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Seen at 2013 Cannes Film Festival, section "Un Certain Regard"

Movie "Wakolda" challenges possible escape of Nazi physician Josef Mengele (Alex Brendemühl) to Bariloche, Argentina, in 1960, after being successfully in hiding for over a decade in Buenos Aires. On the road he meets an Argentinian family and becomes fascinated with their daughter Lilith (Florencia Bado) who was born premature and thus has smaller body for her age. Upon their arrival to Bariloche, Mengele, going by name Helmut Gregor, becomes a guest of family's lodging house. With permission of mother Eva (Natalia Oreiro) and behind father's Enzo (Diego Peretti) back, Mengele starts to treat Lilith with growth hormones, which reopens his fascination with pure Aryan race...

The movie has exceptional score, cinematography and direction, almost fully shot in Bariloche's exteriors. The story develops into psychological thriller and suspense especially in moments where the family has no idea who the stranger in their house truly is, but spectators are fully aware of his true nature. Director Puenzo managed to incorporate into her movie elements of Nazi fascination by local community, mystery of genetic research and innocence of young Lilith who feels privileged to get stranger's attention.

Alex Brendemühl is chilling as the "Angel of Death", while Florencia Bado gives solid performance, especially being it her first movie role. Natalia Oreiro, Diego Peretti and Elena Roger manage to capture essence of their diverse characters and have on-screen moments with stunning performances. Oreiro convincingly portrays a mother who submits her child to hormone experimentation believing it to be the only option to help Lilith as she blames herself for having her prematurely.

The movie is multilayer and touches topics of Argentinian history that is not known to many. "Wakolda" is certainly an extraordinary movie experience.

more than a movie , it is an experience. a special puzzle from many historical details and a thriller who seduce at whole. because all is at perfect place - the acting, the script, the music. and the cold feeling about the evil essence. a remarkable film for the smart use of past shadows. and for the manner to explore each. Alex Brendemuhl does one of his great roles as one of post war legends. Natalia Oreira is far by soap opera classic circle. and the landscapes are ideal tool to suggest, to define the atmosphere. a movie for reflection. because its message remains universal. and it seems be more and more important. against forgetting. and as brilliant example of precise movie about past stains.

Entertaining and suspenseful thriller about Joseph Mengele and a good family , starring an excellent plethora of actors as Àlex Brendemühl, Diego Peretti, Guillermo Pfening, Natalia Oreiro, Florencia Bado and Elena Roger and being Argentina's submission for the Oscar for best foreign language film . Based on Lucia Puenzo's readable novel , and also filmmaker , this is an exciting thriller about The Doctor "Joseph Méngüele", (Àlex Brendemühl) known member of the Nazi party German, and cruel doctor of the concentration camp of Auschwitz ; concerning in the years he spent "hiding", along with many other Nazi's, in South America following his escape from Germany . He escaped and pursued by the Mossad took refuge in Paraguay and Brazil after the fall of the Third Reich as many war criminals did after the war . There in South America get together a group of young people , militants of the Third Reich, to work in strange issues in which he can proceed their repugnant experiments on genetic engineering and twins . As the subtle veil of horror draped over things we take for granted as good and wonderful aspects of humanity is deeply unsettling . Mengele attempts to reconstitute the Nazi movement from his sanctuary cloning of boys' genes and carrying out terrible practices ; in fact , at that time cloning was on initial developing . As his clammy presence returns to the big screen with this Argentine drama based on the true story of a family who lived with Josef Mengele without knowing his true identity, and of a girl who fell in love with one of the biggest criminals of all time . Patagonia, 1960 . A German doctor (Alex Brendemühl) meets an Argentinean family and follows them on a long desert road to Bariloche , arriving in a small town where the family will be starting a new life , there they run a hotel in the icy boondocks , but 'once a Nazi scumbag, always a Nazi scumbag', and soon Mengele's back pursuing his interest in eugenics on the youngest member of the clan . As Eva (Natalia Oreiro), Enzo (Diego Peretti) and their three children welcome the doctor into their inherited hotel and entrust their young daughter, Lilith (Florencia Bado) . Lilith (played by the newcomer Florencia Bado) is remarkably small for her age, and is often the victim of much teasing at school as a result. However there appears to be a cure for her lack of growth , as the local German doctor . Soon Mengele is living in the lakeside hotel the family operates, investing in dad Enzo's custom doll-making business, and making medical suggestions for how undersized Lilith — who looks like an eight-year-old and is teased at school as a "dwarf" — might jump start her growth and kick-start her delayed adolescence . Wakolda is the name of our 12 year old protagonist's doll, and is therefore emblematic of her innocence, which is far more poignant. Meanwhile , a photographer begins to investigate and discovers the horrible plan of "Méngüele¨ , the "Angel of Death," , one of the most dangerous criminals in the world.

