Flight

Robert Zemeckis' latest film Flight starring Academy Award Winner Denzel Washington is not only thoroughly entertaining and terrifically structured, it encompasses a soul that Hollywood hasn't really delivered in quite some time. The film, that closed the New York Film Festival, is simply one of the best films of the year.

Flight tells the story of Whip Whitaker, an airline pilot that saves a plane and nearly all its passengers from a certain death. When an investigation is carried out to look into the details of the crash, Whip's troubling lifestyle begins to surface. Writer John Latins creates a dynamic and an internal narrative confrontation for viewers to become immersed in a story full of mental struggle. It's a unique and very engaging story that stands as one of season's best efforts.

Denzel Washington, and not to be taken lightly, is fully in the zone and portrays one of his finest screen moments in years. I haven't been this impressed with his abilities as an actor since The Hurricane (1999). He lands solidly in Whip, giving us his natural aggression, charisma, and flaws. Allowing us to travel with Whip on this journey, Mr. Washington proves once and for all, he is one of the great treasures of American cinema. Denzel gives an access root into the character for all intended purposes, a clear understanding of the inner resistance that will not only plague Whip, but the movie audience as well.

The story doesn't seem like an obvious choice for Robert Zemeckis, who has excelled in genres that have provided masterpieces like Forrest Gump (1994) and Cast Away (2000). As the film provides a more dark and jagged approach in his directorial style, Zemeckis executes with precision. It's a satisfactory effort from the director who makes his return to live action after a long string of motion-capture efforts. Assisting Washington's bravura performance is Oscar-nominee Don Cheadle, who teamed up with Denzel in the 90's classic film, Devil in a Blue Dress (1995). As the wise-cracking lawyer, whose own moral values may be tested in exchange for corporate and criminal immunity, Cheadle is a relieved presence. In a comedic and near-brilliant performance, John Goodman steals Flight from every actor including Washington in his short, two-scene appearances. Goodman continues to show an effortless range, even in poor film choices, and a confidence that makes him one of the great character actors working today. It's a performance that Oscar should consider on multiple levels. In a heartbreaking turn, Kelly Reilly as the drug-addicted Nicole, provides an emotional epicenter and boundary that stands as one of Latins' great writing achievements. Reilly is simply marvelous.

Continuing to beef up their acting resume, the great Bruce Greenwood shines while Brian Geraghty continues to prove he is one of Hollywood's best kept secrets.

Composer Alan Silvestri orchestrates an outstanding score that is both melodic and soothing. Cinematographer Don Burgess, once-nominated for Forrest Gump, gives clean, fresh camera lenses look into a shockingly dirty and gritty story. Zemeckis' handle of the astounding opening scenes, especially the plane crash, is one of the best visual and nail- biting moments of the year. Its Zemeckis at his best!

Flight is not only one of the best cinematic efforts of the New York Film Festival; it stands as a great surprise and entry into the 2012 Oscar season. Denzel Washington is completely Oscar-bound but the buck shouldn't stop there; a deserved consideration campaign should be given to John Goodman and Kelly Reilly along with screenwriter John Latins. Flight is a home-run!

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All the way until the ending I was eating this up. "Flight" is a tense, character-driven drama about a heroic pilot who averts an epic disaster only to be caught in the crosshairs of a long, ugly investigation of his life. It presents a highly complex story, weaving themes of heroism vs. arrogance, good intentions vs. bad results, and bad intentions vs. good results. For 80% of the film, "Flight" is on par with the greatest character studies since "12 Angry Men". However, be prepared for a less than fitting ending, or at best an ending that was rushed so quickly that it leaves you wondering "did we miss an entire scene where the ghosts of Christmas past, present & future showed up?"

That's the only negative I have, although it's a big one. For the rest of my review I'll focus on the positives. The biggest positive is, of course, Denzel Washington as pilot "Whip Whittaker". He certainly doesn't disappoint. The role is a challenging one: a man whose personal life is a disaster even though his professional life is spotless. His professional arrogance leads him to deny the failure of his personal life, and this is the conflict that makes the film riveting.

Although this film is squarely about him, there were some peripheral characters who really added to the pot. British actress Kelly Reilley pulls of a convincing southern accent (though southern sticklers may spot it as more "Alabama" than "Georgia" haha) and more importantly gives us insight into the mind of a damaged person who is genuinely trying to better herself, unlike our hero who denies his faults. Another great character, though minimal, is John Goodman who shows up as a bizarre, surrealistic "fixer" and adds tremendous color and humor to the show. The attorney for Whip Whittaker is excellently played by Don Cheadle who balances slick legal professionalism with utter frustration at his client's self-sabotaging acts.

