Mr. Morgan's Last Love
- 2013
- Tous publics
- 1h 51min
Veuf, il vit à Paris mais ne parle pas français. Elle est professeur de danse deux fois plus jeune que lui. Peuvent-ils devenir une famille, ou ses enfants adultes éloignés mettront-ils fin ... Tout lireVeuf, il vit à Paris mais ne parle pas français. Elle est professeur de danse deux fois plus jeune que lui. Peuvent-ils devenir une famille, ou ses enfants adultes éloignés mettront-ils fin à leur amitié?Veuf, il vit à Paris mais ne parle pas français. Elle est professeur de danse deux fois plus jeune que lui. Peuvent-ils devenir une famille, ou ses enfants adultes éloignés mettront-ils fin à leur amitié?
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 nominations au total
- Madame Dune
- (as Michèle Goddet)
- Sleeping Student on Bus
- (as Julien Petit)
- Maitre D' Chez René
- (as Ian Fénélon)
Avis à la une
This is such a poignant and well meant movie it's hard to not like it and its intentions. What it fails to do is "rise above." It is a heartfelt look at finding meaning at the end—and the beginning—of life in Paris, and yet it remains somewhat prosaic, missing a beat now and then. I loved it at times, but only very much liked it by the end.
I love without reservation "Mostly Martha," the most successful movie by the director, Sandra Nettlebeck. In that one, she makes her understanding of being German, and its limitations, an important part of the movie. Here we are in France, in a plot based on a French novel, with a British actor playing an American and a young French woman. Michael Caine is nor ordinary actor and he's actually wonderful here. And indeed the young woman who plays his muse, in a way (the woman who creates the "crack" in his world that is the key to the movie), is also very good, if common (played by Clemence Poesy—she appears in a couple Harry Potter movies).
What succeeds beyond these very good performances is the idea of a man near his last days in Paris, after the death of his wife, and a young woman who befriends him out of some unexplained loneliness. What they form is an odd but believable friendship. Their family and other friends do not understand or approve, but it makes sense to them, even when it's awkward. It's a kind of brave and interesting subject.
What it lacks is exactly the right feel and touch, the sense of trueness to spirit and character that people might actually have. There are moments that are just great, a rebellion or a quiet look, and then there are moments where the characters act, well, out of character. A hair.
If this seems like picking on nuances you have to understand that the movie is about such emotional and psychological nuances. It sets its own bar high, and so suffers from that. Sometimes.
See it? Yes. I liked it wholly. But see also "Mostly Martha" for a similar sense of finding what matters, of pan-European feelings, of crossing normal boundaries with romantic flair.
Through a bit of lost in Translation in and you have a very fine movie. It's weirdness might either attract you more to it or appall you a bit. Whatever the case you can't fault it's story, about lost love and maybe even lost hope. Family is a big part of life and it is here too. A bit of Song of Marion is in here too. So good ingredients, not perfect but very good movie still
This is a must to see movie.
Le saviez-vous
- AnecdotesThe line spoken by Sir Michael Caine, which is a constant theme in the movie, "There's a crack in everything, that's how the light gets in", is lyrics from the Leonard Cohen song "Anthem".
- GaffesMichael Caine's American accent comes and goes.
- Citations
Pauline Laubie: Why did you stop loving life?
Matthew Morgan: Well, you don't love life itself. You love, uh, places, animals, people, memories, food, literature, music. And sometimes you meet someone... who requires all the love you have to give. And if you lose that someone, you think everything else is gonna stop too. But everything else just keeps on going. Giraudoux said, you can miss a single being, even though you are surrounded by countless others. Those people are like... like extras. They cloud your vision, they're a meaningless crowd. They... They're an unwelcome distraction. So you seek oblivion in solitude. But solitude only makes you wither.
Pauline Laubie: So I'm an unwelcome distraction. I'm a cloud?
Matthew Morgan: You are the only part of my life I haven't figured out yet.
Meilleurs choix
- How long is Last Love?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Last Love
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 8 200 000 $US (estimé)
- Montant brut mondial
- 2 967 122 $US
- Durée1 heure 51 minutes
- Couleur
- Mixage