Q

I really liked this film. It was shot in lovely locations in the French countryside, on the beach-front and in little town cafés, and it featured a host of beautiful actors and actresses (many of them non-professional). Yes there is a lot of explicit (non-simulated) sex and nudity throughout but for a film which is about exploring the central role of sexuality in our modern lives it makes sense and I didn't find it either offensive or pornographic. Though very sexually explicit the scenes were tasteful and beautifully shot. It was also quite a funny film. You could definitely watch this with your girlfriend or boyfriend.

I wish all countries could treat sexuality in a matter-of-fact way like this as the French do.

But a very effective movie. I had no idea watching this, that it would have graphic nudity in it. Nor that it would also include actual penetration (oral sex and more). But that is not the reason I was positively surprised by this movie. The performances did it. And the fact, that the woman actually feel real in this one. They have their problems and desires and feel like well thought persons, which unfortunately even in "normal" movies is not always the case.

If you don't have a problem with the sexual and erotic nature of the movie, you will watch a drama that is very well made. Interestingly enough by a man, who obviously wanted to break with some conventions and clichés. But remember, this is more an drama that is erotic/sexual, than erotic with some added drama!

Director Laurent Bouhnik had an interesting idea, but it didn't translate well on screen. I consider almost every aspect of this film a very rough draft.

1. Character development is almost non-existent. 2. The narrative is choppy and many scenes are unnecessary. 3. The plot lacks direction. 4. The acting is okay at best. 5. None of the characters are particularly likable.

Bottom Line: I've read several reviews that praise this film for it's success in it's depiction of eroticism, however, Bouhnik's overly-heavy focus on sex and erotic behavior doesn't leave enough room for the characters or the story to develop properly. I will admit that there are several (individual) scenes that are strong--diamonds in the rough, if you will--but when the film was over, I had taken nothing from it, felt nothing during it, and was generally uninterested in the story and the characters.

Its hard to make a drama erotic, the more complex if its the other way around. Q is an erotica at its dramatic best, a distant topper in the genre. The plot evolves with lives of some characters revolving around Cecile, the protagonist in the drama, and how she change their lives. Too much subtle the screenplay at times, that we tend to lose it quite easily. And thankfully, the erotic scenes never shadows the feel of the movie which makes it engaging throughout.

The creditable performances from the cast imprints the quality of the drama, and quite deceitfully we get obsessed with the protagonist played by the gorgeous Déborah Révy - a rare breed of voluptuousness and acting prowess. The movie for all its sensuousness should be indebted to some unseen good locale, complemented well by good cinematography. A must stop port this for the erotica lovers, and a good watch for other movie goers. Its an erotica at its dramatic best. 6.5/10

Wow, other reviewers see this as pornography. Take another look. It's about connection and disconnection in French society, in which sex and discussions about sex are used as a central vehicle for showing relations between men and women in French society (or at least younger ones). Note that the director never shows anything above the waist of the nude women in the shower chattering away about sex and men. Note that all the characters are missing each other needs and hence at odds and frustrated. Note the scene in the plaza where everyone is self-absorbed. Note that the author starts the movie with a message that he still believes love is possible.

Where the movie fails most is not in its failure to do more than vaguely allude to the background situation - unemployment and a shipyard strike. Why those are even there is never clarified. Rather, it was the director's inability to bring the story to completion without implanting an implausibly happy ending that left me wondering what was the point of it all. If French social relations are pretty much the same as they were 25 years ago, then the director's gotten quite a bit right. Unfortunately, he didn't know where to go with it. That's why, in spite of the good acting (for the most part), I gave it only six stars.