NOTE IMDb
4,9/10
12 k
MA NOTE
Beth rêve de devenir serveuse de cocktails à Las Vegas lorsqu'elle rencontre Dink, un parieur sportif. Les étincelles fusent lorsqu'elle se révèle être une sorte de prodige du jeu, au grand ... Tout lireBeth rêve de devenir serveuse de cocktails à Las Vegas lorsqu'elle rencontre Dink, un parieur sportif. Les étincelles fusent lorsqu'elle se révèle être une sorte de prodige du jeu, au grand dam de la femme de Dink, Tulip.Beth rêve de devenir serveuse de cocktails à Las Vegas lorsqu'elle rencontre Dink, un parieur sportif. Les étincelles fusent lorsqu'elle se révèle être une sorte de prodige du jeu, au grand dam de la femme de Dink, Tulip.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Wayne Pére
- Scott
- (as Wayne Péré)
Avis à la une
Beth (Rebecca Hall) is an ex private dancer, looking to make it big in Las Vegas. She meets Dink (Bruce Willis) a sports gambler who shows her the ways of betting. Dink gets very close with Beth, much to the ire of Dink's wife Tulip (Catharine Zeta-Jones)
I generally try to respect people's opinions these days. I'm a rather opinionated person myself, so I implore people to speak their minds. But, one thing I can't get my head around is the low rating for this movie, 4.7, huh? Granted, it's not gonna make head spin if you decide to see it, but I thought it had energy and lots of likability to it. Lay The Favorite benefits from a fantastic cast. Gambling is a very touchy subject among people. It's always a risk (No. I didn't use the word gamble, because that would have been a lame pun) when one gambles. Maybe people felt this movie glorified gambling in a way? I don't know. I could see that, but I thought the addition of romance was very much needed here. I would have gotten bored if it was all about gambling. The development of the characters is what made this movie. I thought Bruce Willis brought a fine comedic touch, and genuinely seemed to be interested in the material. His relationship with Rebecca Hall was funny and touching. Willis was quite good here. I cracked up at the mini meltdowns he had. Rebecca Hall is fantastic. Her energetic performance, and her perky style does wonders for this movie, and I had my eyes glued to the screen every moment she was on it. She's sexy, cute, funny, and downright irresistible. She was a main reason as to why I enjoyed this as much as I did. I also enjoyed her love story with Joshua Jackson. Zeta-Jones is OK as Dink's husband. She had a couple of sassy moments here and there. Vince Vaughn is a bit OTT as Rosy, but managed to not get on my nerves, which is a big compliment in his case. The ending seemed totally Hollywood, and contrived. For some reason, I had trouble buying it. It seemed to me like the message was "The risk of gambling is worth it, and if you take risks, you might wind up lucky" That's a minor carp, though.
Final Thoughts: I had a decent time with this film. It passes the time effortlessly, and you won't regret watching it. It's not something I'll ever see again, but I didn't mind it at all, and I think people are really unfair with it.
5.7/10
I generally try to respect people's opinions these days. I'm a rather opinionated person myself, so I implore people to speak their minds. But, one thing I can't get my head around is the low rating for this movie, 4.7, huh? Granted, it's not gonna make head spin if you decide to see it, but I thought it had energy and lots of likability to it. Lay The Favorite benefits from a fantastic cast. Gambling is a very touchy subject among people. It's always a risk (No. I didn't use the word gamble, because that would have been a lame pun) when one gambles. Maybe people felt this movie glorified gambling in a way? I don't know. I could see that, but I thought the addition of romance was very much needed here. I would have gotten bored if it was all about gambling. The development of the characters is what made this movie. I thought Bruce Willis brought a fine comedic touch, and genuinely seemed to be interested in the material. His relationship with Rebecca Hall was funny and touching. Willis was quite good here. I cracked up at the mini meltdowns he had. Rebecca Hall is fantastic. Her energetic performance, and her perky style does wonders for this movie, and I had my eyes glued to the screen every moment she was on it. She's sexy, cute, funny, and downright irresistible. She was a main reason as to why I enjoyed this as much as I did. I also enjoyed her love story with Joshua Jackson. Zeta-Jones is OK as Dink's husband. She had a couple of sassy moments here and there. Vince Vaughn is a bit OTT as Rosy, but managed to not get on my nerves, which is a big compliment in his case. The ending seemed totally Hollywood, and contrived. For some reason, I had trouble buying it. It seemed to me like the message was "The risk of gambling is worth it, and if you take risks, you might wind up lucky" That's a minor carp, though.
