Suit la vie de Cromwell au cours des quatre dernières années, achevant sa transformation d'un self-made-man en la personne la plus puissante et la plus redoutée de son époque.Suit la vie de Cromwell au cours des quatre dernières années, achevant sa transformation d'un self-made-man en la personne la plus puissante et la plus redoutée de son époque.Suit la vie de Cromwell au cours des quatre dernières années, achevant sa transformation d'un self-made-man en la personne la plus puissante et la plus redoutée de son époque.
- Nommé pour 9 Primetime Emmys
- 15 victoires et 61 nominations au total
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As a life long Anglophile - with a special passion for the Tudors, I could not wait for this series - after only the first episode, I was not disappointed. Wolf Hall is the story of a (not so well known) Tudor personage Thomas Cromwell - lawyer and confidant of Cardinal Wolsey - who at one time early in Henry VIII's reign was "the most powerful man in England." After Wolsey's decline (none of them stay on top forever), Cromwell worked with King Henry VIII directly.
The fascinating thing about Cromwell is that he was a lowly born commoner, but possesses a quick mind, a sharp tongue and is utterly fearless. Mark Rylance is a great Cromwell - not striking in appearance - quite ordinary in fact, yet possessing the qualities that took him far. Even though after only a short glimpse of Damian Lewis in the first episode, I believe he will be a great Henry (based more on his past performances than anything else.)
Aside from being about one of the most interesting families and time periods in history, Wolf Hall's writing scintillates. These types of dramas are long on dialogue and short on action (so Fast and Furious or Mission Impossible fans - stay away), but the dialogue makes the story.
Some examples:
After Wolsey is disgraced (he failed to secure the annulment of Henry's first marriage to Catherine of Aragon from the Pope), Cromwell goes to Anne Boleyn - who is waiting in the wings as Henry wife #2:
Anne: "we only asked the Cardinal (Wolsey) for one simple thing (meaning the annulment)"
Cromwell: "It wasn't simple"
Anne: . . ."Maybe you think I am simple?"
Cromwell: "You may be, I hardly know you."
In Henry's court, no one talks to the next Queen in line like that.
Later, Cromwell visits Norfolk (who was an avowed enemy of Wolsey):
Cromwell: I hope he (The King) doesn't think still of invading France"
Norfolk: "What Englishman doesn't??" "We own France!!"
later same conversation:
Norfolk: "tell him (Wolsey) if he doesn't (go North) I'll come to him and I will tear him with my teeth!!
Cromwell:"May I substitute the word "bite" for "tear?"
Finally in the next scene Cromwell meets Henry and their subsequent discussion concerning a re-invasion of France shows how snarky and smart assed Cromwell can be - even to the King's face.
It is brilliant.
And of course if you have visited England, the scenery and castles will bring back fond memories of your visit.
The Tudors have been a popular subject of movies for some time (Keith Michell - 1970 Six Wives of Henry VIII; or a pretty complete list at http://tudorhistory.org/movies/), this one promises to be one of the best.
I cannot wait for subsequent episodes. DonB
The fascinating thing about Cromwell is that he was a lowly born commoner, but possesses a quick mind, a sharp tongue and is utterly fearless. Mark Rylance is a great Cromwell - not striking in appearance - quite ordinary in fact, yet possessing the qualities that took him far. Even though after only a short glimpse of Damian Lewis in the first episode, I believe he will be a great Henry (based more on his past performances than anything else.)
Aside from being about one of the most interesting families and time periods in history, Wolf Hall's writing scintillates. These types of dramas are long on dialogue and short on action (so Fast and Furious or Mission Impossible fans - stay away), but the dialogue makes the story.
Some examples:
After Wolsey is disgraced (he failed to secure the annulment of Henry's first marriage to Catherine of Aragon from the Pope), Cromwell goes to Anne Boleyn - who is waiting in the wings as Henry wife #2:
Anne: "we only asked the Cardinal (Wolsey) for one simple thing (meaning the annulment)"
Cromwell: "It wasn't simple"
Anne: . . ."Maybe you think I am simple?"
Cromwell: "You may be, I hardly know you."
In Henry's court, no one talks to the next Queen in line like that.
Later, Cromwell visits Norfolk (who was an avowed enemy of Wolsey):
Cromwell: I hope he (The King) doesn't think still of invading France"
Norfolk: "What Englishman doesn't??" "We own France!!"
later same conversation:
Norfolk: "tell him (Wolsey) if he doesn't (go North) I'll come to him and I will tear him with my teeth!!
Cromwell:"May I substitute the word "bite" for "tear?"
Finally in the next scene Cromwell meets Henry and their subsequent discussion concerning a re-invasion of France shows how snarky and smart assed Cromwell can be - even to the King's face.
It is brilliant.
And of course if you have visited England, the scenery and castles will bring back fond memories of your visit.
The Tudors have been a popular subject of movies for some time (Keith Michell - 1970 Six Wives of Henry VIII; or a pretty complete list at http://tudorhistory.org/movies/), this one promises to be one of the best.
I cannot wait for subsequent episodes. DonB
Peter Straughan condenses Hilary Mantel's award winning historical fiction novels for television. Peter Kominsky gets all the candles he needs for gloomily lit interiors but more importantly gets out great performances from his actors and a wonderful paced drama. There is little here that is stuffy or po faced.
