When the Lights Went Out
- 2012
- 1h 26min
NOTE IMDb
5,3/10
5,5 k
MA NOTE
Ajouter une intrigue dans votre languePoltergeists attack a family in Yorkshire during the 1974 nationwide blackouts.Poltergeists attack a family in Yorkshire during the 1974 nationwide blackouts.Poltergeists attack a family in Yorkshire during the 1974 nationwide blackouts.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Karl Haynes
- Ron
- (as Karl Hayes)
Avis à la une
I reluctantly began watching what seemed to be yet another Paranormal Activity ripoff but was gradually pulled into the storyline by Pat Holden's fine direction and performances. The mood was effective as was the music score and sound design. I'm a big fan of ghost films, particularly Robert Wise's THE HAUNTING and Peter Medak's THE CHANGELING. While this film doesn't reach those heights, it is so much more effective than any of the American ghost films of the last few years.
I'm also intrigued by paranormal films based on true stories, which this one claims to be, adding more creepiness to the viewing. Making a good chilling film is not nearly as easy as it seems, so hats off to the creators of this good little film.
I'm also intrigued by paranormal films based on true stories, which this one claims to be, adding more creepiness to the viewing. Making a good chilling film is not nearly as easy as it seems, so hats off to the creators of this good little film.
I saw this at a preview screening tonight in London. Its a British supernatural haunted house film set in Yorkshire 1974 and is apparently based on a true story.
The 70s Britain backdrop is suitably done reflecting the country's financial struggles of its time and if you remember growing up in 70s Britain, there are some fond nostalgic touches to enjoy. The story, however is a typical haunted house affair. A working class family (mother, father and a thirteen year old daughter) moves into a new home in the suburbs. Of course the new home is haunted and aggressively so. The family becomes rather concerned about this little negative point....which unfortunately is the first of this film's many problems.
See, the family's reaction to the haunting is ridiculously flippant. They accept the haunting too easily, despite its obvious aggression. The family are mostly naive and unlikeable which doesn't help me root for them. The performance of the 13 year old is initially quite annoying in her mannerisms but she is deliberately playing a stroppy teenager who lacks self esteem and friends, and she portrays that well. She has just one school friend, who seems to be a much more accomplished little actress and was very charming. In fact, the film had more spark every time she was on the screen. The friendship drama with the children, their isolation and their struggles against bullies was actually far more interesting and captivating than the house haunting itself.
Which brings me to the films's biggest problem of all. If you have seen just a few supernatural films, then this wont likely scare you. Its not completely devoid of "boo" moments but there is absolutely nothing new here and its embarrassingly clichéd. Almost every attempted boo moment is lifted from classics such as Poltergeist, Sixth Sense, and Paranormal Activity but with inferior results and sometimes laughably ridiculous visuals that is too illogical even for a Loony Tunes cartoon. Perhaps the scares would be effective to complete virgins of supernatural films. Its possible that I may have seen too many supernatural films myself being a massive fan of the genre for these scare attempts to be effective on me but the scares here are still poorly executed and devoid of logic. I mean for Pete's sake, even the real ghosts will cringe and come out into the open to declare how mind numbingly silly the hauntings are in this film. I just know they would be saying: "we can shift stuff, make you cold, blow a breeze, play with lights and shadows but we don't do bleeding magic tricks".
It seems to me this film's success will be dependant on its "based on a true story" premise and its Yorkshire setting flavour.
There are some redeeming features about the film, I have already mentioned about the children's drama and nostalgic setting of 70s Britain but the film did also offer a surprising and most welcome period of comic relief towards the end which brought genuine chuckles out of me. I did enjoy that and felt relieved that the film had at least something more to offer. If only it could have given more of that kind of humour earlier to make up for the lack of effective scares.
There is no blood and gore by the way, in case you are concerned about that. And only one f-word is used (to comical effect actually) so, this might earn a rating of PG13. By all means still go see this, if you are very easily scared and are content to be scared for only one or two effective moments.
Being based on a true story might be a pulling factor but I personally think its a cop out.
I rate this 6/10...mainly for the captivating school friendship drama, the sudden burst of humour and for me personally, a retro nostalgia of 70s Britain. Scare factor scale, however, an abysmal zero.
The 70s Britain backdrop is suitably done reflecting the country's financial struggles of its time and if you remember growing up in 70s Britain, there are some fond nostalgic touches to enjoy. The story, however is a typical haunted house affair. A working class family (mother, father and a thirteen year old daughter) moves into a new home in the suburbs. Of course the new home is haunted and aggressively so. The family becomes rather concerned about this little negative point....which unfortunately is the first of this film's many problems.
See, the family's reaction to the haunting is ridiculously flippant. They accept the haunting too easily, despite its obvious aggression. The family are mostly naive and unlikeable which doesn't help me root for them. The performance of the 13 year old is initially quite annoying in her mannerisms but she is deliberately playing a stroppy teenager who lacks self esteem and friends, and she portrays that well. She has just one school friend, who seems to be a much more accomplished little actress and was very charming. In fact, the film had more spark every time she was on the screen. The friendship drama with the children, their isolation and their struggles against bullies was actually far more interesting and captivating than the house haunting itself.