Final Thoughts: I had a decent time with this film. It passes the time effortlessly, and you won't regret watching it. It's not something I'll ever see again, but I didn't mind it at all, and I think people are really unfair with it.
5.7/10
Beth (Rebecca Hall) is stripping in private homes to make ends meet. On the advise of motel neighbor Holly (Laura Prepon), she goes to work for bookie Dink (Bruce Willis) and finds that she's actually quite good at it. She's good with numbers. People like dealing with her on the phone. And Dink likes her a lot. The problem is Dink's wife Tulip (Catherine Zeta-Jones) doesn't want him to like her so much. When Dink starts to lose money, things blow up.
When you consider the talents in front of and behind the camera, it's a wonder how things could go so wrong. Award winning director Stephen Frears is the biggest culprit. The script may need better jokes, but it's mainly Frears who couldn't extract any laughs from this. In the end, this is mostly his responsibility.
Rebecca Hall is doing a squeaky-voice fast-talking bobble head doll. It's completely fake, and leaves my head shaking. It doesn't fit her at all. If her mannerisms are meant to be funny, it got no laughs from me. Everybody else is doing a competent if not very impressive work. Catherine Zeta-Jones and Bruce Willis could have been an explosive couple but they're not. The only interesting acting comes from Vince Vaughn who plays a wildman bookie.
Not much goes right in this movie. It is absolutely not funny. It is watchable, but afterward I wonder why I watched it.
When you consider the talents in front of and behind the camera, it's a wonder how things could go so wrong. Award winning director Stephen Frears is the biggest culprit. The script may need better jokes, but it's mainly Frears who couldn't extract any laughs from this. In the end, this is mostly his responsibility.
Rebecca Hall is doing a squeaky-voice fast-talking bobble head doll. It's completely fake, and leaves my head shaking. It doesn't fit her at all. If her mannerisms are meant to be funny, it got no laughs from me. Everybody else is doing a competent if not very impressive work. Catherine Zeta-Jones and Bruce Willis could have been an explosive couple but they're not. The only interesting acting comes from Vince Vaughn who plays a wildman bookie.
Not much goes right in this movie. It is absolutely not funny. It is watchable, but afterward I wonder why I watched it.
Until a friend suggested going to see this movie, I hadn't even heard of it, and other than what I gathered from skimming the synopsis in the cinema-foyer listings-leaflet -it seemed to be some kind of comedy, and starred Bruce Willis as a gambler-, I wasn't sure what it was about.
And now, after sitting through all ninety-four incoherent, enervating minutes of it, I'm still not sure. One of my friends, who is usually uncritical and easily entertained, said he thought that "The Tree of Life" made more sense than this film.
Unlike Terrence Malick's "metaphysical masterpiece" however, there is no confusion here as to what the subject matter is (it's the life of professional gamblers), what is confusing is how that subject matter is presented, and how the narrative is (or isn't) constructed around it. For example, what was the intended tone of the movie, what was the film-maker trying to convey? Was it supposed to be amusing? entertaining? or moving? were we supposed to be excited, or to feel intellectually stimulated? Who knows. My main emotional reaction to the film was a kind of repulsion, because I felt like I was being exploited, like the film was insulting my intelligence and my basic humanity. Like I might expect to feel if I'd been suckered into spending an evening feeding coins to a slot machine.
