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This film tells the story of a woman whose husband just dumped her. She meets a taxi driver who also works as a driving instructor. She decides to take driving lessons, and in the meantime they learn to navigate their marital problems.

"Learning To Drive" tells very common life problems, and it provides a very realistic sense of how people deal with these problems. Despite the hardships, the characters cope and the film maintains a sense of optimism and lightheartedness. It is also very refreshing to see Indian actors and culture being prominently portrayed in a film, especially because there is a row over a lack of diversity in the Oscars. I hope more films like this will get made.

Learning to Drive (2014) was directed by Isabel Coixet. It stars Ben Kingsley as Darwan, a Sikh driving instructor, and Patricia Clarkson as Wendy, whose husband has just left her. Wendy has never learned to drive. (Not driving is fairly common in NYC.) Now she needs to learn how to drive, and she turns to Darwan to teach her.

This is the beginning of a relationship that takes both people down long roads--literally and figuratively. Wendy's rage and frustration are almost palpable, and Darwan has domestic problems of his own.

Clarkson and Kingsley are among the finest actors on the screen today. You expect stellar performances, and that's what you get. It's a pleasure to sit back and see them demonstrate their acting skills.

For some reason, at the time I'm writing this review, the movie has a dismal IMDb rating of 6.6. This doesn't make sense to me. My suggestion is to ignore the rating. We were able to see the movie on the large screen at the excellent Little Theatre in Rochester, NY. However, it will work well on the small screen. Find it and see it. You won't regret it.

Let it be known that I wish Ben Kingsley was my driving instructor, my old one was not friendly, that jerk just yelled at me constantly. Learning to drive can be an outright stressful experience, but the movie makes it interestingly light and approachable by using comedic clash of personalities and cultures. Also, props to the leads for realizing the modest troubled characters.

Wendy (Patricia Clarkson) is a distraught wife who just finds out that her husband is cheating on her. Thus begin the arduous dance of divorce. Meanwhile, she's decided to take driving lessons as a cathartic act. Darwan (Ben Kingsley) steps in as the instructor. Both of them have a set of unique problems and serendipitously find solace in each other's company.

For a leading female in New York, Wendy is a mess. It's not just Sex and The City mess, but complete wreck for about half of the movie. It's a humble depiction of character as she struggles to come in term with the divorce. The movie maintains a less melodramatic tone, this is a more realistic depiction and not a flamboyant drama.

Ben Kingsley plays as a Sikh here, at this point he can play any role extremely well, but it's nice to see him as someone other than some viceroy in medieval epic. There's a great respect to his Indian heritage and it easily looks genuine. He appears to be a calm voice of reason, although his life itself isn't perfect. It's rather humbling to see that someone with mentor persona deals with his own problems.

The film doesn't have striking development or twist, it's just a few strolls of a metropolis with two relatable characters. It presents a nice presentation, taking time to display the city's nuance with good cinematography as well as spicing the story with steadily flow of light humor. The scenes feel involving even though the two leads live very contrasting lives.

Learning to Drive is a lighthearted drama with nice addition to comedy and amazing acting. Highly recommended for casual audience for the humble and modest nature will soothingly entertain wide range of viewers.

'Learning to drive' is a master class in writing; directing and of course the performance of two of the great character actors: Patricia Clarkson and Ben Kingsley. There is a nobility and dignity to the story that comes from a taut but compassionate screenplay; and the wonderful interplay between the two leads. Clarkson always makes such interesting choices in projects and this is no exception. Her 'Wendy' has a lot to process during the opening moments of the movie; and it is thanks to her exquisite timing and believability; that despite her cathartic scenes early on; perhaps because of them; the audience is with her and her scenario all the way! With the age old construct of an odd pairing; Kingsley's often Zen like 'Darwan' provides the calming influence and ultimately a reciprocity that gives this film its huge warmth and overall success.

In the role of Wendy's daughter is none other than the daughter of another cinematic delight - Meryl Streep: the uncannily voiced and mannered Grace Gummer. How daunting it must be for Grace and her sister Mamie, to hone a craft in screen acting with their legendary mother's presence in film culture. Grace displays her mother's exuberance and complexity with what is really only a couple of scenes here, but makes her mark. But the film, despite some other subplots and ancillary characters, rests with Clarkson and Kinglsey and they are just superb.

If the film feels tight and rhythmically organic; it is due to Martin Scorsese's long time editor Thelma Schoonmaker who brings Isabel Coixet's carefully directed piece together with ease and no fuss; giving it a smooth and perfect running time. This is no epic; no earth shattering movie; but a reflective and nuanced dance between characters from different worlds who collide in the nicest way possible and leave a significant imprint on one another. Not a new idea, but in the hands of these expert filmmakers; it is a joy to be in their audience for the hour and a half journey.

Based on a short story by Katha Pollit, a columnist for the Nation magazine, Learning to Drive is a small movie with a big heart. While the film is risk averse and will not be mistaken for a timeless work of art, its story of two middle-aged people of vastly different backgrounds assisting each other in a time of crisis will leave you with a warm glow. Directed by Isabel Coixtet ("Another Me") with a screenplay by Sarah Kernochan ("Sommersby"), Wendy (Patricia Clarkson, "Maze Runners: The Scorch Trials") Learning to Drive is about a writer and book critic whose 21-year marriage to Ted (Jake Weber, "White House Down") has just ended in a toxic confrontation in a taxicab and has to move outside of her comfort zone to regain her self-confidence.

Deeply distraught by the separation, Wendy wants to get away from New York City to visit her daughter Tasha (Grace Gummer, "The Homesman"), a college student who is working on a farm in Vermont, but doesn't know how to drive. The driver of the taxi, Darwan Singh Tur (Ben Kingsley, "The Walk"), a former college professor in India and now a part-time driving instructor was the unwitting witness to the marital breakup was. After he returns an envelope that Wendy left in his cab, Wendy hires him to provide driving lessons and soon discovers that he is a calming influence who has a lot to teach her other than how to put on the brakes.

Wendy's devotion to the written word has restricted her willingness to challenge the outside world. Darwan leads her through her fears with patience and charm and encourages her to keep pursuing her goal even after she fails her driving test. During the lessons, however, he has to handle her road rage and lack of self-confidence as well as cope with his own incidents of racism coming from other motorists and pedestrians, one who refers to him as "Osama" and rips the turban from his head. Darwan is about to be married in a union arranged by his family according to Sikh tradition and tells Wendy that his family best knows his needs and that such a crucial decision should not be left to random choice.

When his bride Jasleen (Sarita Choudhury, "The Hunger Games: Mockingjay- Part 2") arrives from India, however, she is bewildered by her new environment, remains in the apartment, fearful of meeting people and her fears are confirmed when Darwan seems troubled over her lack of education. It is a time of transition for both of them and it will call upon all their resources of patience, tolerance, and understanding to see it through. Learning to Drive is marked by outstanding performances by Clarkson and Kingsley who bring a special understanding to their roles and put us in touch with the beauty of sharing who we are with others, even when it is uncomfortable to do so.