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IMDbPro

Opus

  • 2025
  • R
  • 1h 44min
NOTE IMDb
5,7/10
5,8 k
MA NOTE
POPULARITÉ
1 305
350
Ayo Edebiri in Opus (2025)
A writer travels to the compound of a pop icon who disappeared years ago. Surrounded by his cult of sycophants, as well as a group of fellow journalists, she soon discovers his twisted plans for the gathering.
Lire trailer2:05
3 Videos
62 photos
Psychological DramaPsychological ThrillerDramaMusicThriller

Une écrivaine est invitée à se rendre à la résidence d'une vedette de la pop ayant mystérieusement disparu 30 ans auparavant. Elle se retrouve malgré elle au centre du plan de vengeance tord... Tout lireUne écrivaine est invitée à se rendre à la résidence d'une vedette de la pop ayant mystérieusement disparu 30 ans auparavant. Elle se retrouve malgré elle au centre du plan de vengeance tordu de la vedette.Une écrivaine est invitée à se rendre à la résidence d'une vedette de la pop ayant mystérieusement disparu 30 ans auparavant. Elle se retrouve malgré elle au centre du plan de vengeance tordu de la vedette.

  • Réalisation
    • Mark Anthony Green
  • Scénario
    • Mark Anthony Green
  • Casting principal
    • Ayo Edebiri
    • John Malkovich
    • Juliette Lewis
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,7/10
    5,8 k
    MA NOTE
    POPULARITÉ
    1 305
    350
    • Réalisation
      • Mark Anthony Green
    • Scénario
      • Mark Anthony Green
    • Casting principal
      • Ayo Edebiri
      • John Malkovich
      • Juliette Lewis
    Prochainement
    Sortie le 11 juillet 2025
    • 66avis d'utilisateurs
    • 89avis des critiques
    • 42Métascore
  • Voir les informations de production sur IMDbPro
  • Vidéos3

    Official Trailer
    Trailer 2:05
    Official Trailer
    Opus
    Trailer 2:05
    Opus
    Opus
    Trailer 2:05
    Opus
    Which Musician Made an 'Opus' Cast Member Cry?
    Clip 8:08
    Which Musician Made an 'Opus' Cast Member Cry?

    Photos62

    Voir l'affiche
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    Rôles principaux39

    Modifier
    Ayo Edebiri
    Ayo Edebiri
    • Ariel Ecton
    John Malkovich
    John Malkovich
    • Alfred Moretti
    Juliette Lewis
    Juliette Lewis
    • Clara Armstrong
    Murray Bartlett
    Murray Bartlett
    • Stan Sullivan
    Melissa Chambers
    Melissa Chambers
    • Bianca Tyson
    Tony Hale
    Tony Hale
    • Soledad Yusef
    Stephanie Suganami
    Stephanie Suganami
    • Emily Katz
    Mark Sivertsen
    Mark Sivertsen
    • Bill Lotto
    Amber Midthunder
    Amber Midthunder
    • Belle
    Tatanka Means
    Tatanka Means
    • Najee
    Aspen Martinez
    Aspen Martinez
    • Maude
    Peter Diseth
    Peter Diseth
    • Jorg
    Tamera Tomakili
    Tamera Tomakili
    • Rachel Malick
    Rose Marley Meizlesh
    • Levelist #1
    Jasper Keen
    Jasper Keen
    • Lee
    Young Mazino
    Young Mazino
    • Kent
    Jean Effron
    Jean Effron
    • Receptionist
    • (as Jean Efferon)
    Justin Perry
    Justin Perry
    • Magazine Editor
    • Réalisation
      • Mark Anthony Green
    • Scénario
      • Mark Anthony Green
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs66

    5,75.7K
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    Avis à la une

    4peter0969

    Disappointing mess

    Watched at the 2025 Sundance Film Festival.

    A24 recently seems to be having a slump with their horror movies because while Opus has a good concept and a good performance from Ayo Edebiri and John Malkovich, it's exhausting narrative, repetitive nature, and bland structure fails to impress itself with it's concept and becomes more of a dull and uninspired experience.

    The filmmaker clearly has an vision of celebrity worshipping and cult atmospheres but it feels like a blend of many themes and ideas mashed together, that don't feel earned nor impacted. Including characters that are underdeveloped and at times, unbearable with their bad dialogue and personality. Ayo Edebiri and John Malkovich really are the best aspects and even with good camerawork and production designs, the narrative and characters aren't good as they end up becoming horror cliches and predictable structure that leads with no creative moments.

