with small casts, and adventurous settings in urban areas during the summer.
The film excels in creating an atmosphere of claustrophobic tension, with the abandoned building acting as a metaphor for the characters' emotional confinement. Di Costanzo expertly builds suspense through slow pacing, allowing the viewer to feel the weight of the passing hours. The quiet nature of the film contrasts with the looming threat of violence, highlighting the sense of fear and helplessness that both Veronica and Salvatore experience.
Salvatore Ruocco's portrayal of Salvatore is subtle yet powerful. His performance captures the internal conflict of a man who, despite his fear and reluctance, finds himself caught in a situation he cannot escape. Francesca Riso, playing Veronica, brings a strong sense of defiance and vulnerability to her role, portraying a young woman who is both a victim of circumstance and a survivor in a world governed by fear and power.
The Interval's greatest strength lies in its ability to delve deep into the psychology of its characters. The film is not just a thriller, but a profound exploration of human emotions under extreme pressure. The quiet moments between Veronica and Salvatore are just as intense as the moments of danger, with both characters confronting their own fears and limitations.
The film does a great job of portraying the oppressive environment of Naples, using its setting not just as a backdrop, but as a character in itself. The film's pacing, however, may not appeal to all viewers, as it is deliberately slow, reflecting the tension of the situation but also leaving some moments feeling drawn out.
While The Interval may not have the broad appeal of more mainstream thrillers, it offers a powerful, emotionally charged experience that sticks with the viewer long after the credits roll. It's a quiet, contemplative film that uses its minimalism to great effect.
Rating: 8/10. A haunting and introspective thriller that captures the fear, power, and vulnerability of its characters in a tense and emotionally resonant narrative.
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Détails
Box-office
- Budget
- 1 300 000 € (estimé)
- Montant brut mondial
- 255 267 $US
- Durée1 heure 30 minutes
- Couleur
- Rapport de forme
- 1.85 : 1