Un couple voit sa vie bouleversée lorsque leur fille est engagée aux côtés d'une grande star controversée.Un couple voit sa vie bouleversée lorsque leur fille est engagée aux côtés d'une grande star controversée.Un couple voit sa vie bouleversée lorsque leur fille est engagée aux côtés d'une grande star controversée.
- Réalisation
- Scénario
- Casting principal
Pippa Bennett-Warner
- Esther
- (as Pippa Bennett Warner)
Karel Bojan Hutter
- Security Guard
- (non crédité)
Andy M Milligan
- Private Club Member
- (non crédité)
Avis à la une
Rating: 7.6
Overall, a pretty good psychological thriller that is laid out well and shows the impact jealousy has on family dynamics/relationships, all lead by a good performance from Daisy Ridley and a well-executed climax.
Pretty Good Direction (The direction on a macroscale is good as he does a good job in laying out the conflict and planting the horror/thriller roots throughout the movie; the direction on a microscale is pretty good to good as the interpersonal scenes are where you really see the family dynamic and the relationships between the characters; the storytelling is good as you're really interested in what will happen next as they slowly unravel the conflict; the tension is built well as it keeps the audience engaged (especially towards the climax)), Pretty Good Acting (Good from Daisy Ridley (Really shows a full range of emotions and a lot of charisma in the lead role), Pretty Good from Shazad Latif (Plays well off of Ridley, but is a little too overt as the villain (still pretty good though)), Decent from Matilda Lutz (Shows some separation from the main two but holds her own enough), Decent to Pretty Good from the rest of the cast (everyone plays their role well, but it's really about the main three characters)), Pretty Good to Good Story (The concept is pretty interesting as it ties horror concepts around family dynamics and relationships; the plot structure is laid out well; the flow between sequences is good; the character writing is pretty good as you really get a sense of who Daisy Ridley's character is, but the rest are a bit overt), Pretty Good Screenplay (The dialogue is pretty good (some amateur lines); the symbolism is decently prevalent as the movie is centered around the family dynamic while also tackling mental illness; the foreshadowing is very good as it's a key element in telling the story), Pretty Good Score (Helped with establishing the tone), Pretty Good Cinematography (A lot of well-executed shots to create tension and build the seclusion of the world (especially when dealing with reflection)), Decent Editing, Pretty Good Sound (Helped with establishing tension), , Pacing is good as the movie felt like the right pace, Climax is well executed as they display what they were trying to build for the entire movie, Tone is very similar to other psychological thrillers, Saw the World Premiere at SXSW.
Pretty Good Direction (The direction on a macroscale is good as he does a good job in laying out the conflict and planting the horror/thriller roots throughout the movie; the direction on a microscale is pretty good to good as the interpersonal scenes are where you really see the family dynamic and the relationships between the characters; the storytelling is good as you're really interested in what will happen next as they slowly unravel the conflict; the tension is built well as it keeps the audience engaged (especially towards the climax)), Pretty Good Acting (Good from Daisy Ridley (Really shows a full range of emotions and a lot of charisma in the lead role), Pretty Good from Shazad Latif (Plays well off of Ridley, but is a little too overt as the villain (still pretty good though)), Decent from Matilda Lutz (Shows some separation from the main two but holds her own enough), Decent to Pretty Good from the rest of the cast (everyone plays their role well, but it's really about the main three characters)), Pretty Good to Good Story (The concept is pretty interesting as it ties horror concepts around family dynamics and relationships; the plot structure is laid out well; the flow between sequences is good; the character writing is pretty good as you really get a sense of who Daisy Ridley's character is, but the rest are a bit overt), Pretty Good Screenplay (The dialogue is pretty good (some amateur lines); the symbolism is decently prevalent as the movie is centered around the family dynamic while also tackling mental illness; the foreshadowing is very good as it's a key element in telling the story), Pretty Good Score (Helped with establishing the tone), Pretty Good Cinematography (A lot of well-executed shots to create tension and build the seclusion of the world (especially when dealing with reflection)), Decent Editing, Pretty Good Sound (Helped with establishing tension), , Pacing is good as the movie felt like the right pace, Climax is well executed as they display what they were trying to build for the entire movie, Tone is very similar to other psychological thrillers, Saw the World Premiere at SXSW.
This movie was okay, but definitely not Daisy's best. The film follows Annette, a woman who appears to be suffering from postpartum depression. When her daughter gets a role in a movie, Annette is left home with the baby while her husband Ben takes her to the set. On set, Ben meets Alice, a famous actor, and quickly finds himself falling for her, only for Annette's mental health to continue to spiral.
