La parade

Having won several festival awards, among others the audience award at Berlin International Film Festival, "The Parade" (2011) is the sixth feature film by Serbian writer- director Srdjan Dragojevic. It's a well-working blend of drama and hilarious comedy.

//Mårten Larsson. Facebook page: 7thArtShortReviews (@7thArtShortRevs).

I find this movie ground-breaking and beautifully made. I will slightly base this writing on the review of the user "mmajstor", who - as a Serbian - knows the situation in the country best, but I want to share my view on the problems he exposed. I'm a gay from Slovenia, which is the most gay-friendly of the ex-Yugoslavian countries. Pride parades take place regularly for the last 11 years and we always experience sadness when hearing the unpleasant stories of parades in Croatia and Serbia, the latter being one of the most homophobic countries in Europe. Making a movie about homosexuality is already the reason to bow before Dragojevic (the director), who experienced homophobic attacks while making this film. And even more, made a really good one.

Of course, the movie is a bit idealistic, that was the point. Gay movies are depressing as it is, there's no point in just showing gay bashing, because in the case of Serbia that could be a simple documentary. This movie was made to give hope to people. I admit that the characters are a bit stereotypical, not all homosexuals are like that, but some of them ARE and they should be allowed to walk freely outside as anybody else. And as mmajstor said "I don't think that gay population would be satisfied with the presented picture of them", in the case of me and my friends, we were laughing the loudest in the cinema because we got the inside jokes. And already like this, the movie was very provocative, so I wouldn't tease the local public with harsher topics for the start, because I think the movie was made mainly to educate. If this was the primary goal, I believe it did well. It showed that gays as well as straights can get beat up for the same reasons, for love. It showed that people can change and that giving a chance to somebody can result in personal growth. It had to show the situation to the locals from the Serbian point of view, because only this way people can relate to it and not think "it's just another one of those American Sodoma-and-Gomorrah movies" - it's something that happens in your country, in your town.

And finally, the idea of teaming up ex-enemies to protect Serbian gays is pretty far-fetched, but absurdly hilarious and slightly nostalgic.

Basically, my opinion is that this was a wonderfully made film and I hope it will made people think. Really think.

'Parada' was the most popular film in the Berlin Festival this year, bagging both audience awards yet not the LGBT 'Teddy Award'. That illustrates both its strength and weakness as a film: intended to induce a positive image about homosexuals in a non-gay audience, it does an admirable job in combining drama and comedy, tears and laughs. Yet at the same time, the gay characters are so terribly cliché that, in a different setting, they could be also used to narrate a viciously homophobic story.

That this is not the case is due to the scriptwriting talents of Srdan Dragojevic, who makes every single character, gay or not, a walking cliché of ex-Yugoslavia. The ex-militia gangster, tattooed all over with battle reminders around bullet wounds, resorting to protecting a gay pride march at the behest of his 'slut-with-a-golden-heart' fiancée, is about as credible as the effeminate wedding planner insisting on organizing the pride in spite of organized acts of violence by a group of nationalist skinheads lead by, as it turns out, the gangster's son. Add to this the soft-hearted vet who saves his dog and turns out to be the wedding planner's partner, with whom the gangster embarks on a journey through ex-Yugoslavia to enlist the help of other ex-soldiers, who, for reasons not sufficiently explained, became his friends while being his enemies at the same time... the plot is indeed as convoluted and incredible as this summary sounds like.

Yet Dragojevic's writing constantly adds jokes and situational comedy, he reveals himself here to be indeed the creator of the beloved classic 'We are no Angels'. The eclectic mix between comedy and drama makes this pretty much a must-see, as does the tremendous success 'Parada' enjoyed at home and in its festival run. Just don't expect any real portrayal of gay life in the Balkans; having been born in Romania, I fully understand that for a homosexual in Belgrade, this film must come rather as an offense than a relief. Yet as one cannot explain quantum theory in primary school, the clichés in this film are probably a necessary evil: you have to work with what people already (believe to) know in order to educate them and change their attitude. If this film succeeds in making cliché gays more acceptable in the mainstream, then maybe this will color off into a broader acceptance of the fact that the public knows very little about homosexuality and therefore has no reason to feel threatened by it; in that case 'Parada' would have done its job of opening minds, aside of being a pretty entertaining experience.

