Ajouter une intrigue dans votre langueBased on the classic novel by William Faulkner, first published in 1930, "As I Lay Dying" is the story of the death of Addie Bundren and her family's quest to honor her last wish to be burie... Tout lireBased on the classic novel by William Faulkner, first published in 1930, "As I Lay Dying" is the story of the death of Addie Bundren and her family's quest to honor her last wish to be buried in the nearby town of Jefferson.Based on the classic novel by William Faulkner, first published in 1930, "As I Lay Dying" is the story of the death of Addie Bundren and her family's quest to honor her last wish to be buried in the nearby town of Jefferson.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 1 nomination au total
- Cora Tull
- (as Jennifer Howell)
- Mrs. Armstid
- (as Jessica Wilkinson)
Avis à la une
There are great actors in this movie. Tim Blake Nelson and Logan are terrific. Beth Grant is also great. In general, everybody is doing good work. The question is how did James Franco do as a director. I am not impressed. The most obvious technique is the split screen. The best thing I can ascribed to the technique is that it hides his amateurish directing style. When Beth Grant screams, the other half is trained on Jim Parrack. That's the only split-screen scene that really works. The movie struggles to gain authenticity and the split screen doesn't help at all. It looks like a modern film school technique in direct conflict with the rural backwoods feel of the family. Franco should be striving for authentic poverty. He fails as he throws various things on the wall. None of it really sticks. The actors are able to keep the audience's interest but they do it despite Franco. The river crossing shows some promise that Franco is functional as a director. Maybe he's over thinking this and tries too hard with the split screen and the actors talking at the camera. Thankfully the last 15 minutes don't have the split screen. It's some of the most compelling scenes in the movie.
In fact, i'm not sure i'd even call it an adaptation. It IS the book. I cant think of any other movie that was truer to the source material. Obviously the book is much more long winded, and is filled with long, and often puzzling monologues from all the main characters. It's more dream like, and ponderous. But i cant think of anything that the movie left out, or missed, or put it's particular "spin" on, it was all dead on.
That said, the book is a difficult read. The movie is equally difficult. You could read the entire book, and have little idea what it's about. Similarly, you could easily watch this entire movie and be completely puzzled by it. There's a lot of important plot points that gets covered, and you barely even have time to realize exactly what it is the characters are saying. Once again though, the book is the same. Questions like: why is Varadamin's mom a fish? Why is Jewel's mom a horse? Why doesn't Darl have a mom? These are sort of answered, just like in the book, but they also seem completely absurd to even ask. It's a story more about the people involved in it, and not so much about the events that take place, or even the truthfulness of anything or anyone.
I would imagine most viewers will struggle to even understand what it is that the characters are saying, as they all have thick southern accents, Anse being almost unintelligible. Adding to the confusing is the fact that most everything they say is highly complex, poetry like prose that doesn't particularly care if you're following closely or not, they're still going to say it. Once again, pretty much how the book is.
So it's a difficult to understand book, and it's a difficult to understand movie. I certainly loved it, but i suspect most viewers will hate it.
It's clear that Franco filmed this atmospheric tale on a limited budget yet was able to recruit some serious acting talent to join him on screen as the Bundren family. Stand outs in the acting stakes are Tim Blake Nelson as toothless family head Anse and Marshall-Green as half cast and grizzled Jewel. All cast members acquit themselves well to difficult material, even Franco's real life buddy and funny man Danny McBride does well in a small cameo like roll. Franco's fine direction of fellow actors is commendable but his artistic decision not so much.
A strange choice by Franco is to put screen juxtaposition in a two frame format for roughly half of the films running time. This two pane structure comes off as merely annoying and takes away from the full screen beauty of much of the films images and natural landscape which are wonderfully captured by cinematographer Christina Voros. This technique was employed from an outsiders knowledge to portray the novels various voices and themes yet really is in no way integral to the films telling and as a finished product seems a tad on the pretentious side of things.
If you can overcome As I Lay Dying's almost tortuous opening 30 minutes where I found myself more than tempted to stop the film in its tracks there is much to admire in the film and by the last 20 minutes you will find yourself enthralled in this strange and depressing tale of a family lost in more ways than one. As I Lay Dying gives one hope that Franco will do justice to Child of God and perhaps one day his dream project of Blood Meridian.
3 concrete casts out of 5
These actors really played their parts well. Like many of Franco's movies, he wants you to really connect with each person and their individual stories, pain, feelings, etc. I def connected with these.
A good watch. Well done!
James Franco undertook the ambitious creative effort of trying to adapt author William Faulkner's classic 1930 book (of the same name) and partially succeeded. Franco directed the film and wrote it's screenplay. He also co-stars in the movie with a bunch of his friends; like Danny McBride, Tim Blake Nelson and Jim Parrack (he co-stars with Nelson and Parrack in another film he co-wrote and directed this year, based on a book by Cormac McCarthy, called 'CHILD OF GOD'). The film, if nothing else, is very interesting and it's great to see Franco continuously trying new and different things.
The story begins with the death of Addie Bundren (Beth Grant). She left behind her husband Anse (Nelson), daughter Dewey Dell (Ahna O'Reilly) and four sons (Franco, Parrack, Logan Marshall-Green and Brady Permenter). It then focuses on the family's efforts to transport Addie's body to the town of Jefferson, to be buried (as she wished). Each family member has their own troubles and drama. It's set in the fictional Yoknapatawpha County, Mississippi (based on Faulkner's home Lafayette County).
I never read the book so I didn't know the story at all prior to seeing the movie. So for me it was really bizarre and interesting. I know a lot of fans of the book are unhappy with Franco's adaptation but there are some that think it's a good enough summary of a near impossible novel to adapt (into a movie). I liked all of the performances (I especially was fascinated by Nelson and Marshall-Green) and found all the characters to be really interesting. I really liked Franco's directing as well and think he shows a lot of promise with this film. Maybe he shouldn't try to adapt such popular and classic works of modern literature but he definitely has talent as a filmmaker. There's a lot to marvel at in the movie, for sure. It probably doesn't do the source material justice but it's still an extremely interesting film going experience.
Watch our movie review show 'MOVIE TALK' at: https://www.youtube.com/watch?v=AQkUJbRVsoM
Le saviez-vous
- AnecdotesThe original book on which the movie is based is told from the perspective of 15 different characters over 59 chapters. Split screens are used throughout much of the movie to reflect the characters' different perspectives.
- Gaffes(at around 23 mins) Just as Anse says "She's going to a better place" before the reverend starts to sing "Shall We Gather at the River" the boom mic is visible above his head.
- Citations
[first lines]
Addie Bundren: My father used to say that the reason for living was to get ready to stay dead for a long time.
- ConnexionsFeatured in At the Movies: Cannes Film Festival 2013 (2013)
- Bandes originalesShall We Gather at the River?
(uncredited)
Written by Robert Lowry
Performed by Funeral Service Attendees
Meilleurs choix
- How long is As I Lay Dying?Alimenté par Alexa
Détails
Box-office
- Budget
- 5 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 16 697 $US
- Week-end de sortie aux États-Unis et au Canada
- 7 143 $US
- 13 oct. 2013
- Montant brut mondial
- 71 759 $US
- Durée
- 1h 50min(110 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1