Une mini-série des adaptations des pièces historiques de Shakespeare : Richard II, Henry IV : Première et Deuxième parties et Henry V.Une mini-série des adaptations des pièces historiques de Shakespeare : Richard II, Henry IV : Première et Deuxième parties et Henry V.Une mini-série des adaptations des pièces historiques de Shakespeare : Richard II, Henry IV : Première et Deuxième parties et Henry V.
- Victoire aux 4 BAFTA Awards
- 7 victoires et 22 nominations au total
Parcourir les épisodes
Avis à la une
10kaaber-2
"The Hollow Crown" is BBC's magnificent filming of the Shakespeare's second Henriad (Richard II with Henry IV's rise to power, Henry IV, parts I and II, and Henry V). I believe the first three of these have only been filmed in the old 1970s BBC series of Shakespeare's complete works, and although the old series was at its best with its version of Henry IV, "The Hollow Crown" is far above it. Simon Russell Beale is the ideal choice for Falstaff, even with Orson Welles hard on his heels in the Falstaff compilation "Chimes at Midnight", Tom Hiddleston is a great Prince Hal, and Jeremy Irons, never known to err, shines as the guilt-ridden King Henry IV.
There are some interesting comments on the bonus material for Henry IV, part II that explains why the plays come across so successfully in 2012. Thea Sharrock, director of Henry V, muses that people may be shocked at hearing the actors speak in real surroundings (on location), but of course, that's old hat. Even Olivier anticipated that in 1944 with his Henry V. Moviegoers are not that easily shocked anymore. And although Hiddelston is also mistaken in his claim that it has never been done before, he is right in stating that "Shakespeare is at its best when you speak it like you're making it up." Julie Walters adds, "You've got to speak the lines, not in a stilted isn't-the-verse-beautiful kind of way; it's got to be the way you talk"
This natural way of speaking the lines, more foreign to British Shakespeare productions than to American ones, accounts for the greatness of "The Hollow Crown".
There are some interesting comments on the bonus material for Henry IV, part II that explains why the plays come across so successfully in 2012. Thea Sharrock, director of Henry V, muses that people may be shocked at hearing the actors speak in real surroundings (on location), but of course, that's old hat. Even Olivier anticipated that in 1944 with his Henry V. Moviegoers are not that easily shocked anymore. And although Hiddelston is also mistaken in his claim that it has never been done before, he is right in stating that "Shakespeare is at its best when you speak it like you're making it up." Julie Walters adds, "You've got to speak the lines, not in a stilted isn't-the-verse-beautiful kind of way; it's got to be the way you talk"
This natural way of speaking the lines, more foreign to British Shakespeare productions than to American ones, accounts for the greatness of "The Hollow Crown".
Arguably one of the very best screen adaptations of Shakespeare ever produced. They have pulled off what many have tried and failed to do: make good cinema out of the plays. The necessary realism is there, without detracting in any way from the source material. And the acting is for the most part really superb. Hats off especially for Jeremy Irons, David Dawson, Tom Hiddleston and Ben Whishaw. The latter's Richard II far surpasses any portrayal I have seen, both onstage and onscreen.
When I was at school, Shakespeare was as dry as the pages it was written on. To watch it, performed by actors who really know and understand Shakespeare, and can convey that in their work, is to enter a world of majesty, of subtle innuendo, of humour and of total understanding of the work of the Shakespeare who used his gift to allow 'the common man' to discuss and understand the goings-on and political machinations of his age. There are no 'spoilers' when it comes to Shakespeare - the work is out there in a myriad of forms and interpretations, waiting to be read. This production is one of the best available. Watch it, then read the plays. Savour the words. Go back and watch the scene performed. Truly appreciate the nuance and the masterful language of the master at work. I cannot recommend this production highly enough. From the haughty, almost effete King Richard (Ben Wishaw) through Jeremy Iron's haunted Henry IV to the masterpiece of development that is Tom Hiddleston's Prince Hal, this production brings the humanity and the grandeur of the role of King and all that conveys. Get it. Watch it. Love it.
What makes this selection of History plays so sublime? The glorious Ben Wishaw as Richard II. The equally glorious Tom Hiddlestone as Henry V. The - again - equally glorious Jeremy Irons as Henry IV. The fantastic supporting cast - especially Simon Russell Beale and Julie Walters and Rory Kinnear....
