Une jeune histoire d'amour se transforme en un menaçant jeu du chat et de la souris. Rien ni personne n'est ce qu'il semble être.Une jeune histoire d'amour se transforme en un menaçant jeu du chat et de la souris. Rien ni personne n'est ce qu'il semble être.Une jeune histoire d'amour se transforme en un menaçant jeu du chat et de la souris. Rien ni personne n'est ce qu'il semble être.
- Récompenses
- 2 nominations au total
Avis à la une
There is much to like with this movie. Grace Van Dien and the ever excellent Kyle Gallner are the two best reasons to watch this movie. Both are utterly convincing in their roles.
The direction and the editing, on the the other hand are, well, sub standard, is the polite way to say it. Some shots are dwelt on for too long and some of the scenes feel that they are 'acted' rather than having two people having a real conversation. The other actors are quite awful.
There is a nice little plot twist that comes in about half an hour into the movie that stops it falling into a schmaltzy Hallmark type movie.
Is it worth a watch? Kind of, but with some reservations.
The direction and the editing, on the the other hand are, well, sub standard, is the polite way to say it. Some shots are dwelt on for too long and some of the scenes feel that they are 'acted' rather than having two people having a real conversation. The other actors are quite awful.
There is a nice little plot twist that comes in about half an hour into the movie that stops it falling into a schmaltzy Hallmark type movie.
Is it worth a watch? Kind of, but with some reservations.
Greetings again from the darkness. Not long ago, cable movie channels were filled with late night flicks that were easy enough to watch, and even easier to forget. Unfortunately, that description fits the second feature film from director Amy Redford (daughter of screen legend Robert Redford). Scott Organ adapted the screenplay from his own play, "The Thing with Feathers", and the title of the film has been changed ... it played the 2022 Toronto Film Festival as ROOST. It's one of those times where some individual pieces are better than the film as a whole.
Grace Van Dien ("Stranger Things, CHARLIE SAYS, 2018) stars as Anna, who is on the verge of her 17th birthday. She has been secretly online chatting with an older "college boy" named Eric. In a virtual 'meet cute', they read Emily Dickinson poetry to each other and talk for hours. Since he lives 900 miles away, the two have never met, but in typical teenage fashion, Anna says "he gets me." As an unexpected birthday surprise, Eric (Kyle Gallner, THE FINEST HOURS, "Interrogation") shows up at her door and drops off a thoughtful present. All of this is happening as Anna's mother Beth (Summer Phoenix, sister of Joaquin and the late River) announces her engagement to her cop boyfriend Tim (Jesse Garcia, QUINCEANERA, 2016).
The proverbial 'stuff' hits the fan when Anna introduces Eric to her mom. Not only is Eric a bit older than he let on (and the college story was a fabrication), his aw-shucks and overly apologetic demeanor don't seem to charm anyone except Anna. But more than that, there's a twist here that causes a cosmic shift in all of these relationships.
Grace Van Dien is the great-granddaughter of the late and legendary Robert Mitchum, and she's worked non-stop the past ten years, though I've only seen her in a couple of things. She clearly has screen presence, although this role doesn't stretch her much at all. I do hope she's offered some more challenging projects moving forward. The bulk of the film's second half focuses on creepy manipulation and the grooming of teenagers ... a hot and important topic lately due to the vulnerability of teenage girls. The message is appreciated, but this one would have benefitted from some script polishing so that the dialogue was more realistic.
Opens on August 4, 2023.
Grace Van Dien ("Stranger Things, CHARLIE SAYS, 2018) stars as Anna, who is on the verge of her 17th birthday. She has been secretly online chatting with an older "college boy" named Eric. In a virtual 'meet cute', they read Emily Dickinson poetry to each other and talk for hours. Since he lives 900 miles away, the two have never met, but in typical teenage fashion, Anna says "he gets me." As an unexpected birthday surprise, Eric (Kyle Gallner, THE FINEST HOURS, "Interrogation") shows up at her door and drops off a thoughtful present. All of this is happening as Anna's mother Beth (Summer Phoenix, sister of Joaquin and the late River) announces her engagement to her cop boyfriend Tim (Jesse Garcia, QUINCEANERA, 2016).