The first 10 minutes were slightly amusing to be fair, but after that that it just descends into complete mind-numbing absurdity. You might think Vince Vaughn would offer some comic-relief but, for the brief appearances he makes, he's just going through the motions (though it's still the most convincing and consistent performance of the movie).
There was no tension, or intrigue, at all, for the first seventy minutes. I mean nothing seems to really matter to any of the characters, they behave so unrealistically, and incoherently. And when things finally seem to get real and there is some adversity for the characters to face, you just don't care because you can't feel sympathy for such pantomime puppets as these.
They could have gone more into the details, the mechanics, of the gambling operation, that might have been interesting, but they thought it would be better to pad the story out with completely vapid romantic-interest scenes.
Maybe, with the attraction of Willis, Zeta-Jones, Vaughn, (and Rebecca Hall's legs), it was thought that such things as humour, narrative direction, consistency and pacing, character development, etc., were unnecessary.
After seeing the movie, I learned that it was adapted from a book, that at least goes some way towards explaining why there were so many undeveloped, seemingly irrelevant details, obviously included for the sake of those that have read it. For example, Holly (Laura Pripon's character) keeps warning Beth that she is becoming "one of us", in the book there might be context for this but when you watch the film you're just like "what is this I don't even...."
But, even for those that have read the book, maybe more-so, this film will only bemuse and bewilder. While I'm informed the book was written in a 'picaresque' -and no doubt droll (not to mention self-deprecating) style-, on screen, without the benefit of a narrator, this translates into characters, like Beth, who starts off as some kind of cartoon-airhead-bimbo-stripper, sunbathing with baby-oil on her back, ending up as an extraordinarily articulate, mathematical genius, who goes on to become a writer... Rebecca Hall was a bad choice.
And another thing, I couldn't help feeling that this film was not-too-subtly trying to indoctrinate me. Maybe I'm just paranoid but, beyond just the obvious product placements (nice Mercedes being driven by Bruce Willis' Mr. Nice character), it's like they're glamorizing the lifestyle, and completely glossing over any moral issues, and Beth just follows the money from Las Vegas to New York to Curaçao -are we supposed to admire that, to forget about community, and meaningful relationships, just go where the money is and keep working and consuming?-.
Whatever, I've wasted enough time on this drivel already, please heed my warning and don't waste yours.
And now, after sitting through all ninety-four incoherent, enervating minutes of it, I'm still not sure. One of my friends, who is usually uncritical and easily entertained, said he thought that "The Tree of Life" made more sense than this film.
Unlike Terrence Malick's "metaphysical masterpiece" however, there is no confusion here as to what the subject matter is (it's the life of professional gamblers), what is confusing is how that subject matter is presented, and how the narrative is (or isn't) constructed around it. For example, what was the intended tone of the movie, what was the film-maker trying to convey? Was it supposed to be amusing? entertaining? or moving? were we supposed to be excited, or to feel intellectually stimulated? Who knows. My main emotional reaction to the film was a kind of repulsion, because I felt like I was being exploited, like the film was insulting my intelligence and my basic humanity. Like I might expect to feel if I'd been suckered into spending an evening feeding coins to a slot machine.
The first 10 minutes were slightly amusing to be fair, but after that that it just descends into complete mind-numbing absurdity. You might think Vince Vaughn would offer some comic-relief but, for the brief appearances he makes, he's just going through the motions (though it's still the most convincing and consistent performance of the movie).
There was no tension, or intrigue, at all, for the first seventy minutes. I mean nothing seems to really matter to any of the characters, they behave so unrealistically, and incoherently. And when things finally seem to get real and there is some adversity for the characters to face, you just don't care because you can't feel sympathy for such pantomime puppets as these.
They could have gone more into the details, the mechanics, of the gambling operation, that might have been interesting, but they thought it would be better to pad the story out with completely vapid romantic-interest scenes.