This in one of the best movies I've seen recently. It gives a great picture of today's society on the Balkans - a closed-minded, racist community where often people can't express their opinions freely without getting their asses kicked. It's not just the gay thing, there's plenty more in this film. It sends a warm message to all the countries from ex-yu. One of the thing not shown here, but implied, is the other thing I was talking about - it's hard to express your political and even national opinions - if you're a Croat, you're automatically against Serbs, and if you're a Croat in Serbia, boy you're screwed. And vice versa. People are just lining up to kick Serbs in Croatia, I know by what I've seen. Also, expressing a left oriented political opinion makes you a communist - also ass kicking material and other closed minded things. Homophobic problem presented in this movie is merely one tenth of the people's persistent stupidity problems here on Balkans. A good friend of mine is a lesbian, and she wasn't discriminated as much as people in this movie, but she helped me change my opinions. I think we all need that one interaction with the people of LGBT community to see that they're not fags, gays, lesbians, dikes etc. To see that they are just normal people living normal lives, just like you and me. We often don't see that unless we meet someone who's actually gay. This movie breaks the walls of prejudices and helps people see that there's nothing wrong with being gay. It's a very refreshing movie on the Balkan scene, and it will make you laugh your ass out, and burst to tears in the end. It's full of comic situations, especially Lemon's homophobic jokes, and I love that you can really see the transformation of his opinions, in such episodes as Ben Hur's, and you can see how it should be in all of us. The acting is great, the message is great, the humor is great, except one thing - Serbian movies actually have even more raw humor, and I find this humor very gentle compared to some movies I've seen. But still, 10/10 and a must watch!

When watching a movie Parade for the first time, you're not quite sure whether to laugh or to cry. Everyone in the hall laughed for a full 80 minutes and then all speechless and filled the room just sounds of the great fight scene, as a culmination of the conflict of two cultural ways of thinking. And after that, some in the audience were crying. I tried not to listen to comments of others because even I could say something bad and good about this movie and I wanted to focus my thoughts of others. Movies of acclaimed director Srdjan Dragojevic someone has to watch more than once if he want to see all the layers of stories and meanings are very important details that director intelligent runs. This movie should not be watched with prejudice on LGBT population in Serbia, because these prejudices really can not not overlook the viewer final attitude on this topic. I think that we should discuss this movie in 10 years from another angle on political and historical situation in Serbia, and than say is it good or bad movie, because it is not so simple in this moment. Complains that the film is full of clichés, and it was too easy in dealing with major problems are stupid. I think that this movie hasn't a philosophical background, the idea is to entertain and warn what can happen if we as society don't find a solution for interpersonal relationships. If this movie was just drama genre, nobody would go to watch it, because people like Dragjevic's style pleasing the audience. Of course not all who oppose the right of gay people to have their parade are hooligans and neo-Nazis as not all gay people are fine and well-meaning and feeble, but this movie does not deal with that environment, but completely opposite sides. So i don't think that this movie is Anti-Serbian, because in every place in this world you will find people like these characters, and if someone abroad will think that Serbs are mean and evil and uncivilized - after this movie, he is idiot, because even if you show the Serbs as a great and funny with many virtues, they will not like it because of the previous 20 years of media's brainwashing. If someone asked me, as the average citizen, I am not for the parade but I'm not in that gay people beating down the street. So thats not the problem with this movie. Main problem with this film is that whole scene of Parade in 2009 is fictional and it had never happen, but when you see documentary shots from Pride in 2010 after that, you can think, if you are not familiar with the events in Serbia, that it really happened too, and that the Serbs killed someone as Mirko in the parade. This film may be missing for another 10 minutes to fill some holes in the illogic of connecting scenes, which is the likely cause of the reduction of the film but it does not matter much follow the story, especially if you watch it for the second time. What bothers me is that the author is supposed to remain objective and to the side at the level of idea, regardless of the story, but the inscriptions on the end of the film chosen for his position. I have to commend the masterfully role of Goran Jevtic (MIRKO) and Hristina Popovic (PEARL), and as always in a handful of great episodic characters in Srdjan's films. Each honor for bravery in playing with themes and I think this movie is a metaphor for 'parade of society' that should be ashamed that we are where we are today.