Ferrari

This felt sadly dreadful to me, for the most part. Ferrari is a film where it feels like very few people involved cared about what they were making. On paper, the idea to focus on one brief period of time was a good one, rather than trying to capture a single figure's life story. Adam Driver is probably my favorite actor who's risen to prominence since 2010, and Michael Mann's a filmmaker whose work I generally enjoy. The idea of them teaming up to make a movie sounded promising, but the execution here was just lifeless and strangely amateur.

Much of the film's shot with a floaty, aimless camera that frames things strangely in an attempt to look unique, or because of simple incompetence; the way it sometimes shakes and drifts or zooms in and out seemingly by accident. The fact some scenes abruptly end and other scenes just linger for what feels like forever. I hated the way this looked and felt. I have no idea what Mann's going for here, or if he's simply lost his touch as a filmmaker.

Actors look either confused or bored - sometimes both - for the entire film. I have no idea what I'm supposed to care about when it comes to Enzo Ferrari as a figure. Maybe Adam Driver captured his essence well, but if so, his essence is boring and I don't know why they made a film about him. There's no real pacing or engaging build in the narrative, actors mumble their lines, and the dialogue I could make out tended to sound weirdly uninspired. Penelope Cruz felt like she was done particularly dirty by the lackluster material she was given to work with. It just felt like one boring scene after one boring scene after another boring scene.

The final act is watchable and saves the film from being an outright failure. Ferrari has a stupidly high budget, but I think much of it went into capturing some of those fairly stunning race sequences. Everything else was so dull, lifeless, directionless, and shockingly amateur, though. It's a surprising mess of a film.

I'm a big fan of racing and if you're a fan of racing you're invariably a fan of Ferrari. So when Michael Mann helms the Enzo Ferrari biopic, there will be expectations.

Unfortunately this presentation is uninspired. I really don't agree with the casting choice of Adam Driver for Enzo Ferrari. The only thing the two men have in common is seemingly height. Driver exudes an energy that is not the neurotic Italian man that is the brains behind Ferrari. The essence of Ferrari and Italia doesn't come across in a meaningful way. Driver possesses the menace that is Ferrari, but not much else.

A fan of classic automobiles will surely enjoy the various display of now unattainable rides in the movie though.

Ferrari ends up being such a slog of a movie in place of what should've been a thrilling an interesting portrait of a complex figure. The performances might be solid and there's an effective moment here or there but the word that comes to mind when describing the film as a whole is flat. This filmmaker and cast telling a story with this interesting a subject matter should've amounted to a lot more than it ultimately did. For as exhilarating as motor racing is supposed to be I have to say I found the film to be overwhelmingly dull when all was said and done.

The whole aesthetic is totally without life which is the last thing I would've expected for a director of Michael Mann's calibre. Mann takes a very documentarian approach to the directing and it just robs the film of any energy or sense of direction. From almost the opening minutes there a serious lack of momentum. The scenes play out in very beat for beat type way with no sense of flair and as impressive as the racing sequences are they're too few and far between to save this movie from the drag that it ends up being. All the scenes away from the track are framed in the most shot/reverse shot manner imaginable so almost none of the dramatic moments had any sort of impact on me. There's an extremely effective moment in the 3rd act that felt like Mann was finally adding some stakes to the whole thing by then it was too little too late for me.

The script here is painfully unremarkable and it rears its head in how it portrays its main character. Adam Driver is solid in the role as Enzo Ferrari, though I wouldn't rate it as one of his best performances, but I never really found the depiction of the character to be that compelling. It's established early on that Ferrari puts up a wall around everyone but as an audience member it put me at a distance from his character. I didn't think there were enough moments where his guard went down and we see what really drives him so as a result I just found him to be a bit of a rich egomaniac with motivations I didn't find to be that interesting. There's a love triangle that's set up with Penelope Cruz and Shailene Woodley's characters that almost felt like it should've been the scripts main focus but after a while it just fades into the background for the central race to take up more screen time. Driver and Cruz have good chemistry but I never really thought that Mann got to the heart of their relationship and the exposition that's given on this three way dynamic feels like it comes in the complete wrong order. I was just waiting for characters to find out information I already knew and it just kills the pacing and any impact that these reveals could've had.

I never would've guessed that Ferrari was a long time passion project for Michael Mann because nothing in the final product gives any sense of a vision for this story. It's totally unimpressive on a script and technical level and the few effective moments and impressive race sequences aren't enough to save the total bore that Ferrari ended up being as a whole.

Watched this and thought to myself wonder what budget was used, after finding out it cost 96 million I have to question where all the money went. The storyline drags and is very boring, some of the car scenes look terrible and most of the acting is very average.

It is very weird to make a movie about Enzo and only include a tiny piece of his life, there was a lot more to this man than one race and a love child. So much more in his life that would have made sense to make a movie about.

I really question sometimes movie studios and who makes the decisions on what to spend money on. In particular the car accident scenes are woeful, $96 mil and this is what they came up with? Pretty sure if you gave me that much I could make a better movie.

A slow, meandering & yawn-inducing sports biopic about the Italian automotive mogul whose family name has been synonymous with speed, power & luxury, Ferrari intends to showcase the personal struggles & professional crisis of a man trying to keep his auto empire afloat only to end up halfway on both fronts. Lacking in horsepower, flat in structure, devoid of a well-oiled engine & also short of a full tank, Michael Mann's latest swerves & steers with no confidence, has no momentum or sense of direction, fails to create any adrenaline-fuelled moments even when the race is on, and is further marred by cold, distant & over-the-top performances, thus finishing as a bland & forgettable outing altogether.