La femme de He Fei, Li Muzi, disparaît lors de leur voyage d'anniversaire. Quand elle réapparaît, il insiste sur le fait qu'elle n'est pas sa femme. Alors que Chen Mai, un avocat de renom, e... Tout lireLa femme de He Fei, Li Muzi, disparaît lors de leur voyage d'anniversaire. Quand elle réapparaît, il insiste sur le fait qu'elle n'est pas sa femme. Alors que Chen Mai, un avocat de renom, est impliqué...La femme de He Fei, Li Muzi, disparaît lors de leur voyage d'anniversaire. Quand elle réapparaît, il insiste sur le fait qu'elle n'est pas sa femme. Alors que Chen Mai, un avocat de renom, est impliqué...
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 27 victoires et 25 nominations au total
Jose Maria Hinojosa Serrato
- Watermelon
- (as champion of beer competition context)
Avis à la une
Such a recent hit in mainland, and I guess it's more of a trendy success more than anything else. The general framework seems to be inspired by The Invisible Guest, yet the mystery not as intricate and the story not as convincing. The former issue being some of the events, scenes, and shots overly dramatized by the sound effect or cinematography, while the latter due to the overall mediocre performances. Also, the ending is stacked with a superfluous amount of twists and twines, which simply reflects some of the logical errors prior. It seems that the intention of the movie is quite clear: to tell a convoluted mystery from an intriguing perspective with a justified moral.
Distinctively Chen Sicheng, Lost in the Stars are in many ways imprinted with the director imprints, full of quick successive scenes filled with popping movements and colors, and quickwittedness but lacking in logic or any sort of explanation and I absolutely hate it. Zhu's, whom I believe is one the best Chinese actor right now delivers a performance that feels like an echo in an empty room. What makes the film better than the Chinatown series is that at least at the center there is a giant intrigue that you want to get to the end of it, but towards the end even that feels predictable and uncreative. The progression of the film feels driven by a series of plot holes. Again, the supporting cast is also a huge question mark, featuring awkward dialogues and motives.
Lost in the Stars is a Chinese Hitchcockian-style mystery crime thriller that grips the audience and keeps them guessing with endless twists and turns. It's pulpy, melodramatic entertainment that burns brightest in the moment, assaulting the audience with questions but never providing enough time or the breathing room to solve them.
While celebrating their first anniversary at a Thai island resort, He Fei discovers his wife Muzi has mysteriously gone missing. Unable to file a missing persons case with the police and his visa about to expire, He Fei wakes up to find an unknown woman claiming to be his wife and that all the photographs on his phone have been replaced.
Desperate for help, He Fei hires Chen, a renowned hotshot lawyer, to disprove the mystery woman's identity and find the real Muzi.
Directors Rui Cui and Xiang Liu hook the audience from the beginning and keep the plot moving like a freight train. Yilong Zhu, Ni Ni, and Janice Man tune their performances to serve the mystery like a cog in the machine, finding the sweet spot between who their character appears to be and revealed to be. Little inconsistencies spotted are actually all paid off later in a fun way.
The final reveal... is so ridiculous that it's technically a cheat. I notably laughed out loud as the film blatantly switches genres to engineer an unguessable reveal.
It's the equivalent of revealing Darth Vader is a woman so the audience has no chance of guessing he's Luke Skywalker's father, if that makes sense.
By that point, the fun had already been had. I already cared and can't take it back. The journey was in guessing what was happening at the moment, less in the reveal itself.
The best mysteries place the answer in plain sight and deceptively steer the audience from seeing the obvious the entire time. Lost in the Stars falls short of this; its mystery is ultimately not sophisticated enough to warrant a rewatch. The mood, intrigue, and soap opera melodrama of it all still make it an entertaining one-time watch.