The screenplay by Lucia Puenzo takes some licenses about Mengele real-life but is nicely developed and gets certain tension and amusement with moral dilemma included . Its importance lies mostly in its dramatic as well as thrilling approach . Wakolda" (original title) which represents a more fitting , symbolic title to truly capture the essence of this moving, disquieting drama ; being also titled "The German Doctor" or ¨El medico Aleman" results to be a suspense movie that amuses and entertains , has good taste and in general lines is above average . Story is not boring , neither tiring but is entertaining at any time, though it is true that turns into a picture that tends to underline its latent absurdities and entangled in his ending . After all, this picture is not about the doctor, as such , but his relationship with the young Lilith , finding a strand of intimacy amidst an otherwise comprehensive, implicative narrative . In the picture appears some of the best Argentinean actors such as Natalia Oreiro as Eva , Diego Peretti as Enzo , both of whom give nice interpretations . Special mention to Spanish Àlex Brendemühl , he is terrific as a brutal Josef Mengele .

The motion picture was well written and directed by Lucia Puenzo . As Puenzo efficiently seeks to explore the banality - and impunity - of a devastating evil . Lucía Puenzo's third feature film to follow the critically acclaimed Xxy and The Fish Child . Wakoda premiering in the Un Certain Regard programme at the 2013 Cannes Film Festival ; Puenzo's latest went on to be nominated as Argentina's official entry at this year's Academy Awards amidst much acclaim .

Puenzo has managed to create an interesting story that revolves around Mengele's arrogant manipulation of an Argentinian family.

Its focus is initially on his relationship with the 12 year-old girl, Lileth, and his wish to help her with growth hormone treatment, however, it is never really made clear in the film as to whether this is merely Mengele seeing an opportunity to carry on his experiments or there is something darker about this relationship. Mengele manages throughout the film to manipulate the parents through promises of helping Lileth and easing the discomfort of the pregnant mother, and even offering to financially back the father in a potentially lucrative doll-making business.

Puenzo uses the doll-making as a metaphor for Mengele's obsession with perfection which is a little heavy-handed, and Mengele's relationship with Lileth is rather confused. Both of these point to the fact that Puenzo could really have opened up the story a bit more as there are hints at something far more sinister going on around the Claustrophobic confines of the family.

The German school Lileth is sent to has an underlying stench of Nazism still at play, yet this is something that Puenzo fails to explore. Also, the character of Nora, an archivist, photographer and Israeli agent, is underdeveloped. Puenzo merely hints at the work of Mossad and the how this is an important factor in the behaviour of both Mengele and Nora, also the group of Nazis working in a nearby country house isn't explained until Eva, the mother, gives birth and this necessitates Mengele requiring the help of the Nazi clinic.

So, for me, Puenzo should have explored many of the underlying themes evident in the story. This felt like a 90 minute movie that could have added another half an hours worth of expositional drama that would have created more of a sense of suspense. As such, Wakolda is an interestingly dark drama, yet one that lacks the depth of a bigger movie.

The true story of Dr Mengele, AKA The Angel Of Death, who, back in 1960, moves in with an Argentinian family, under a pseudonym. It quickly becomes apparent that he is not as clean as he makes out and starts doing experiments on the young daughter Lileth, very well played by Florencia Bado.

Àlex Brendemühl is superb as Mengele, really chilling and frightening and gives an insight into what a seriously deranged person Mengele really was. His desire for an Aryan race continuing long after the war, when he 'invests' some money into a doll factory, which makes doll's that all have to be identical.

There are also some great performances from Natalia Oreiro and Diego Peretti as the parents of Lileth. A fascinating movie, well worth a look.

'The German Doctor' is a quiet movie, but with a dark undertone, telling of the sojourn of escaped Nazi doctor Josef Mengele in southern Argentina (in fact, the plot is fiction, but also a surmisable version of the truth). What I liked about this film is that it inclines us to see Mengele as monstrously wrong-headed, but still in some senses still human, while a late revelation still shocks us by revealing the true awfulness of this man. Also, the Patagonian scenery is beautiful and the use of creepy mechanical dolls as a visual metaphor for how Mengele sees humans is also nicely done. But we know that Mengele got away in the end, and the film also tells us (by dint of a voice over, delivered with hindsight) that the girl we see him experiment with also survives. And thus there's just not so much dramatic tension, and the movie is rather slow to advance beyond its premise: most of the impact comes at the end.

Please change what you have written about the movie!

