Creation of the Gods I: Kingdom of Storms

GoT meets Shogun meets Indiana Jones meets LOTR meets Wheel of Time! Such a great show with interesting characters and plot, well-balanced with action and drama!

I love Chinese culture, and there are so many references to hostoric China and customs that I really enjoyed.

I am American but have always been interested in the concepts of Chinese culture from Taoism to the Tao De Ching. There is so much to learn.

The cinematography was beautiful as are the actors and actresses. I was hoping for a dragon throughout but there are some satisfying mystical elements for those who seek that type of thing. ENJOY!

An absolutely needed movie for Chinese cinematography. Surprisingly edgy and mystical that makes one wonder how did it ever pass the "bar". Many scenes reminded me of the Red Wedding from Game of Thrones, and indeed as many lauded, this could very well be the Chinese version of GOT or Lord of the Rings. At the same time, the film has so many things that is so distinctly Chinese in terms of its value system and culture. No doubt, I hope the sequels gets the green light, as these films could really push our culture and stories forward to a larger stage. Only gripe is that there is still a sense of awkwardness in some of the acting, most specifically with the King. Nevertheless, it is still one of the greatest villains I've seen in a Chinese film and the casting of the younger actors are fantastic, finally some masculinity again!

If you're not put off by subtitles, any fan of war films and heroic fantasy should watch this. Though it seems odd they haven't done an English-dubbed version, which would get it through to a much wider audience.

They could also try a different title. Maybe Superheroes of the Fall of the Shang Dynasty. For Chinese and other East Asians, the idea of mortals becoming gods is familiar and believed by the religious or superstitious. A belief also found in Classical Greece, but confusing for a Western audience.

It is an heroic fantasy, loosely based on the actual fall of the Shang, 3000 years ago. A concubine who was widely blamed in later histories is re-invented as a Fox Demon - another concept unfamiliar in the West. And it is actually simplified from the original legend, which has three spirits sent by an offended goddess to be destructive concubines who made a bad man worse.

Which may be no more historic than Shakespeare's Macbeth, but certainly makes a good drama.

It seems this legend is even better known than Journey to the West / Monkey, which is much better known in the West and had a recent much-rewritten film, as well as a Japanese television series that was popular in the West with dubbing into English. As I said, maybe humans become gods is too odd in the Western view, though the very popular superheroes are essentially the same.

The plot is complex, and I found the palace guards confusingly similar. But it was entertaining, and is the first of three.

Absolutely a fantastic movie, the storyline, the acting, the virtual images, the music all made this movie an Epic movie.

Let me talk about the conclusion first: this is the best mythical epic movie in China!

As a fan who read Fengshen Yanyi at the age of seven and re-read the original novel countless times in more than 20 years, I can say responsibly that this movie is definitely not a magic reform! On the contrary, it is the first masterpiece among all film and television adaptations.

Some passages that seem magical at first glance are actually well-founded, and they are the optimal solution after careful research and selection. The adaptation of the movie is very good.

This new story from a contemporary perspective can be called a divine script. It is seamless from beginning to end, and echoes before and after the transition.

Can't wait for the 2nd one!! Highly recommend to everyone!

Since its detonating release in the mainland, this movie was praised as legend among the viewers. Indeed, Feng Shen represents China's highest standard of film production, whether VFX, production and costume design, screenplay adoption, choreography, and performance. Despite the few scenes at Kunlun with questionable green screen utility, the visual effect is much better than that in The Flash, as the extreme wide shots of the coronation or the sacrificial pyre depict architectural grandeur without forgetting the details of men. In terms of bringing one of China's most famed mythology into life, the movie succeeds once more in modifying the intent of Daji the Fox Demon and adding the Army of Hostages; my personal favorites are Nezha's Fire Wheels and Red Sash, which are exactly what I pictured from the original text. Performance wise, Fei Xiang and Na Ran are doubtlessly the best castings for the devious tyrant and the animalistic temptress.

Onto the negatives, the movie seems to portray plot-driven characters instead of having the characters pilot the storylines. Especially approaching the final act, the deaths and arcs of numerous characters, including the protagonist, either appear scripted or simply do not convince me. This could be the result of extensive editing and condensation in regards to the length, which is always an issue for commercial films with adopted screenplay. The work is enough as entertainment, but if the trilogy wants to become classic, it still needs a push.

Can't wait to see the second.