NOTE IMDb
5,2/10
2,9 k
MA NOTE
Ajouter une intrigue dans votre langueYears after he left Damascus under suspicious circumstances, Adib Abdel Kareem must confront what he left behind when his daughter goes missing.Years after he left Damascus under suspicious circumstances, Adib Abdel Kareem must confront what he left behind when his daughter goes missing.Years after he left Damascus under suspicious circumstances, Adib Abdel Kareem must confront what he left behind when his daughter goes missing.
- Réalisation
- Scénario
- Casting principal
Avis à la une
You get to glimpse another country and see its dysfunction as well as its lifestyles and you cannot be but thankful that you live in the good ole USA. A father learns that his daughter is doing a little soul-searching about his past and gets more than she would have ever knew possible. The stakes quickly become life-threatening for all involved and we get to see what good friends and family as well as enemies can or wont do and why. Its one thing to get in trouble and try to get out of it and it is another to do this on foreign soil. Exciting at times and moves quick enough so you care what's happening. Interesting to note that during the movie a statement is made by a man who shares the reason why he has never had kids and the movie causes you to examine both sides of this with passion. Have a snack ready or nail-biting may visit with you at some points
In all honesty movies like Inescapable have been made before and way better. Inescapable is okay to watch once and then forget about it. It won't remembered as a great movie. The story itself isn't bad though, even if it has been done before. It's just some action scenes that brings the movie down. Not that there are a lot of it, but the ones where there are fighting scenes are clearly done by amateurs. None of them look real and that's the minimum you could ask from an action thriller. Alexander Siddig isn't a bad actor but fighting scenes are clearly not his thing. The cast is okay without having Oscar winning performances. All in all it's an okay movie, there are for sure worse movies than this one, but it's just not great either.
Adib's (Alexander Siddig) daughter goes missing in Damascus, Syria and he must go and find her; but Adib has a secret that has kept him from Syria for 20-years. Actually, 2-secrets. This whole movie hinges on the reason his daughter went to Damascus in the first place when she was supposed to be on her way home to Toronto, Canada.
This is very slow going, but consider that if Adib goes back to a country that he escaped from and if caught now he would be arrested. He knows the customs of the country and still knows some people who are in high places, sort of. Language is no problem as he knows Arabic. Ah, but he does go back and knows he must approach everything slowly as there are many secret police units all over the place in this police state.
Adib needs help from someone who can do the things he needs done to find his daughter. The help comes from Fatima (Marisa Tomei) who Adib was supposed to marry back in the day, but he escaped and never made contact with her again. And, to be sure, Fatima tells him all about it in a rough and tumble way; and she is still in love with him. Okay, so now you know one secret.
So he goes to the Canadian Embassy (Adib is a Canadian citizen) for any help they can provide. He goes to see his old friend in Syrian Military Intelligence, and tries to run down a old Russian spy he knew back in the day to get his help. Adib knows he is being watched by factions of the Secret Police and is acutely aware that he could be arrested at any moment as now people are beginning to see him and do some research about him. But, no tension is felt.
This is sometimes suspenseful, but the tension is not there. The acting is fine all around, but also halting as one would expect in a place like this where one must choose one's words carefully. But, still no tension.
One thing that bothered me was that he wanders all over Damascus in a new Western suit, which stuck out like a sore thumb; and later he walks around openly in a newly pressed ultra white dress shirt. He should have worn things to blend in more, but the director didn't see it that way. She was never a spy. HA !
You will enjoy this if you take Adib's character to be your own. Sometimes you may ask yourself if you would have done anything different aside from the suit and the white shirt, of course. He knows people and needs to ask favors and he has to be careful about it. And, yes, he does get beaten up at times, but still no tension. If there was a way to get tension in here this would be a very good movie. It needed tension. (5/10)
Violence: Yes. Sex: No. Nudity: No. Language: Yes, not much.
This is very slow going, but consider that if Adib goes back to a country that he escaped from and if caught now he would be arrested. He knows the customs of the country and still knows some people who are in high places, sort of. Language is no problem as he knows Arabic. Ah, but he does go back and knows he must approach everything slowly as there are many secret police units all over the place in this police state.
Adib needs help from someone who can do the things he needs done to find his daughter. The help comes from Fatima (Marisa Tomei) who Adib was supposed to marry back in the day, but he escaped and never made contact with her again. And, to be sure, Fatima tells him all about it in a rough and tumble way; and she is still in love with him. Okay, so now you know one secret.
