7 Psychopathes

I see the words "cult classic" in this movie's future. At the very least, I'll be adding this to my collection of movies such as Kick Ass, Pulp Fiction, Zombieland and Hot Fuzz that I love to watch over and over.

You know from the very first scene that this is not your typical Hollywood junk. It was HYSTERICAL, albeit in a pretty sick and twisted way - this is not for the faint of heart. The woman behind me must not have seen the previews, because she got up and left. I'm going to have to see it again this weekend just to catch some of the witty one-liners that I couldn't hear over the roaring laughter. The audience even applauded when it ended.

The script is razor sharp, and you couldn't dream up a better cast to bring it to life. I've always liked Sam Rockwell, but this was a star-making turn for him (at least in my book). You've never seen a movie quite like this. I see a new movie nearly every week, and I rarely feel compelled to sit down and write a review. So take my advice, do yourself a favor and go see it!

----no one else does--- one of my favorite things to tell the haters.

Trying not to give away any spoilers -- you have to watch this with an open mind looking to be entertained and not educated. Huge cast all the way to Tom Waites (who by the way, can do no wrong). The characters fit together and interact well. Although it's not the script of the decade, it is "playful". If I get into the characters and their roles I'll spill the beans. But I have to comment about Tom Waites (did I mention he can do no wrong?). He had an integral role in this film which I doubt many viewers really recognized and was flawlessly executed with the rhythm of an accomplished musician.

So take these two things from my review and relate them not just to this film but film in general - and even life; Don't take yourself so seriously - trust me, no one else does! Have no expectation of a film other than to be entertained (unless the film is a doc. of course).

Martin McDonagh's second feature film is one which starts with a huge amount of promise, with a great cast and some fast paced and fun dialogue for the first 30 minutes or so and a pretty classic premise. However I think the film really starts to decline from there as the movie tries to something different by subverting what you'd expect in a movie like this but in the end is let down by basically everything in the film from the acting to the writing and even just the plot really. 6 might be a bit harsh and is probably marking my disappointment for a movie from a director who made one of my favourite films but a 6/10 isn't really that bad, it's still a decent flick. I'd recommend it.

I watched this movie last week and I am still returning to re watch because it contains some of the most fascinating scenes I have ever watched.

I think the casting was very good. Sam Rockwell, who had already pulled off a slowly degrading and paranoid character living in moon alone, really succeeds in bearing the weight of the story. He is essentially causes almost all the progress single handedly and the parts really fit together.

Colin Farrell, who is a favorite of the director is another good flavor but I didn't really get impressed with his acting or his character. Because his character has almost no impact, he is dragged along to different situations and usually has no bearing in the movie. Maybe it supposed to represent the director in some level but it is very interesting to see the story teller who doesn't even realize how little control he has on his own story.

But I am mainly reviewing this title to praise Christopher Walken. Every one of is scenes are perfect, he is just brilliant. I have always liked him but I could never imagine that I would be impressed this much with his acting. I think the character is very interesting, his dialogs really fit the atmosphere and in general it was a very essential part of a good story.

Let's get the insane plot of Seven Psychopaths out of the way: Marty (Collin Farrell) is a struggling Irish screenwriter, who hopes to finish his screenplay for a film called "Seven Psychopaths," while battling a case of writer's block and author-indecisiveness. His best friend is Billy (Sam Rockwell), a boisterous dog-thief, who usually winds up dictating Marty's life rather than helping him along in tough times. Hans (Christopher Walken) is Billy's best friend and partner in crime when it comes to dog-snatching. After both Hans and Billy steal an unpredictable crime boss's (Woody Harrelson) shih-ztu, it becomes a violent, relentless cat-and-mouse chase to get the pup back, and in the meantime, we get lengthy monologues between characters about the production of "Seven Psychopaths" and how Marty's inspiration begins to bubble when he starts considering the barrage of real psychopaths in his own life.

There are several films that exist about the movie-making process and it is a very difficult genre to make effectively. Seven Psychopaths succeeds in balancing the art of characters and the art of plot coherency, and it doesn't cross the line of becoming too involved in the process and too concerned with "in" jokes that leave the audience lost. To put it simply; the actors look like they're having fun, but they make sure we are still amused and connected with the film.

Right off the bat, the first thing one can commend about this entire experience are the rich performances by actors of all different career heights. Collin Farrell plays a wonderful straight-laced man victim to idiocy and unhelpful circumstances, and is only made better by Sam Rockwell's character's shameless belligerence. Woody Harrelson, giving us one of his many diverse roles in recent years, has the rare ability of rustling up a fierce moment of seriousness and delivering a devilishly funny laugh in the same breath. And who could forget supporting-role king Christopher Walken, who continuously borders the line of self-parody here in a memorably sophisticated role? At times, Seven Psychopaths is a witty riot and at other times, it can be monotonous and lengthy. For starters, the film looks and feels like a Quentin Tarantino film blended with the likes of Guy Ritchie. Shots have a very slim sense of narrative cohesion and many, many times are we left bewildered at what we just watched. It's also apparent that the film has a meta, self-aware tone that can be pleasantly charming, and sometimes cloying and overly-cheeky. To simply my feelings; after many sequences was I trying to comprehend what was just given to me and how was I supposed to digest the experience all together.

I mentioned my feelings that the film seemed to drag and felt a little too long - specifically the final scene in the desert which is roughly twenty-five to thirty minutes. Perhaps if your interest is in cheeky comedies and self-aware humor, you won't mind at all. The film is certainly smarter and a lot brighter than some of the flyweight, narrow-minded comic exercises that have bestowed on the mainstream public in recent years. For once, it's refreshing to see a comedy pay close attention to its characters, its events, and its performance, never shortchanging anyone in the process.

NOTE: There's also something very, very different about the cinematography of this picture, different from any kind of visual atmosphere I have seen this year. The southern California area seems to be captured through a grungy, saturated lens with colors appearing bright, humid, and very warm. This easily makes Seven Psychopaths one of the most visually calm pictures of the year.

Starring: Colin Farrell, Sam Rockwell, Woody Harrelson, Christopher Walken, Tom Waits, Abbie Cornish, and Olga Kurylenko. Directed by: Martin McDonagh.