Maybe, with the attraction of Willis, Zeta-Jones, Vaughn, (and Rebecca Hall's legs), it was thought that such things as humour, narrative direction, consistency and pacing, character development, etc., were unnecessary.
After seeing the movie, I learned that it was adapted from a book, that at least goes some way towards explaining why there were so many undeveloped, seemingly irrelevant details, obviously included for the sake of those that have read it. For example, Holly (Laura Pripon's character) keeps warning Beth that she is becoming "one of us", in the book there might be context for this but when you watch the film you're just like "what is this I don't even...."
But, even for those that have read the book, maybe more-so, this film will only bemuse and bewilder. While I'm informed the book was written in a 'picaresque' -and no doubt droll (not to mention self-deprecating) style-, on screen, without the benefit of a narrator, this translates into characters, like Beth, who starts off as some kind of cartoon-airhead-bimbo-stripper, sunbathing with baby-oil on her back, ending up as an extraordinarily articulate, mathematical genius, who goes on to become a writer... Rebecca Hall was a bad choice.
And another thing, I couldn't help feeling that this film was not-too-subtly trying to indoctrinate me. Maybe I'm just paranoid but, beyond just the obvious product placements (nice Mercedes being driven by Bruce Willis' Mr. Nice character), it's like they're glamorizing the lifestyle, and completely glossing over any moral issues, and Beth just follows the money from Las Vegas to New York to Curaçao -are we supposed to admire that, to forget about community, and meaningful relationships, just go where the money is and keep working and consuming?-.
Whatever, I've wasted enough time on this drivel already, please heed my warning and don't waste yours.
I'm generally a fan of comedies, and tend to prefer intelligent comedies to most dramas. Lay The Favorite wasn't funny, it wasn't entertaining and it felt so scattered that it was hard to follow any of the character's motivations. This felt like one of those movies where they just wanted to have a bunch of named stars so they could have fun on set. If the movie was allowed to be slightly slower or if they allowed the movie to be slightly longer it might have been able to gain footing but in it's current state by the time you've figured out why someone is doing something they're already four moves ahead of that. If you just want to see southern women depicted as ditsy sex objects and older men that wear Hawaiian shirts and gamble then this movie is for you.
Rebecca Hall does an excellent job as a naive bookie in Lay. The other actors, Bruce Willis, Catherine Zeta Jones, and Vince Vaughn are great in their supporting roles, but.... This movie was poorly written: the jokes fall flat, the script doesn't develop enough so that the audience can care about the characters, the gambling is explained only enough so that gamblers can understand what the actors are doing and there is very little plot action that's not inside an office looking at TV screens with sports games on them. Stephen Frears, the director, has done some major work such as "the Queen," and "High Fidelity," and i would think he was brought in to save this, but it's shot so plainly, like a made for TV movie. I get the feeling that this was filmed in a couple weeks and everyone involved wanted to get it over with as quickly as possible. I give it 3 out of 10 for Rebecca Hall's efforts and the fact that she comes off as incredibly sexy, but other then that, it's totally forgettable.
Le saviez-vous
- AnecdotesJustin Timberlake was considered for Rosie, but Vince Vaughn was cast.
- GaffesAt the end when Reedmore is at the foul line there is supposedly no time left on the clock (according to a graphic put up in the movie) yet there are players standing on either side of the lane. If there really was no time left on the clock the players would be at their benches since there would be no need to get a possible rebound.
- ConnexionsFeatured in Projector: Lay the Favorite (2012)
- Bandes originalesUnskinny Bop
Written by C.C. DeVille (as Johannesson), Bobby Dall (as Kuykendall), Bret Michaels (as Sychak), Rikki Rockett (as Ream)
Performed by Poison
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- How long is Lay the Favorite?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Lady Vegas - Les Mémoires d'une joueuse
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 26 350 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 20 998 $US
- Week-end de sortie aux États-Unis et au Canada
- 20 998 $US
- 9 déc. 2012
- Montant brut mondial
- 1 577 272 $US
- Durée
- 1h 34min(94 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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