The proverbial 'stuff' hits the fan when Anna introduces Eric to her mom. Not only is Eric a bit older than he let on (and the college story was a fabrication), his aw-shucks and overly apologetic demeanor don't seem to charm anyone except Anna. But more than that, there's a twist here that causes a cosmic shift in all of these relationships.
Grace Van Dien is the great-granddaughter of the late and legendary Robert Mitchum, and she's worked non-stop the past ten years, though I've only seen her in a couple of things. She clearly has screen presence, although this role doesn't stretch her much at all. I do hope she's offered some more challenging projects moving forward. The bulk of the film's second half focuses on creepy manipulation and the grooming of teenagers ... a hot and important topic lately due to the vulnerability of teenage girls. The message is appreciated, but this one would have benefitted from some script polishing so that the dialogue was more realistic.
Opens on August 4, 2023.
An attemp at a shocking thriller unfortunately turns into a lengthy, dull and plain film with plenty of cliches and repetitive tropes. The story itself had a nice simple (although not original) plot twist that sadly got lost in completely ordinary unsophisticated script. I am not saying that to make a good film you need to present an extremely complicated story, but when you do have a simple tale you have to grab the viewer's attention with other elements like a solid script or engaging cinematography and production design - all of which this picture lacks. Yet the biggest downfall (out of many) of What Comes Around is its incredibly weak acting performances. The rising Grace Van Dien (Stranger Things) just could not capture the protagonists's personality believably and her portrayal felt deeply artificial and in some scenes even ridiculous.
Roost is an uncomfortable film to watch, so there's your warning! The story centres around the relationship of three people: Anna, the 16 year-old falling for a guy she met online played by Grace Van Dien; Beth, Anna's mom played by Summer Phoenix; and Eric, the guy Anna talks to online played by Kyle Gallner. Just with that very minimal description of the film, I'm sure you can already sense some of the drama that ensues.
The film is absolutely uncomfortable, as was it's intention. There were many 😬 moments on my end, and it was evident that many people felt that way too. Grace and Summer are a good mother-daughter duo, sometimes overacting, but overall good. The real stand out in the film is Kyle Gallner; he was fantastic!
The film explores trauma, more specifically unprocessed trauma and how it can affect the lives of those around us. If this triggers you at all, maybe this movie should be a pass.
Definitely a provocative and twisted story, Roost was a film I picked just because it suited my schedule, but I am incredibly glad I was able to see it.
The film is absolutely uncomfortable, as was it's intention. There were many 😬 moments on my end, and it was evident that many people felt that way too. Grace and Summer are a good mother-daughter duo, sometimes overacting, but overall good. The real stand out in the film is Kyle Gallner; he was fantastic!
The film explores trauma, more specifically unprocessed trauma and how it can affect the lives of those around us. If this triggers you at all, maybe this movie should be a pass.
Definitely a provocative and twisted story, Roost was a film I picked just because it suited my schedule, but I am incredibly glad I was able to see it.
At first I thought this was a solid,muscular acted drama about a young teenage girl finding friendship then ' love' with a much older guy on the internet and the ramifications of how the internet can foster vulnerable girls into falling with much older men.
Cue a talky , arguments about the mother finding out and the girl expressing her love for this chap- who is old enough to know better... However, it doesn't really go down that way, a twist occurs mid way through that spins the entire film around completely.
This is a short,lean drama, clearly based on a play that gives weighty themes to adult responsibilities, childhood in peril and the sins of the past. Good performances around especially Kyle Gallner- my second film this week I've seen him in after 'The Passenger'; he's turning into an actor to watch.
A thought provoking and well made drama.
Cue a talky , arguments about the mother finding out and the girl expressing her love for this chap- who is old enough to know better... However, it doesn't really go down that way, a twist occurs mid way through that spins the entire film around completely.
This is a short,lean drama, clearly based on a play that gives weighty themes to adult responsibilities, childhood in peril and the sins of the past. Good performances around especially Kyle Gallner- my second film this week I've seen him in after 'The Passenger'; he's turning into an actor to watch.
A thought provoking and well made drama.
Le saviez-vous
- AnecdotesBased on the play "The Thing with Feathers" by Scott Organ
- ConnexionsFeatured in Half in the Bag: The Kyle Gallner Triple Feature Spectacular! (2023)
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- How long is What Comes Around?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 5 935 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 496 $US
- 6 août 2023
- Montant brut mondial
- 5 935 $US
- Durée1 heure 25 minutes
- Couleur
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