Just saw one of the most compelling movies I have seen in quite a long time. "The German Doctor". It has the beautiful scenery of Bariloche Argentina shot throughout and some of the best acting I have seen in years along with a compelling musical score. It's basic plot deals with Mengele, perhaps one of the greatest villains to have survived the fall of the Nazi empire. He travels into Argentina and ingratiates himself with an Argentine family of Germany ethnicity. The role played by the doctor is both chilling and fascinating. Mengele comes across at first as a benevolent force, but soon we develop the insight not only as to who this person is, but how casually he dehumanizes everyone to meet his own terms of science and beauty. Pay special attention to the symbolism of dolls and their "sameness". The acting is exquisite, with Florencia Bado who conveys the innocence of a young girl who trusts "the German Doctor" as well as Natalia Oriero and Diego Peretti. There is no gruesome violence in this movie, no "action sequence", no CGI, no bad language, no nudity. Only the chilling suspense and dialogue of an evil passing itself as benevolence. The stark winter landscape and beautiful forests of that region are known to me and they were captured in a magnificent way. I cannot recommend this movie enough.

A film that is very well directed and has a solid plot.

From what I watched, magnificent setting for blandly told dramatic story.

a special film. not for the theme. only for its subtle, touching, precise exploration. because an ordinary event becomes root for a fascinating trip in the essence of evil. a film who use in perfect manner each of elements who defines it. cold and dramatic, useful remember about the Nazi policy, using a dark figure who, for many, is only a name among many others. the film is remarkable for the inspired style to present the work of a doctor who continues use the people as objects for his plans. the realism, the science to respect the thin line between drama and pink nuances of each dramatic story, the tension are pieces of a film who is out of entertainment's circle but could be a good support for reflection about a period and its sinister figures.

The movie unfolds in Argentina where a family owns a small hotel and struggles to make ends meet. One day, a friendly German appears in their lives and wishes to stay for an undefined period with them. As soon as he gets there, he slowly tries to gain the hosts' trust by taking care of their health as if he was a family doctor. However, what lies behind these good intentions is simply a thirst to continue with the experiments he conducted during the second world war for the Germans. The man in question is not just anyone. His name is Josef Mengele, the German doctor who is being hunted by the whole world. Slowly and steadily, the family are forced to rethink the whole situation and wonder whether to get rid of the German doctor who seems to be better connected than one could imagine.

A stranger, with a foreign accent, asks if he can follow a family on the road towards the South. The father agrees, though everyone look at him warily. Everyone but Lilith, the 12 year-old girl who looks 8, fascinated by this man fixing his gaze on her.

Lucia Puenzo is known for exploring difficult and unusual relationships, and this particular feature makes her movies quite appealing. Add to that, beautiful landscapes, solid directing and you've got one of the best thrillers of 2013.

Also interesting to see, the way South America coped with ex-NSDAP members and how they continued to live and work amidst general indifference.

Some things seem like never ending, and as such this movie truly acts like a spell.

The German Doctor (Wakolda) was a hurried yet largely dull film that relies heavily on the stunning landscapes offered by southern Argentina. Not only does it seem to glorify one of the most atrocious participants of the holicaust by the Nazis by making him out to be a anything but a psychopath, the 'metaphors underlying the whole film come across as weak and lazy. There is no suspense in discovering who the doctor truly is as the movie draws to a rushed and disappointing ending, leaving the viewer with the sense that this could have been so much more. 2 stars.

A simple Argentinian family makes a fresh start by reopening a hotel in the Pategonian mountains left behind by the mothers parents.

Their first guest is a well spoken foreign man, who seems as mysterious as he is intelligent. His interest in this family and his further activities in the nearby town make us wonder about the double agenda he is keeping.

As the family starts to doubt his motives, and other characters also start to show their true colors, we are presented with an intricate tale of mounting tension and international mystery. Of course we know who we are dealing with, and this type of story would work even better if that detail was unknown, but it still works so well as it remains, for the biggest part, fiction. So anything can happen. The fact that we are dealing with THIS monster just gives the whole film an extra layer of creepiness.

The film, to me, didn't come across as Argentinian at all, but I guess the mountainous (and snowy) surroundings and bilingual dialogue caused that. However this didn't matter as these surroundings where pretty spectacular and almost a character of their own.

Sollid acting, all around. Particularly the doctor and the girl, but really everyone involved. As said, beautiful surroundings and locations and always nice to watch a period based story (eventhough some details may not have been entirely right). And above all, great storytelling. Nicely built up tension, never too sensational and it thankfully steers clear of the expected clichés dealing with a character of such history.

