Ajouter une intrigue dans votre langueWhat does it mean to lead men in war? What does it mean to come home? Hell and Back Again is a cinematically revolutionary film that asks and answers these questions with a power and intimac... Tout lireWhat does it mean to lead men in war? What does it mean to come home? Hell and Back Again is a cinematically revolutionary film that asks and answers these questions with a power and intimacy no previous film about the conflict in Afghanistan has been able to achieve. It is a mas... Tout lireWhat does it mean to lead men in war? What does it mean to come home? Hell and Back Again is a cinematically revolutionary film that asks and answers these questions with a power and intimacy no previous film about the conflict in Afghanistan has been able to achieve. It is a masterpiece in the cinema of war.
- Nommé pour 1 Oscar
- 4 victoires et 9 nominations au total
- Self
- (as Sgt Nathan Harris)
- Self
- (as Lt Col Christian Cabaniss)
- Self
- (as Cot Eric Meador)
- Self
- (as Lt Edward Hubbard)
- Self
- (as Chaplain Terry Roberts)
- Self
- (as Lt Cmdr Robert Gaines)
- Self
- (as Lt Cmdr Matthew Swibe)
- Self
- (as Sgt Chris MacDonald)
Avis à la une
The imagery is stunning, and the filming is pristine - especially considering the conditions - the camera and editing are high quality, and the shakiness is pretty subdued.
Most importantly, the stories are interesting and all too real.
The editing, which juxtaposes the return of the wounded Nathan Harris to America with the striking images of war is chilling. There is simply no other film which actually shows what it might be like to actually have PTSD.
The soldiers in this documentary are all too real, never joking with the camera while in combat, and coming close to death numerous times.
If you want proof, look closely, despite the presence of the camera, few soldiers ever look into it. This may have been a directorial call, but more than likely, it is because they are real soldiers, and one second looking at a camera - especially in such hostile territory - could cost you your life.
This movie is something special, and I doubt we will see anything like it again.
Honestly - props to this filmmaker Dennis - because he has some serious guts/grit.
People made a big deal last year about Restrepo showing the intensity of moments in combat. That film, while great, doesn't even touch what young Danfung Dennis achieves here. The up close intimacy of the war moments took the most brazen courage to compile, but the shots are so beautifully constructed you truly can touch the daring and fear of those moments. I have only felt this before in narrative films like The Hurt Locker.
But the footage of the struggle this troubled soldier endures in his recovery from crippling injuries is equally compelling, frightening and heartbreaking. The sewing together of the two worlds presented has a power all its own.
I really believe this amazing young filmmaker, who really gives his all to the art in this film, deserves recognition. It won the documentary jury prize at Sundance. It now has been shortlisted by the Oscars for nomination consideration. These are so deserved.
The footage of Nathan at home, however, is what may bring out very different responses. He is obviously in extreme pain and has a harder life, yet is still very gung-ho and dreams of a full recovery and return to the front line (which got a gasp of disbelief by some in my theater). He also is very interested in firearms, and there are several shots of him and his pistols which he keeps near his bed and which he trains his wife how to use. She, meanwhile, must deal with the stress of caring for an injured husband while still performing her daily routine. Together, they see people in their community (who are quite positive), the marine doctors (who are hopeful for his recovery), and attend a very sad memorial for recently KIA soldiers at the base.
To anyone who is staunchly pro-military, the footage should be quite uplifting. Nathan is determined to recover (and he does noticeably improve though as of April 2011 is not fully healed) and the support of his community and especially his wife is heartwarming. Those who are not so gung-ho will probably be shocked by the footage. In the Q&A with the director and Ashley after the screening, one woman asked Ashley if she was scared for her life at all (a reference to Nathan's constant gun wielding, which she wasn't). Regardless of your leanings though this is an excellent documentary and should not be missed.
These men are not actors, they are not trying to "play it up" for the camera and any insinuations to the contrary are beyond offensive. These are trained soldiers who sign their lives away to the government for years at a time, some in hopes of earning school funds, and others a career. Their main worries are to do as commanded, and stay alive long enough to be able to reach their end goals. I watched this documentary with my eyes wide open, with the personal knowledge of how these events changed someone I love.
The beauty of Hell and Back Again is that it allows the rest of the world to see what soldiers and their families live with. We send our soldiers off knowing that at best they will be forever psychologically scarred and at worst we receive that dreaded knock on the door. When they do return we have to help them adjust back to their "normal" lives. So even though Sgt. Harris is the focus, this really is the story of every soldier who has been in a combat zone.
I hope that this film helps people understand that even though many have life altering physical injuries, the hardest part for most will be the life-long mental battle. Only through the genius of editing that follows the emotional path rather than the chronological, can we see those highs and lows with such intensity.
In the end I can only repeat what I told my brother after I saw this film. It allowed me to understand him better, not only as a soldier, but as a changed man. And even though he is still a pain in the rear, I am glad that he made it home alive, issues and all.
This documentary if on the basis of exposing how terrible the US Marines during combat, it should got 10 stars, because it had vividly shown us how pathetic the Marines were in general. But if you take it from a different patriotic angle, this documentary sucked big time, it did nothing to glorify the US forces, especially the Marines. They have mindlessly wasted their lives wherever they were thrown into. All of them just looked so lame, so timid, so scared, all they could and would do is just shooting blindly to their unknown enemies. What a pathetic documentary since what it showed to us only made us shaking our heads constantly.
Le saviez-vous
- AnecdotesThe title is probably a reference to the classic war film L'Enfer des hommes (1955), which starred Audie Murphy as himself in a dramatic re-telling of his experiences as the most decorated American combat soldier of WWII. This could be regarded as a documentary version of the same concept.
- GaffesDespite an establishing shot of the exterior of a Walgreens pharmacy, the scene where Nathan's wife purchases his prescriptions is clearly filmed inside a CVS pharmacy, as seen on the cashier's name tag.
- Citations
Nathan Harris: If I do everything right, and all my men do everything right, I still can die. So You just have to accept it.
- ConnexionsEdited into Independent Lens: Hell and Back Again (2012)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- 戰地迴聲
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 40 634 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 413 $US
- 9 oct. 2011
- Montant brut mondial
- 40 949 $US