The Broken Tower

Not a particularly great poet to begin with. I don't know why the film is in black and white, is that supposed to make it look more arty or something? I don't see why he was not happy with the advertising job. He could have still found time for his poems on the side. His poems are really heavy and monotonous and pedantic, I bet they don't necessarily mean anything most of the time. They just kind of sound like they do. But its just drunken delirium. Some nice shots under the bridge. The guy does have a nice smile. Poet was destructive. I bet Ginsberg liked this guy. Lucky guy got to travel a lot, not bad for a broke cliché of a suffering artist.

I thought this was an interesting topic, so I took a chance on it despite being turned off of Franco's directorial talents (?!) after just recently viewing the positively horrid As I lay Dying. This is a step up from that, but it is still a failure. Franco gives a rather convincing and sincere performance here, and from what I have read a lot of this seems accurate, but his filming technique is ponderous, monotonous and pretentious. I give him credit for trying creative things, but so many of them are misfires. I did like the black & white cinematography as it helped with the feel of the era, particularly the NY scenes. The much talked about explicit oral sex scene is not all that much, though it is daring for a major actor to do. I assume that a certain appendage is fake, but you never know with this guy. He has stated he is gay up to the point of penetration, so this would fit in with that stance. I didn't know the very talented & interesting Michael Shannon was in this. He has little to do other than one very passionate kissing sequence with Franco, but he too is another bold actor that I admire for taking chances. Nevertheless, this really cannot be recommended.

Just attended the premier of The Broken Tower at the LA Film Festival and, once again, James Franco makes brave choices and produces a beautiful film. The camera work, editing, score, and the actors' performances, sustain a sometimes difficult story with elegance, honesty, and passion.

Set against the backdrop of 1920's New York, Paris, Cuba, and Mexico, The Broken Tower succeeds in merging two disparate art forms, film and poetry, to propel the narrative. There's also a lot of silence in this film where we are allowed to see Crane's world as through his eyes. Elegaic sequences are punctuated with cuts to black and the spare and subtle soundtrack perfectly matches the storytelling.

I admit to knowing nothing about Hart Crane before tonight's screening but I left wanting to read his poems and letters myself.

Thank you, Mr. Franco,

wlm

James Franco does an experimental autobiography of American poet Hart Crane. Michael Shannon plays Emile, one of his lovers. It's black and white and supposedly Franco's student film at New York University. It is unwatchable if you're looking for a narrative driven story. I'll be cruel and say it's pretentious. It's an art student film. It is technically competent. The black and white photography looks good. Unlike most amateur films, this one has top level actors. It is simply not good as a film. I'd rather have a short film with only Franco reading poetry. There's no way to maintain enough concentration to follow the entire run.

This film tells the life of an American homosexual poet named Hart, who died of suicide by jumping off a sailing army ship.

"The Broken Tower" is shot in black and white. It is a tell tale sign that it is a very artsy movie that has no commercial elements at all. I tried very hard to enjoy it, trying to appreciate the slowness of the pace, and trying to enjoy the beauty of the literature reading. However, there is really very little plot in the film, and the story is told in a very scattered manner. For every 30 seconds of plot, there are five minutes of self indulgent filler scenes. I got quite tired of watching James Franco walking around or sitting around. We also see a lot of Hart's sexual liaisons, ranging from walking up the stairs with another man, to apparently non-simulated oral sex.

After watching the whole film, I did not gain an insight into Hart's life, but rather it felt more like a project for James Franco to expose the exploration his sexuality.