All Ladies Do It

Maestro Brass is usually considered to be either most underrated or most overrated director in Italy. "All Women Do It" is his another, most successful exercise in stylish porn, with anal fetish and ridiculous morality. Not sexy, but that, kind of, is the point.Has a certain innocent charm, but then again, nothing more than just a porn film. *

Tinto Brass is usually referred to as either a misunderstood genius or a talentless hack. Cosi fan tutte ("All Ladies Do It") proves that he's neither one. When he doesn't take himself too seriously (which, unfortunately, he does quite often) the man is perfectly capable of creating fun, well-polished, strict entertainment. Cosi fan tutte certainly slips into the realm of pornography on occasion, but it has a sense of lightness and fun that breaks the ice and avoids real discomfort, and even, in some ways, a certain feminist sensibility (though the moral of the story shouldn't be taken as a very serious statement). It's a funny, sexy, beautifully shot erotic comedy that doesn't drag along too much and should be quite a lot of fun for open-minded couples to watch together.

I believe that this film is the best from all Tinto Brass' movies. It is funny and interesting, and, the most important, Claudia Coll is very good in that role. It is surprising to me that maestro Brass had never done anything better than this film. Most of his movies are boring, and even sex sceens don't help.

I've seen most of Tinto's films and this one follows the same mold..... Wife cheating, but the husband should be understanding because she loves him. It's interesting that Tinto never has the husband respond with affairs of his own. If Pollo had told Diana it's fine we'll have an open marriage.... There are some sexy ladies at work who want my body... Would she be understanding? Claudia Koll handled her part well, but Pollo could have been better cast. Tinto's films are a step up from most soft-core.

(1992) All Ladies Do It/ Così fan tutte DUBBED EROTIC COMEDY

Edited, co-written and directed by Tinto Brass that has a young wife, Diana (Claudia Koll) flirting with some French guy, Alphonse (Franco Branciaroli) on the dance floor while her husband, Paolo (Paolo Lanza) was sitting nearby watching naked women exhibition. And as soon as she goes into the bathroom, it is during then Alphonse follows her always complimenting her rump. And just when he is about to make a move on her, is when her husband knocks on the door, shouting her name to come out. As soon as Diana acknowledges her husband's presence calling her behind the door, she pretends to finish using the toilet, only to drag Alphonse behind the door, only so her husband would be unable to see him. Paolo tells her he is bored and wants to leave, and while he was driving she then tells him, she was about to make out with a French guy had he not knock onto the door, and she tries to motivate him to reenact that moment. It was at that point, he believes she was only making it up only to get an arouse out of him. And when she does succeed getting that from him, they then make out during an area where prostitutes happened to be hanging out. They would then make out some more at their place of residence as she is feeding him more stories he believes she is making it all up. We then see Diana go to her place of work, as she takes transit with two different guys standing opposite side of her, only so each of them can grope her whenever the bus makes a disruption. When Diana realizes this was happening, she would then make adjustments that ended up one passenger unintentionally groping the other male passenger by moving herself to a different aisle, and this time on front of a priest. By the time she gets off, then viewers get to witness what kind of work she does and it happens to be a clothing store. And of course, her boss also appears to be in on groping his female co-workers. One of them eventually makes out with him, until she receives a telegram about her aunt passing away. By the time she goes to seek what her aunt's will consisted about, she then makes out with a former flame, Marco (Marco Marciani) before she decides to go and see the French guy, Alphonse again. And upon taking her upstairs to his main bedroom, we then find out he is clearly a fan of woman's rump kind of guy, as he has plenty pictures and statuettes plenty of women's behind. After this was done, Diane and her husband make out some more after watching some of her aunt's provocative black and white news reels as she filmed herself on her affairs with other people. And as soon as her husband, Paolo spots a hickey on her, he then did not want anything to do with her accusing her of cheating at the same time. And this is when those nuances end is when she sends over her best friend, Nadia (Ornella Marcucci) to convince him to take her back in a pretentious kind of way. And when she does come over to help her friend, she becomes offended when he does not comply to her advances. If Nadia believes about her having an affair, why not offer a threesome. The movie does not say.

Anyways there is a ton of nudity, some of the scenes are just as ridiculous as the others that kind of suggests the writer/ director Tinto Brass must have receive a ton of letters or read many to come up with so many unlikely nuances. And all of the silliness was amusing up to a specific point when she does not mind cheating on her husband Paolo, but the movie does not address whether she would not mind if her husband was cheating on her with other women. Diana obviously prefers to be married to someone who wants an open marriage when her husband wants to be with only one person, and that person is happens to be his wife.