Also, the spellbinding music, the authentic locations, the detailed costumes, the sensitive cinematography, the wonderful direction and, of course, the eternally magnificent words.
I cannot find enough superlatives to praise these sublime productions. Shakespeare's language, his vision and his political and social world, brought to life by different directors with differing approaches, but with a singular aim - to entertain an audience with the most powerful weapons available - language. For me, they succeeded. To paraphrase the words of another denizen of Shakespeare's limitless imagination, Prospero, these productions: "...are such stuff as dreams are made on;"
Thank you, whoever had the common sense to commission and nurture these productions; the best thing I have seen on my television this year. And my 19 year old daughter and 16 year old son agree - I am no wrinkled greybeard, bemoaning the loss of the golden age, but I hope to see more of these productions; stunning gems of real culture and tradition, nestled amidst the dross of reality TV programming and the glorification of idiocy that is typified by the celebrity culture in which we live.
My copy of the DVD is on order, and I cannot wait to watch these magnificent productions again. And again and again and again....
Also, the spellbinding music, the authentic locations, the detailed costumes, the sensitive cinematography, the wonderful direction and, of course, the eternally magnificent words.
I cannot find enough superlatives to praise these sublime productions. Shakespeare's language, his vision and his political and social world, brought to life by different directors with differing approaches, but with a singular aim - to entertain an audience with the most powerful weapons available - language. For me, they succeeded. To paraphrase the words of another denizen of Shakespeare's limitless imagination, Prospero, these productions: "...are such stuff as dreams are made on;"
Thank you, whoever had the common sense to commission and nurture these productions; the best thing I have seen on my television this year. And my 19 year old daughter and 16 year old son agree - I am no wrinkled greybeard, bemoaning the loss of the golden age, but I hope to see more of these productions; stunning gems of real culture and tradition, nestled amidst the dross of reality TV programming and the glorification of idiocy that is typified by the celebrity culture in which we live.
My copy of the DVD is on order, and I cannot wait to watch these magnificent productions again. And again and again and again....
I have enjoyed watching the first series and I am about to begin the second set with Henry VI and Edward III.
The acting is impeccable (how could it not with that cast?), the closed-captioning appreciated by a Deaf individual and the battle scenes fascinating and interesting. I am a big fan of historical costuming and valued the work that must have gone into them.
For those who are not fans of Shakespeare this series may not be for you. I did not mind the old language but it takes a bit of getting used to if you are not familiar with it.
I was disappointed to see Charles VI, King of France, wearing the Order of the Golden Fleece during Henry V. This Order was established by Philip III, Duke of Burgundy (aka Philip the Good) in 1430 to celebrate his marriage to Isabella of Portugal. Henry V and Charles VI both died in 1422, eight years before the Order's inauguration.
The acting is impeccable (how could it not with that cast?), the closed-captioning appreciated by a Deaf individual and the battle scenes fascinating and interesting. I am a big fan of historical costuming and valued the work that must have gone into them.
For those who are not fans of Shakespeare this series may not be for you. I did not mind the old language but it takes a bit of getting used to if you are not familiar with it.
I was disappointed to see Charles VI, King of France, wearing the Order of the Golden Fleece during Henry V. This Order was established by Philip III, Duke of Burgundy (aka Philip the Good) in 1430 to celebrate his marriage to Isabella of Portugal. Henry V and Charles VI both died in 1422, eight years before the Order's inauguration.
Le saviez-vous
- AnecdotesThe second season depicts the marriage of Margaret of Anjou to Henry VI. The historical Margaret was 15 years old at the time. Sophie Okonedo was 46 when she played the role.
- GaffesExeter is played by the same actor through the series, but the Exeter in Henry V died more than 20 years before the Wars of the Roses. The Exeter during the Wars of the Roses was a different man entirely.
- ConnexionsFeatured in 20th Annual Screen Actors Guild Awards (2014)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How many seasons does The Hollow Crown have?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- The Hollow Crown: The Wars Of The Roses
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
What was the official certification given to The Hollow Crown (2012) in France?
Répondre