Le médecin de famille

Filmed in the rolling landscapes of Patagonia, Argentina, WAKOLDA is a truly harrowing story of the Nazi doctor who continued to practice his experiments well after the Second World War had ended.

In exile and among a group of Nazi sympathizers, Josef Mengele (Àlex Brendemühl) lives under an assumed name, and ingratiates himself with a family running a hotel. Befriending the young daughter Lilith (Florencia Bado) he claims to be able to increase her growth and thereby prevent her from being teased at school for being the smallest in the class. She readily agrees; as do her parents. This provides the pretext for Mengele to continue his macabre researches that actually do more harm than good.

Lucía Puenzo's film contrasts the domestic world of Lilith with the world of the Nazi sympathizers congregating in a local German school. They still practice the salute, and forge a regimented atmosphere guaranteed to impose order on the unwilling learners. Lilith is sent to the school, in the hope of receiving a good education - although remaining largely unaffected by Nazi ideology, she is made painfully aware of her lack of height, which only encourages her to seek Mengele's help even more.

Set in 1960, WAKOLDA draws a direct parallel between Mengele's work and the doll-manufacturing practiced by Lilith's father Enzo (Diego Peretti). At first Enzo makes all the toys himself; but with Mengele's investment the venture is transformed into a small cottage industry, where all the dolls' faces are identical and they are given tiny mechanized beating hearts. We are made painfully aware that Mengele treats humanity with just the same indifference as the factory workers treat their dolls - as material for experimentation rather than living breathing personae.

The film maintains a cool, detached tone throughout; although Israeli agents pursue Mengele with the same enthusiasm as with other ex- Nazis (notably Adolf Eichmann), they fail to capture him. But this is not really the film's concern: director Puenzo is far more concerned with Mengele's terrible plausibility as a practicing doctor taking unwitting victims into his confidence and subsequently abusing them.

The true story of Dr Mengele, AKA The Angel Of Death, who, back in 1960, moves in with an Argentinian family, under a pseudonym. It quickly becomes apparent that he is not as clean as he makes out and starts doing experiments on the young daughter Lileth, very well played by Florencia Bado.

Àlex Brendemühl is superb as Mengele, really chilling and frightening and gives an insight into what a seriously deranged person Mengele really was. His desire for an Aryan race continuing long after the war, when he 'invests' some money into a doll factory, which makes doll's that all have to be identical.

There are also some great performances from Natalia Oreiro and Diego Peretti as the parents of Lileth. A fascinating movie, well worth a look.

Entertaining and suspenseful thriller about Joseph Mengele and a good family , starring an excellent plethora of actors as Àlex Brendemühl, Diego Peretti, Guillermo Pfening, Natalia Oreiro, Florencia Bado and Elena Roger and being Argentina's submission for the Oscar for best foreign language film . Based on Lucia Puenzo's readable novel , and also filmmaker , this is an exciting thriller about The Doctor "Joseph Méngüele", (Àlex Brendemühl) known member of the Nazi party German, and cruel doctor of the concentration camp of Auschwitz ; concerning in the years he spent "hiding", along with many other Nazi's, in South America following his escape from Germany . He escaped and pursued by the Mossad took refuge in Paraguay and Brazil after the fall of the Third Reich as many war criminals did after the war . There in South America get together a group of young people , militants of the Third Reich, to work in strange issues in which he can proceed their repugnant experiments on genetic engineering and twins . As the subtle veil of horror draped over things we take for granted as good and wonderful aspects of humanity is deeply unsettling . Mengele attempts to reconstitute the Nazi movement from his sanctuary cloning of boys' genes and carrying out terrible practices ; in fact , at that time cloning was on initial developing . As his clammy presence returns to the big screen with this Argentine drama based on the true story of a family who lived with Josef Mengele without knowing his true identity, and of a girl who fell in love with one of the biggest criminals of all time . Patagonia, 1960 . A German doctor (Alex Brendemühl) meets an Argentinean family and follows them on a long desert road to Bariloche , arriving in a small town where the family will be starting a new life , there they run a hotel in the icy boondocks , but 'once a Nazi scumbag, always a Nazi scumbag', and soon Mengele's back pursuing his interest in eugenics on the youngest member of the clan . As Eva (Natalia Oreiro), Enzo (Diego Peretti) and their three children welcome the doctor into their inherited hotel and entrust their young daughter, Lilith (Florencia Bado) . Lilith (played by the newcomer Florencia Bado) is remarkably small for her age, and is often the victim of much teasing at school as a result. However there appears to be a cure for her lack of growth , as the local German doctor . Soon Mengele is living in the lakeside hotel the family operates, investing in dad Enzo's custom doll-making business, and making medical suggestions for how undersized Lilith — who looks like an eight-year-old and is teased at school as a "dwarf" — might jump start her growth and kick-start her delayed adolescence . Wakolda is the name of our 12 year old protagonist's doll, and is therefore emblematic of her innocence, which is far more poignant. Meanwhile , a photographer begins to investigate and discovers the horrible plan of "Méngüele¨ , the "Angel of Death," , one of the most dangerous criminals in the world.