So he goes to the Canadian Embassy (Adib is a Canadian citizen) for any help they can provide. He goes to see his old friend in Syrian Military Intelligence, and tries to run down a old Russian spy he knew back in the day to get his help. Adib knows he is being watched by factions of the Secret Police and is acutely aware that he could be arrested at any moment as now people are beginning to see him and do some research about him. But, no tension is felt.
This is sometimes suspenseful, but the tension is not there. The acting is fine all around, but also halting as one would expect in a place like this where one must choose one's words carefully. But, still no tension.
One thing that bothered me was that he wanders all over Damascus in a new Western suit, which stuck out like a sore thumb; and later he walks around openly in a newly pressed ultra white dress shirt. He should have worn things to blend in more, but the director didn't see it that way. She was never a spy. HA !
You will enjoy this if you take Adib's character to be your own. Sometimes you may ask yourself if you would have done anything different aside from the suit and the white shirt, of course. He knows people and needs to ask favors and he has to be careful about it. And, yes, he does get beaten up at times, but still no tension. If there was a way to get tension in here this would be a very good movie. It needed tension. (5/10)
Violence: Yes. Sex: No. Nudity: No. Language: Yes, not much.
"I'm not the same man you chased away all those years ago. Find my daughter!" Years after he left Damascus under suspicious circumstances, Adib Abdel Kareem (Siddig) returns when he finds out that his daughter has gone missing. When he meets people from his past he is forced not only to confront his earlier life consequences but also find his daughter before its too late. This is a movie that is good, fast moving and worth watching, but also a little generic. There really isn't much to say about this one. Father finds out his daughter is missing, he is forced to seek help from those he has had previous problems with, encounters resistance. I did like the movie and I do think it's worth watching and while it is pretty tense I found that the daughter storyline seemed to have gotten lost in the jumble of what was going on. When you watch that will make sense. Overall, a movie that is good and well worth checking out but it is a tad generic. I give it a B.
Inescapable is a low budget generic action thriller with a Taken vibe. It is set in a Syria before they had civil turmoil with the Assad regime.
Alexander Siddig is Adib Abdel Kareem a man who fled Syria some years earlier as he was accused of being an Israeli spy. He has made a new life for himself in Canada.
He receives news that his daughter Muna (Jay Anstey) has gone missing in Damascus and must return to Damascus many years later to confront his past.
Adib enlists the help of an his ex-fiancée Fatima (Marisa Tomei) to help him while he is in Syria. He gets help from the Canadian embassy Paul (Joshua Jackson) and tracks down old associates and rivals such as Sayid (Oded Fehr.)
The unusual setting of Syria which is reality a police state gives the film some intrigue as you always have the sense of being watched and betrayal not being far behind.
The plot however does feel like Taken without much of the action and violence. Siddig is very effective in a meaty role but not a lot happens as he looks for clues to track down his daughter and stay one step ahead of his pursuers and double crossers. Its tense and watchable enough, Marisa Tomei lends it a lot of credibility but I felt it should had been a lot better.
Alexander Siddig is Adib Abdel Kareem a man who fled Syria some years earlier as he was accused of being an Israeli spy. He has made a new life for himself in Canada.
He receives news that his daughter Muna (Jay Anstey) has gone missing in Damascus and must return to Damascus many years later to confront his past.
Adib enlists the help of an his ex-fiancée Fatima (Marisa Tomei) to help him while he is in Syria. He gets help from the Canadian embassy Paul (Joshua Jackson) and tracks down old associates and rivals such as Sayid (Oded Fehr.)
The unusual setting of Syria which is reality a police state gives the film some intrigue as you always have the sense of being watched and betrayal not being far behind.
The plot however does feel like Taken without much of the action and violence. Siddig is very effective in a meaty role but not a lot happens as he looks for clues to track down his daughter and stay one step ahead of his pursuers and double crossers. Its tense and watchable enough, Marisa Tomei lends it a lot of credibility but I felt it should had been a lot better.
Le saviez-vous
- AnecdotesToutes les informations contiennent des spoilers
- ConnexionsReferenced in Cowboy (2017)
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- How long is Inescapable?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Không Lối Thoát
- Lieux de tournage
- Johannesburg, Afrique du Sud(Wikepedia article.)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 4 000 000 $CA (estimé)
- Montant brut aux États-Unis et au Canada
- 6 334 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 545 $US
- 24 févr. 2013
- Montant brut mondial
- 6 334 $US
- Durée1 heure 33 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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