Farang

Let's get straight to the point. The fight scenes in this movie are amazing, some of the best I've seen. And I've seen a lot. I am well-versed on the artistry of movie fight scenes. This is about as clear and hard-hitting as they come.

You can see everything. You can feel the hits. You almost experience the pain felt by these characters. My jaw dropped repeatedly. And there are a bunch of cool shots and camera movements during the fights.

As for the rest of the movie, there really isn't much there. It's the most bare-bones revenge plot we've seen a thousand times. Technical aspects are more than fine, but there isn't much to latch onto.

You could argue the same about GOAT action movie The Raid: Redemption. The difference is, The Raid doesn't focus on that bare-bones story. 70% of the movie is action scenes. It's more like 10% in this movie. Action is scarce until the climax and most of the focus is on the uninteresting story.

My personal recommendation: watch only the hallway/elevator scene at the end.

(1 viewing, 1/15/2024)

I had waited months for this to come be available in North America. I had high expectations given the episodes from Gangs of London and Frontieres. The last 20 mins was well choreographed and as violent as I would have expected the rest of the movie to be, in the end felt like some missed opportunities to ratchet up the action. Some of the locations were amazing. Overall worth it fro the elevator scene! The story felt way too dramatic when in reality it was a cookie cutter revenge story. Not sure about the lead actor - he was good in the action scenes but the dramatic parts were too drawn out.

No pun intended - a human is who he is. We are mostly unable to escape our true self. No matter the country we end up in ... our true colors will shine through. Of course if that means, you get to show off your fighting skills .. well that is very much appreciated.

Xavier Gens - he has done quite a few good movies. Some may argue it has been some time since his last good one. I will leave that judgement up to you. I know if you like action movies, you will have a field day here. The action choreography is really top notch. The level of violence through the roof ... the stunt people are quite known (tv show which I have not seen yet).

Main character is good, pacing may be a bit too slow for some I reckon ... but you can't have fighting all the time ... there needs to be some story in between ... even if it seems to lead nowhere ...

The European problem is not really a European problem. And one of these problems as an embodied problem solver, difficult fare? Had I considered this film choice carefully?

France, the country of origin, is probably at the top of the Lost Countries, bearing the rotten fruits of its dirty-golden years like no other nation. Fortunately, despite the bitterness, a change of scenery. Thailand. A little martial arts, even more idyllic holiday atmosphere. Everything could be fine now, but unfortunately the cobbler sticks to his last. Prototype: it has to be a lot very quickly, with as little effort as possible. So let's say impatience is in this blood, only evil tongues speak of criminal energy.

Enough negative energy, after the first quarter we get to see a real action pearl, a dramatic 90s Van Damme story build-up, which then leads to a 2010s The Raid-style battle. Yes, the finale is the same as always with these films, but it's somehow essential fan service. Comparisons with the current "Sixty Minutes" are legitimate, but France can do it better than Germany, wild Bangkok versus overrated Berlin is also self-explanatory, and so are learned martial arts skills versus martial arts history. However, it's nice that films like this still exist.

Been awhile. The last film I saw from Gens was Frontier(s) some years back which was eye opening and fiersome.

Fast forward, and here we are. He's done some "smaller" projects I believe since my indoctrination into Euro horror and thrillers, abd this one did not disappoint.

All too familiar tropes won't work if you don't have the atmospheres, the cinematography, and in this particular case, the extreme violent sequences. So beware, this film was far away from the faint of heart, but he did pay over and above homage to some of the better directors in the subgenre---Takashi Miike, Perk Chan Wook and the more recent to join in this clan, Gareth Evans.

It's bleak, it's realistic and graphic at the core of the violence. But when you have a solid lead protagonist---the violence comes through that character rather easily. It's a story of redemption in its infancy that turns on its heels into one of the best revenge films of the the past 10 years. Gritty, beautifully shot, and gripping enough to hold you, and even hard to look away when its at it most challengingly disturbing.

Bring on the XG shark film...