Great, engaging, emotional, old fashioned, must see film 8/10

"The German Doctor" is an Argentinean film based on real events. Interestingly, the man who wrote the novel, Lucía Puenzo, also wrote the screenplay, produced AND directed this movie. It's also really worth your time, as Puenzo shows a very deft hand helming this interesting picture.

The story is set in Argentina in 1960*. A family has decided to move into the Patagonian countryside and open up a bed guesthouse. Their first customer is a handsome and genial German man who is very easy to like. The daughter in particular spends a lot of time with this man. This is because he is a doctor and claims he might be able to help the girl. After all, although she's 12, she appears to be about 9 years- old and the kids at school make fun of her because of this. With the mother's permission, the good doctor tests out his new formula which might help her to grow. They have no idea exactly what he's giving her, but the formula does seem to help. In addition, since the doctor is such a nice man, he offers to help the pregnant mother who soon learns from the doctor that she's going to have twins. Unfortunately, it turns out that the doctor isn't who he says he is...he's Joseph Mengele-- the notoriously evil Nazi who worked at Auschwitz. And why was he so notorious? Because he performed all sorts of ungodly experiments on people...and his subjects of choice were twins. And, according to the film, his wicked experiments continued long after the war had ended.

While I would love to tell you that the film has a happy ending**, it didn't. After all, this psychopath was one of the most important Nazi war criminals to escape prosecution. So, if you are the type that expects or needs a happy ending, then you just might want to pick another movie. Nevertheless, it is exquisitely crafted and not excessively sad nor graphic--at least in regard to what you see and hear during the course of the film. It's much more thought- provoking than anything else--and a movie that is well worth your time.

*Although I loved the film, the attention to period detail was poor. The film was set in 1960 but many of the cars are late 1960s vintage. **My daughter saw this in the theater and was shocked to hear several people complain about the film because it did not have a happy ending. I hate to think that they wanted them to change history and have the doctor captured and shot. While satisfying, this just isn't what happened to the guy!

The movie opens in 1960 however Mengele is driving a Blue 1965 Chevrolet, major blooper, otherwise very good film.

Hypnotic scenery matching the scale of the Sonnenmenschen legend. The protagonist's epic ascension to the heaven with South American Alps as a backdrop. A beautiful story in 4 languages, retelling myths of Bariloche. I watched the film several times - without subtitles, without sound, and in black and white. Every time it was a different story: it started as another Nazi'xlpoitation flick, almost like Odessa files, and turned into a road movie, coming of age saga, Patagonian Lolita, and Dr. Faustus noir fairytale.

Lucia Puenzo, you are a magician.

I admire your maddening style of quiet ambivalence. Like the fleeing smile of Nora The Photographer. It is unusual and nice that interpretations and the final judgment are left to spectators. Plenty of untapped potential. Just imagine if authors openly took sides... :)

Filmed in the rolling landscapes of Patagonia, Argentina, WAKOLDA is a truly harrowing story of the Nazi doctor who continued to practice his experiments well after the Second World War had ended.

In exile and among a group of Nazi sympathizers, Josef Mengele (Àlex Brendemühl) lives under an assumed name, and ingratiates himself with a family running a hotel. Befriending the young daughter Lilith (Florencia Bado) he claims to be able to increase her growth and thereby prevent her from being teased at school for being the smallest in the class. She readily agrees; as do her parents. This provides the pretext for Mengele to continue his macabre researches that actually do more harm than good.

Lucía Puenzo's film contrasts the domestic world of Lilith with the world of the Nazi sympathizers congregating in a local German school. They still practice the salute, and forge a regimented atmosphere guaranteed to impose order on the unwilling learners. Lilith is sent to the school, in the hope of receiving a good education - although remaining largely unaffected by Nazi ideology, she is made painfully aware of her lack of height, which only encourages her to seek Mengele's help even more.

Set in 1960, WAKOLDA draws a direct parallel between Mengele's work and the doll-manufacturing practiced by Lilith's father Enzo (Diego Peretti). At first Enzo makes all the toys himself; but with Mengele's investment the venture is transformed into a small cottage industry, where all the dolls' faces are identical and they are given tiny mechanized beating hearts. We are made painfully aware that Mengele treats humanity with just the same indifference as the factory workers treat their dolls - as material for experimentation rather than living breathing personae.

The film maintains a cool, detached tone throughout; although Israeli agents pursue Mengele with the same enthusiasm as with other ex- Nazis (notably Adolf Eichmann), they fail to capture him. But this is not really the film's concern: director Puenzo is far more concerned with Mengele's terrible plausibility as a practicing doctor taking unwitting victims into his confidence and subsequently abusing them.