Even the action scenes were incredibly done, using a full sized commercial jet cut into sections and hoisted up on a weird contraption that made it flip around for the cameras. This is a first class production from start to finish.

It only falls shy of monumental because of its Zemeckisy ending, a trademark of many 80s directors like Spielberg and Ron Howard where everything has to be neatly tied up in a bundle with a moral ending, even if it seems out of left field considering the characters' personality. But that's just my opinion and the reason why I docked "Flight" a few points. You may find it perfect. Regardless I think everyone can agree that most of the film is phenomenal.

Based on the trailers for "Flight," I was expecting a investigative procedural film. Denzel Washington plays a pilot who manages to crash land a plane with a minimal loss of lives, a feat everyone agrees no other pilot could probably accomplish. But evidence that he was intoxicated while flying the plane emerges and instead of a hero who saved lives, he becomes a possible felon who caused the crash in the first place.

But the film isn't interested in the investigation. Instead, this is a film about an alcoholic and the rock-bottom journey he goes on that leads him to face his addictive demons. I've never been a huge Washington fan, but he does pretty tremendous work here. This also feels like surprisingly grown-up material for director Robert Zemeckis, who's most known for treacly stuff like "Forrest Gump." My major complaint about the film is that it's far too long. An entire subplot that gives Washington a nominal love interest in the form of a fellow addict could have been cut from the film entirely -- and a good half hour with it -- without any significant impact.

I don't know that I would heartily recommend this film for any reason other than the excellent performance of Washington.

Grade: B+

"Flight" is a film that brought Denzel Washington an Oscar nomination...something his performance richly deserved. It's a terrific performance in a terrific, yet harrowing, film.

Whip Whitaker (Washington) is an absolute mess. Although he's an airline pilot, he's an addict and boards a plane under the influence of cocaine and alcohol. He's so badly impaired that during the flight, he managed to sneak MORE alcohol into his body! Now here's the amazing part....the plane literally begins to fall apart in midair and through VERY quick thinking, he manages to crash land the plane with only minimal loss of life. When Whip awakens at the hospital, he soon learns that the press is declaring that he's a hero! This film is about his actions and the airline's and the pilot union's following the crash.

The scene where the plane begins to fall apart and crashes is about the most harrowing and adrenaline-pumping scenes you'll ever see in a film. I could actually feel my chest pounding and STRONGLY recommend anyone with a fear of flying to avoid this film!!! It's well done...and it's shocking no Oscar nominations were given to the folks who created this scene!

I appreciate Denzel Washington in this film. Not only is he very good, but he really took a risk here playing such a screwed up and self-destructive guy. This was clearly a stretch for him...and it's nice to see him do something different.

Overall, this is a really amazing film...not just because of the crash but also because it really shows addiction in all its ugliness and with great realism. Among the best of 2012...though oddly apart from Washington and one minor award, the film wasn't nominated for Best Picture nor Best Director.

UPDATE: I recently found "The Pilot" on YouTube. It's a very, very similar story starring Cliff Robertson...so similar that I have to believe the writer of "Flight" was 'inspired' by it strongly. Because it's so similar, I am amending my score for "Flight" from 10 to 9....but it's still a terrific story.

Trailers might lead you to believe this is a film about flying. Or about an amazing flying feat. But it is all about the lead character, Captain "Whip" Whitaker (Denzel Washington), a man who is a pilot and an alcoholic. The flying and a terrible crash provide background for the story of this man, who has struggled with his illness for years.

In many ways the story is not that original. We have seen numerous stories about alcoholics and heard real-life testimonies of the behaviors that accompany alcoholism, and this film tracks with all of them.

It is worth seeing for the brilliant portrayal of Captain Whitaker and the performances of the other actors in the film. Some parts are difficult to watch because the acting is so engaging.

I also think the film raises some interesting questions that some viewers may not be willing to acknowledge. If one is an alcoholic, is the entire worth of that man nothing more than what his sickness drags him down to? Are we what we do? Can we rise above our neuroses or our worst behaviors? Often we see public figures condemned in media for indiscretions or harmful acts; is that, then, the measure of the man or woman?

The film, even if judged solely for its dramatic content, is worth seeing.