Which brings me to the films's biggest problem of all. If you have seen just a few supernatural films, then this wont likely scare you. Its not completely devoid of "boo" moments but there is absolutely nothing new here and its embarrassingly clichéd. Almost every attempted boo moment is lifted from classics such as Poltergeist, Sixth Sense, and Paranormal Activity but with inferior results and sometimes laughably ridiculous visuals that is too illogical even for a Loony Tunes cartoon. Perhaps the scares would be effective to complete virgins of supernatural films. Its possible that I may have seen too many supernatural films myself being a massive fan of the genre for these scare attempts to be effective on me but the scares here are still poorly executed and devoid of logic. I mean for Pete's sake, even the real ghosts will cringe and come out into the open to declare how mind numbingly silly the hauntings are in this film. I just know they would be saying: "we can shift stuff, make you cold, blow a breeze, play with lights and shadows but we don't do bleeding magic tricks".
It seems to me this film's success will be dependant on its "based on a true story" premise and its Yorkshire setting flavour.
There are some redeeming features about the film, I have already mentioned about the children's drama and nostalgic setting of 70s Britain but the film did also offer a surprising and most welcome period of comic relief towards the end which brought genuine chuckles out of me. I did enjoy that and felt relieved that the film had at least something more to offer. If only it could have given more of that kind of humour earlier to make up for the lack of effective scares.
There is no blood and gore by the way, in case you are concerned about that. And only one f-word is used (to comical effect actually) so, this might earn a rating of PG13. By all means still go see this, if you are very easily scared and are content to be scared for only one or two effective moments.
Being based on a true story might be a pulling factor but I personally think its a cop out.
I rate this 6/10...mainly for the captivating school friendship drama, the sudden burst of humour and for me personally, a retro nostalgia of 70s Britain. Scare factor scale, however, an abysmal zero.
When the Lights Went Out is written and directed by Pat Holden. It stars Steven Waddington, Kate Ashfield, Natasha Connor, Craig Parkinson, Jo Hartley and Martin Compston. Film is based on alleged real life events that were recorded in Pontefract, England, in 1974. After the Pritchard family moved into their new house on the Chequerfield Estate, poltergeist activity reached such a level it has been called the most violent poltergeist haunting ever witnessed in Europe.
Director Holden, who made the criminally under valued Awaydays, helms his picture with genuine love and thought for the topic. Being related to the Pritchard family he had wanted to make the film for some time, it's a noble effort even though it never achieves all that it can.
There are two main problems that will ensure the film will stay rooted on the bottom shelves of DVD stockists and collectors. Problem one is that it is uncomfortable in mixing comedy with drama, something that practically kills a key scene in the last quarter. It's useful to understand that these Yorkshire folk are made of tough stuff, ready to offer a quip in the face of adversity, but it has to be pitched right and here it negates much of the pent-up terror.
The other key issue is that it's so stunning in its period design (this really deserves the highest praise for the makers), anyone from the 1970s is guaranteed to be spending much of the film pointing out things and reminiscing. I know I was! Garish wallpaper designs, toys like Slinky and Buckaroo, rum and pep and Babycham in the smoky pubs, The Sweet singing Little Willy and a hairy Noel Edmonds on Top of the Pops, these are just some of the things to make film fans who were reared in the 70s smile during this particular horror film!
As a tale it's creepy enough, the cold backdrop of a Yorkshire council estate suits the story no end, and in spite of a bad misstep when Holden uses CGI in the finale, the shocks and unease moments are nicely handled. While the human interest factor always remains high and there's a bit of thought within the writing to off set the normal question of "why don't they just move house?".
It's also well performed by the cast, with youngster Connor really shining bright, and with Holden keeping things brisk the picture never gets bogged down with pointless scene fillers. Is it scary? Away from the flares, wallpaper and hair styles that is! Well no it isn't really, it's more an effective ghost yarn than anything else. So needless to say, the blood lust gore crowd or those expecting a battle between religion and demon, need not apply here. 6.5/10
Director Holden, who made the criminally under valued Awaydays, helms his picture with genuine love and thought for the topic. Being related to the Pritchard family he had wanted to make the film for some time, it's a noble effort even though it never achieves all that it can.
There are two main problems that will ensure the film will stay rooted on the bottom shelves of DVD stockists and collectors. Problem one is that it is uncomfortable in mixing comedy with drama, something that practically kills a key scene in the last quarter. It's useful to understand that these Yorkshire folk are made of tough stuff, ready to offer a quip in the face of adversity, but it has to be pitched right and here it negates much of the pent-up terror.