    A24 horror flicks are usually pretty great but in recent times, their horror works have been going down and I do hope A24 is able to get back onto track soon.
    6imdbfan-6212434200

    A Stylish Horror That Missed Its Beat

    I had high hopes for Opus, especially since it promised to explore the dark side of celebrity culture. John Malkovich is incredible as always, playing Alfred Moretti, a reclusive pop star inviting industry elites to his mysterious desert compound. The setting was stunning, and the mood was appropriately eerie. But somewhere along the way, the story lost me. It felt like the film wanted to be profound and unsettling, but it didn't have enough depth to really deliver. The characters felt like caricatures, and the horror elements were stylish but shallow. It's one of those films where the concept is better than the execution. I wanted to be immersed, but I ended up feeling detached.
    6jared-25331

    That was underwhelming.

    Opus (2025) is the newest movie from A24 and it was very underwhelming, but it wasn't terrible.

    Positives for Opus (2025): The movie has an interesting enough plot involving the music industry. The acting is very good for what they had to work with. There are some cool things with the directing style. The movie moves at a good pace to it. And finally, the movie has a very interesting ending.

    Negatives for Opus (2025): The plot has some wonky execution to it. The characters aren't interesting or well developed. I barely knew what was happening with the story. And finally, I have no idea what the point of this movie was supposed to be.

    Overall, Opus (2025) is an okay but also very underwhelming movie from A24.
    4FaberFilmFiles

    Style Over Substance, and Not Enough of Either

    Opus wants to be daring and profound but mostly gives in to pretentiousness. John Malkovich is electric as a deranged ex-pop star cult leader, but everything else around him fails. The film throws gaudy images and provocative scenes against the wall and hopes something will stick-little does.

    Director Mark Anthony Green is more interested in being provocative than in coming up with a coherent narrative. Characters vanish, tone shifts at random, and anything that attempts to be satirical is submerged in the bedlam. It's like a fever dream of film school with a decent soundtrack.

    There's something here, but it's buried beneath masses of over-written trash and "weird for weirdness' sake" choices. One of the most frustrating films of the year-not because it's awful, but because it had the potential to be something amazing.
    6Insane_Person13

    What the fudge.

    Okay. Sooooo... uuhhhhh..... how do I start talking about this movie? Well, it's DISTURBING AS FUDGE for a start. There wasn't as much gore in this movie as I was thinking. Honestly, I don't even know what I was thinking when going to the cinema to watch this. The concept is not that bad. The REAL question is: Was it executed well enough to be a "good" movie? Well, it depends on what kind of horror/thrillers you are into. There's a scene in the middle of the movie that made me cringe. The ending wasn't really what I was expecting, which can be a good and a bad thing. I don't know if it is a good or bad thing in this case. The movie was pretty underwhelming, which I think was just trying to build the tension. When blood WAS on the screen, though, there wasn't loads of it. But there was an "injury" (not a kill) that was pretty painful to watch. If you have seen the movie, then you probably know which one I'm talking about. I'm talking about the bean bag one. If you know, you know. The "twist" at the end of the movie wasn't something that I saw coming. I wouldn't say that this is a good movie, but I wouldn't say it's a bad one either.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Amber Midthunder only speaks on one scene.
    • Gaffes
      When the office is watching Soledad's video announcing Moretti's return, the YouTube play bar remains paused and stuck at the 0:43 mark though the video continues playing.
    • Citations

      Alfred Moretti: The back row is asleep... but the front row is ready

    • Connexions
      Referenced in Higher Learning with Van Lathan and Rachel Lindsay: An Oscars Recap, and Talking Opus with Mark Anthony Green (2025)
    • Bandes originales
      Maggot Brain
      Written by George Clinton (as George Clinton Jr.) and Eddie Hazel

      Performed by Funkadelic

      Courtesy of Westbound Records, Inc.

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    Détails

    Modifier
    • Date de sortie
      • 11 juillet 2025 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Official Site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Опус
    • Sociétés de production
      • A24
      • MACRO
      • Makeready
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 10 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 1 993 397 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 1 033 117 $US
      • 16 mars 2025
    • Montant brut mondial
      • 2 196 593 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 44 minutes
    • Couleur
      • Color

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