Overall, it was an entertaining enough movie. The script definitely needed a little more work. None of the characters are particularly likable. However, Annette does get some sympathy points for her husband wanting to cheat on her because she is sad. Daisy does an excellent job of being the unhinged, crazy, suspicious wife. I think they could have explored her character a bit more. It's also like they couldn't decide if they wanted Annette to be the villain or not. The ending was also pretty predictable. However, they did a couple of things to throw the viewer off, making some plot holes when you stop to think about it. If I had to summarize it, it feels like something is missing somewhere. If you're looking for Daisy Ridley movies, I'd recommend Young Woman and the Sea or The Marsh King's Daughter first. However, if you've seen those, this wasn't bad; it just felt incomplete.
Overall, it was an entertaining enough movie. The script definitely needed a little more work. None of the characters are particularly likable. However, Annette does get some sympathy points for her husband wanting to cheat on her because she is sad. Daisy does an excellent job of being the unhinged, crazy, suspicious wife. I think they could have explored her character a bit more. It's also like they couldn't decide if they wanted Annette to be the villain or not. The ending was also pretty predictable. However, they did a couple of things to throw the viewer off, making some plot holes when you stop to think about it. If I had to summarize it, it feels like something is missing somewhere. If you're looking for Daisy Ridley movies, I'd recommend Young Woman and the Sea or The Marsh King's Daughter first. However, if you've seen those, this wasn't bad; it just felt incomplete.
This film centres on married couple Annette (Daisy Ridley) and Ben (Shazad Latif), whose daughter Matilda (Hiba Ahmed) is cast alongside a glamorous movie star, Alicia Romano (Matilda Lutz). As the days go by Annette's suspicions are raised about the relationship between Ben and Alicia, and as Ben's relationship with with Alicia becomes deeper and deeper, Annette can't follow what is happening as Ben has begun locking his phone. But perhaps Annette is more devious than Ben realises...
This is a really nicely done thriller. I'm not a great fan of Ridley, but she plays the sidelined wife really well and I truly felt her pain as her husband's relationship with the actress developed. There was something slightly off right from the start, but of all the things it could have been, I never once suspected what it really was. It's not until the end scenes that we get the full picture but no spoilers here, I want you to enjoy the ride!
The music was odd at times, the score was very rasping and didn't always fit the scene. There were some mildly silly plot points but nothing to spoil the film at all. I was saddened by yet another DEI casting. It seems like we must have an interracial relationship in every film we see these days, a far greater proportion than exists in real life, which means I can't always relate well to the cast. However Latif puts in a good performance and I always felt there was a brooding menace from him, which helped the tension throughout. All in all it's not a groundbreaking film but it's certainly a worthwhile thriller that everyone will enjoy, not just misandrists. I rated it a healthy 6.
The music was odd at times, the score was very rasping and didn't always fit the scene. There were some mildly silly plot points but nothing to spoil the film at all. I was saddened by yet another DEI casting. It seems like we must have an interracial relationship in every film we see these days, a far greater proportion than exists in real life, which means I can't always relate well to the cast. However Latif puts in a good performance and I always felt there was a brooding menace from him, which helped the tension throughout. All in all it's not a groundbreaking film but it's certainly a worthwhile thriller that everyone will enjoy, not just misandrists. I rated it a healthy 6.
I just finished watching this and it kept my interest. You sort of new there was a build up in this movie but the writers kept it hidden pretty good. Since you were always waiting for the climax this thriller did its job pretty good. It does play to certain stereotypes of husbands and wife's. It is a bit unusual to see a movie breaking out of the liberal movement of 2024.
This is a great couples movie and it does not disappoint. Definitely a conversation starter after watching this. Which the junkyard of movies coming out of Hollywood this one is brave enough to go out into left field. Put this movie near the top of your list.
This is a great couples movie and it does not disappoint. Definitely a conversation starter after watching this. Which the junkyard of movies coming out of Hollywood this one is brave enough to go out into left field. Put this movie near the top of your list.
Magpie is a great showcase of Daisy Ridley's acting chops. She shows here that she can tackle a serious and complicated role outside of the Star Wars universe. The movie's premise is about a family's young daughter who is an actress who is starring along side a very popular actresss. The husband of the family starts to be infatuated with the actress and descends with being unfaithful to his wife who is played by Daisy Ridley. There is a little bit of cat and mouse game that is played here to effect and it's a slow burn. Magpie might not be for everyone who is looking for a fast paced thriller. Magpie gets a solid 7 stars out of 10 from me.
Le saviez-vous
- AnecdotesThe daughter in this film is named Matilda, which is also the real first name of the actress playing Alicia Romano, Matilda Lutz. In one scene, diegetic music plays while Matilda and Annette make breakfast, and this is the same music used in Matilda (1996) during the breakfast scene with the titular character. Additionally, Matilda (1996) is the favorite film of Daisy Ridley.
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- How long is Magpie?Alimenté par Alexa
Détails
Box-office
- Montant brut mondial
- 98 902 $US
- Durée
- 1h 30min(90 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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