The screenplay by Lucia Puenzo takes some licenses about Mengele real-life but is nicely developed and gets certain tension and amusement with moral dilemma included . Its importance lies mostly in its dramatic as well as thrilling approach . Wakolda" (original title) which represents a more fitting , symbolic title to truly capture the essence of this moving, disquieting drama ; being also titled "The German Doctor" or ¨El medico Aleman" results to be a suspense movie that amuses and entertains , has good taste and in general lines is above average . Story is not boring , neither tiring but is entertaining at any time, though it is true that turns into a picture that tends to underline its latent absurdities and entangled in his ending . After all, this picture is not about the doctor, as such , but his relationship with the young Lilith , finding a strand of intimacy amidst an otherwise comprehensive, implicative narrative . In the picture appears some of the best Argentinean actors such as Natalia Oreiro as Eva , Diego Peretti as Enzo , both of whom give nice interpretations . Special mention to Spanish Àlex Brendemühl , he is terrific as a brutal Josef Mengele .

The motion picture was well written and directed by Lucia Puenzo . As Puenzo efficiently seeks to explore the banality - and impunity - of a devastating evil . Lucía Puenzo's third feature film to follow the critically acclaimed Xxy and The Fish Child . Wakoda premiering in the Un Certain Regard programme at the 2013 Cannes Film Festival ; Puenzo's latest went on to be nominated as Argentina's official entry at this year's Academy Awards amidst much acclaim .

A stranger, with a foreign accent, asks if he can follow a family on the road towards the South. The father agrees, though everyone look at him warily. Everyone but Lilith, the 12 year-old girl who looks 8, fascinated by this man fixing his gaze on her.

Lucia Puenzo is known for exploring difficult and unusual relationships, and this particular feature makes her movies quite appealing. Add to that, beautiful landscapes, solid directing and you've got one of the best thrillers of 2013.

Also interesting to see, the way South America coped with ex-NSDAP members and how they continued to live and work amidst general indifference.

Some things seem like never ending, and as such this movie truly acts like a spell.

Puenzo has managed to create an interesting story that revolves around Mengele's arrogant manipulation of an Argentinian family.

Its focus is initially on his relationship with the 12 year-old girl, Lileth, and his wish to help her with growth hormone treatment, however, it is never really made clear in the film as to whether this is merely Mengele seeing an opportunity to carry on his experiments or there is something darker about this relationship. Mengele manages throughout the film to manipulate the parents through promises of helping Lileth and easing the discomfort of the pregnant mother, and even offering to financially back the father in a potentially lucrative doll-making business.

Puenzo uses the doll-making as a metaphor for Mengele's obsession with perfection which is a little heavy-handed, and Mengele's relationship with Lileth is rather confused. Both of these point to the fact that Puenzo could really have opened up the story a bit more as there are hints at something far more sinister going on around the Claustrophobic confines of the family.

The German school Lileth is sent to has an underlying stench of Nazism still at play, yet this is something that Puenzo fails to explore. Also, the character of Nora, an archivist, photographer and Israeli agent, is underdeveloped. Puenzo merely hints at the work of Mossad and the how this is an important factor in the behaviour of both Mengele and Nora, also the group of Nazis working in a nearby country house isn't explained until Eva, the mother, gives birth and this necessitates Mengele requiring the help of the Nazi clinic.

So, for me, Puenzo should have explored many of the underlying themes evident in the story. This felt like a 90 minute movie that could have added another half an hours worth of expositional drama that would have created more of a sense of suspense. As such, Wakolda is an interestingly dark drama, yet one that lacks the depth of a bigger movie.