Damian Lewis is a thinner, youthful and more athletic Henry VIII here. Claire Foy (Ann Boleyn) is the chancer who uses her body to enchant Henry when almost everyone is against her. Thomas More is portrayed as a religious zealot here happy to torture and kill in the name of Rome, far removed from 'A man of all seasons.'
Holding everything together is an understated but riveting performance by Mark Rylance as Thomas Cromwell. A social climber, a fixer, the son of a Putney blacksmith adept in the shadowy world of political intrigue and planning. Cromwell literally lurks in the shadows helped with all that candlelight. Cromwell is loyal too as he is with Cardinal Wolsey even after his fall from grace.
The kernel of the story is familiar although it is easy to forget that this is an adaptation of historical fiction. In short it is not all true.
Damian Lewis is a thinner, youthful and more athletic Henry VIII here. Claire Foy (Ann Boleyn) is the chancer who uses her body to enchant Henry when almost everyone is against her. Thomas More is portrayed as a religious zealot here happy to torture and kill in the name of Rome, far removed from 'A man of all seasons.'
Holding everything together is an understated but riveting performance by Mark Rylance as Thomas Cromwell. A social climber, a fixer, the son of a Putney blacksmith adept in the shadowy world of political intrigue and planning. Cromwell literally lurks in the shadows helped with all that candlelight. Cromwell is loyal too as he is with Cardinal Wolsey even after his fall from grace.
The kernel of the story is familiar although it is easy to forget that this is an adaptation of historical fiction. In short it is not all true.
Having only seen this really from Thomas More's perspective in 'A Man for all Seasons' (a brilliant film) I was intrigued to see it from the 'villain's' point of view which is what Cromwell was in the film. This has been quite an eye opener for me and I am absolutely hooked on the BBC series right now. It got off to a fairly slow start in episode 1 in setting the background for the story but it has just got better and better, the acting from Rylance and Lewis etc is superb and Mark Rylance is not too dissimilar in appearance from Cromwell's actual appearance. Another superb costume drama from the BBC and long may it continue if this is the standard we can expect for future productions.
Hilary Mantel's superb novels 'Wolf Hall' and "Bringing Out of the Bodies' manage to execute an extraordinary balance. On one hand, they rehabilitate the reputation of Thomas Cromwell, one of Henry VIII's advisors, who received wisdom portrays as a man of viciousness and ambition; according to Mantel, this picture dates only from Victorian times, and Mantel rehabilitates Cromwell as a surprisingly humanistic working class hero. But as the same time, she never strays into the territory of ascribing modern motives to the characters she wishes she have our sympathy, and "primitive" attitudes to the ones we're supposed to hate. Instead, she brings us inside the morality of the times: the fact that it doesn't map cleanly onto our own is precisely what makes the books interesting. This BBC television adaption can't quite replicate the stream-of-consciousness from inside Cromwell's head provided by the novels, and almost inevitably it's a bit more Tudors-by-numbers. But it doesn't do a bad job either, avoiding the obvious clichés and giving us a convincing realisation of Mantel's work that captures most, if not quite all, of its inherent subtlety. Mark Rylance is simply superb as Cromwell, and most of the other actors offer a convincing interpretation of their roles, especially Claire Foy as Anne Boleyn, the minor noblewoman who punches above her weight all the way to the chopping block. What's still to come is the third (as yet unwritten) book of the trilogy, and the fall that follows Cromwell's rise. I look forward to it as novel and television alike.
Hilary Mantel must be very impressed with the way BBC2 captured the spirit and tone of the turbulent Tudor era from the rise of Cromwell to the death of Anne Boleyn in Wolf Hall. The screenwriter condensed Bring Up the Bodies into just two episodes, but the storyline was easy to follow and did not feel rushed. All in all, I loved the series, both for the acting and the beautiful settings. Of course, Master Cromwell dominated by saying very little and conveying much with his masterful presence and quietly sympathetic character. At the same time, you had to admire the ambition and intellect he displayed in giving the king the wealth and freedom he needed to propel England into becoming a major state in Europe. Of course we know Henry's private life was marred by his obsessive need for a son, a desire fuelled by the tenuous nature of the Tudor's claim to the crown and the proliferation of Plantagenets that still existed at that time. Damian Lewis made an impressive Henry, still dashing and not yet quite a complete monster, although petulant and demanding. Mark Rylance's quiet almost withdrawn portrayal was so watchful, so intelligent, you feel this might well become his signature role. And Claire Foy made an intelligent and scheming Anne, who surely would have made a marvellous queen should she have managed to produce the sons Henry desired. All I want now is for Ms Mantel to finish the story of Cromwell's remarkable life, even though we all know it ends in tragedy.
Le saviez-vous
- AnecdotesThe weaving technique that Elizabeth Cromwell is shown doing with her hands is called Fingerloop Braiding, a popular technique used during the period to make cords, purse strings and laces for clothing.
- GaffesClaire Foy who plays Anne Boleyn has blue eyes. In real life Anne Boleyn had dark eyes.
- ConnexionsFeatured in The Wright Stuff: Épisode #20.10 (2015)
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- How many seasons does Wolf Hall have?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Dans l'ombre des Tudors
- Lieux de tournage
- Wells Cathedral, Wells, Somerset, Angleterre, Royaume-Uni(interior, Gray's Inn)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h(60 min)
- Couleur
- Mixage
- Rapport de forme
- 16:9 HD
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