While celebrating their first anniversary at a Thai island resort, He Fei discovers his wife Muzi has mysteriously gone missing. Unable to file a missing persons case with the police and his visa about to expire, He Fei wakes up to find an unknown woman claiming to be his wife and that all the photographs on his phone have been replaced.
Desperate for help, He Fei hires Chen, a renowned hotshot lawyer, to disprove the mystery woman's identity and find the real Muzi.
Directors Rui Cui and Xiang Liu hook the audience from the beginning and keep the plot moving like a freight train. Yilong Zhu, Ni Ni, and Janice Man tune their performances to serve the mystery like a cog in the machine, finding the sweet spot between who their character appears to be and revealed to be. Little inconsistencies spotted are actually all paid off later in a fun way.
The final reveal... is so ridiculous that it's technically a cheat. I notably laughed out loud as the film blatantly switches genres to engineer an unguessable reveal.
It's the equivalent of revealing Darth Vader is a woman so the audience has no chance of guessing he's Luke Skywalker's father, if that makes sense.
By that point, the fun had already been had. I already cared and can't take it back. The journey was in guessing what was happening at the moment, less in the reveal itself.
The best mysteries place the answer in plain sight and deceptively steer the audience from seeing the obvious the entire time. Lost in the Stars falls short of this; its mystery is ultimately not sophisticated enough to warrant a rewatch. The mood, intrigue, and soap opera melodrama of it all still make it an entertaining one-time watch.
This movie surprised me in so many ways.
The plot was initially reminiscent of Gone Girl but boy was I fooled.
The more you watch, the more it draws you in and I would highly recommend a second viewing. Everything was so thought out and no plot hole overlooked. Even the seemingly minor things can be explained by this or that.
It was visually stunning and the acting was superb across all members of the cast. Seriously, major kudos to the leads. I wasn't familiar with any of them going into this but I will definitely keep an eye out now for their future work.
Overall, a wonderful, intense film that, I'm not kidding, had me on the edge of my seat a vast majority of the time.
The plot was initially reminiscent of Gone Girl but boy was I fooled.
The more you watch, the more it draws you in and I would highly recommend a second viewing. Everything was so thought out and no plot hole overlooked. Even the seemingly minor things can be explained by this or that.
It was visually stunning and the acting was superb across all members of the cast. Seriously, major kudos to the leads. I wasn't familiar with any of them going into this but I will definitely keep an eye out now for their future work.
Overall, a wonderful, intense film that, I'm not kidding, had me on the edge of my seat a vast majority of the time.
No pun intended - and not really connected with Gone Girl (if you've seen the movie or read the book - there is a book, right? There has to be). This quite twisty movie has you guessing what is right and what is wrong. Who and where characters are trying to lead us. There may be some traps along the way (again no pun intended) and I am not sure what you may think of the ending ... but the movie dares to go places that ... well you may not expect.
That said, it doesn't mean you won't be able to guess where the movie wants you to go. Interestingly enough, the movie seems to hit a spot - at least in London. About 10 screenings - all sold out! So they must be doing something right ... well told and all that ... if you are into that sort of stuff.
That said, it doesn't mean you won't be able to guess where the movie wants you to go. Interestingly enough, the movie seems to hit a spot - at least in London. About 10 screenings - all sold out! So they must be doing something right ... well told and all that ... if you are into that sort of stuff.
Le saviez-vous
- AnecdotesThe second standalone Chinese film to feature Janice Man outside Hong Kong after Tales of Mystery.
- ConnexionsVersion of Lovushka dlya odinokogo muzhchiny (1990)
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- How long is Lost in the Stars?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Lost in the Stars
- Lieux de tournage
- Hainan Island, Chine(Beach resort location settings)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 70 000 000 CNY (estimé)
- Montant brut aux États-Unis et au Canada
- 1 721 446 $US
- Week-end de sortie aux États-Unis et au Canada
- 806 815 $US
- 9 juil. 2023
- Montant brut mondial
- 487 637 474 $US
- Durée2 heures 1 minute
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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