The other key issue is that it's so stunning in its period design (this really deserves the highest praise for the makers), anyone from the 1970s is guaranteed to be spending much of the film pointing out things and reminiscing. I know I was! Garish wallpaper designs, toys like Slinky and Buckaroo, rum and pep and Babycham in the smoky pubs, The Sweet singing Little Willy and a hairy Noel Edmonds on Top of the Pops, these are just some of the things to make film fans who were reared in the 70s smile during this particular horror film!
As a tale it's creepy enough, the cold backdrop of a Yorkshire council estate suits the story no end, and in spite of a bad misstep when Holden uses CGI in the finale, the shocks and unease moments are nicely handled. While the human interest factor always remains high and there's a bit of thought within the writing to off set the normal question of "why don't they just move house?".
It's also well performed by the cast, with youngster Connor really shining bright, and with Holden keeping things brisk the picture never gets bogged down with pointless scene fillers. Is it scary? Away from the flares, wallpaper and hair styles that is! Well no it isn't really, it's more an effective ghost yarn than anything else. So needless to say, the blood lust gore crowd or those expecting a battle between religion and demon, need not apply here. 6.5/10
"When the lights went out," is a supposedly true story of a haunting/ exorcism that takes place in England during 1974, and seems more like a reinterpretation of New England's haunting stories of the same era. Somehow the 70's were so bad and dull that even ghosts had to find more to do.
Good: The acting was fine, not great or memorable but fine. The story is a good one, even if over used by movies and the "true story" part is always somewhat of a draw. Although I question the trueness. Being set in the 1970's wasn't too bad and I think they hit the overall 70's feel and look pretty well. The whole haunting thing is always popular as well which always makes a film alluring to watch.
The Bad: Nothing new to see here, except it takes place in England instead of the eastern U.S. "When the lights went out," is another story, supposedly based on true story, that takes place in the 1970's, oddly like another true story in the 1970's "Amityville Horror" (1979) and contains a bit of demonic possession, much like another 1970's movie "The Exorcist"(1973). How many films to the makers of this one think we haven't seen or forgot. There was also very little to cause you to jump in your seat or really fill you with fright when you really do turn out the lights.
I give it a 6 out of 10. It was interesting to watch, they did well bringing the 70's era into it, and not to much to gripe about acting wise. The originalness of the story is questionable at best, and seems to be a combination of a few older movies that came out in the era it takes place. It wasn't nearly scary, and other than a few tiny parts, provided none of the "jump" effect a movie like this needs.
Like my review? Hate em? Comments, questions, or want a DVD reviewed before you waste your time? E-mail me at : subliminal.lithium@gmail.com
Good: The acting was fine, not great or memorable but fine. The story is a good one, even if over used by movies and the "true story" part is always somewhat of a draw. Although I question the trueness. Being set in the 1970's wasn't too bad and I think they hit the overall 70's feel and look pretty well. The whole haunting thing is always popular as well which always makes a film alluring to watch.
The Bad: Nothing new to see here, except it takes place in England instead of the eastern U.S. "When the lights went out," is another story, supposedly based on true story, that takes place in the 1970's, oddly like another true story in the 1970's "Amityville Horror" (1979) and contains a bit of demonic possession, much like another 1970's movie "The Exorcist"(1973). How many films to the makers of this one think we haven't seen or forgot. There was also very little to cause you to jump in your seat or really fill you with fright when you really do turn out the lights.
I give it a 6 out of 10. It was interesting to watch, they did well bringing the 70's era into it, and not to much to gripe about acting wise. The originalness of the story is questionable at best, and seems to be a combination of a few older movies that came out in the era it takes place. It wasn't nearly scary, and other than a few tiny parts, provided none of the "jump" effect a movie like this needs.
Like my review? Hate em? Comments, questions, or want a DVD reviewed before you waste your time? E-mail me at : subliminal.lithium@gmail.com
I really enjoyed the fact that this was old fashioned, yes obviously, due to the fact it is set in the 70s but I enjoyed that it was slow and simmering. The attention to detail in the sets and costumes really helped the whole feel and the acting was excellent and very natural. There are moments of black humour and the language and responses are very British, which I appreciated. Yes, it's nothing new but sometimes you just want a ghost story to give you chills and make you look twice at any open door at night when you are going upstairs! It is a shame the last 5 minutes let it all down so badly, no spoilers here but watch it and see what I mean. I'd say give it a go, it might just give you the creeps.
Le saviez-vous
- AnecdotesThe name of the family in the film is the Maynards. The family the 'true' story is loosely based upon were called the Pritchards.
- GaffesIn the opening scene when the men are unloading the vehicle, in the background you can clearly see one house has a satellite dish and later on another house is seen in the background with a UPVC extension, both not available at the time the film was set
- ConnexionsVersion of Most Haunted: 30 East Drive - Part 1 (2015)
- Bandes originalesGirls It Aint Easy
Written by Dunbar & Wayne
Published by Universal / MCA Music Ltd
Performed by Tracey Gee
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Khi Ánh Đèn Vụt Tắt
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 1 181 929 $US
- Durée1 heure 26 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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By what name was When the Lights Went Out (2012) officially released in India in English?
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