Last Days in Vietnam

In 1973, a peace agreement is signed in Paris to end the Vietnam war. In Aug. 1974, President Richard Nixon resigns. A few months later, the North launches a full scale invasion of the South. Americans are war wearied and help is not coming. The American ambassador refuses to accept defeatist talk. Some in the embassy organize a black ops smuggling out vulnerable Vietnamese. As the NVA closes in on Saigon, the Americans set off the secret evacuation plans with Bing Crosby's White Christmas.

The iconic imagines from the evacuation are the helicopters taking off from the rooftop and the helicopters being pushed overboard. For most people, these are the collective memories. This documentary dives deeper into the story. Some of it is fascinating behind the scenes stuff. The last half is a bit repetitive as various harrowing stories do resemble each other.

Some reviewers here have missed the point: in no way, shape, or form does Last Days in Vietnam purport to be a documentary covering the whole of the Vietnam War and the rights and wrongs behind it. That documentary would take hours to chronicle such events. Instead, this is a snapshot of a single situation, the airlifting to safety of many South Vietnamese people in the dying days of Saigon.

Where Last Days in Vietnam excels is in the contemporary footage of the event. The entire film is made up of old news footage of crowds fleeing and the unfolding situation at the US embassy in Saigon. Talking head footage is cut in to humanise the story, and the documentary as a whole turns out to be thoroughly engrossing: it's gripping stuff, moving with it, in which the best and worst of human nature is brought to life.

Every talking head character here has an interesting story to tell. The director, Rory Kennedy, is the daughter of none other than Robert Kennedy and although I wasn't familiar with her work previously I'll be looking out for her in future. Last Days in Vietnam is superlative stuff, and unmissable viewing for anyone with an interest in those ill-remembered times.

When an occupying army gives up, and retreats, the immediate consequences are always going to be worst for those of the indigenous population who collaborated with the outgoing forces. For years, the United States helped keep South Vietnam independent from the north; once the U.S. troops had departed, re-unification was inevitable and eventually, the remaining Americans evacuated themselves, taking with them just some of the Vietnamese who had worked or fought for them and who now faced an uncertain future under a communist regime. Indeed, with the North VIetnamese forces on the edges of Saigon, the only way the evacuation could be staged was by helicopter, leading to extraordinary scenes all captured on film, and re-lived in this documentary. Having gotten in this mess, it's hard to see what the U.S. government could have done differently; with hindsight, of course, the whole story of U.S. involvement in Vietnam is a dreadful mistake. There's a vividness to the film clips, and to the recollections of those involved, which makes Rory Kennedy's film a particularly personal and intimate representation of the war as a whole. What doesn't need stressing is the totality of the defeat suffered by the U.S., an event that has arguably infused U.S. politics to this day.

Rory Kennedy is a masterful story teller, and has combined that talent with historical accuracy in this engaging and truthful documentary. Having been a former AP reporter in Vietnam, I can verify that the US evacuation in 1975 is a little told story---a critical element of the war story, but often disregarded in the annuls of this war. But the evacuation is a catalyst for Ms. Kennedy to recreate the dynamics of how easy it is to get into war, but how difficult to get out. For Vietnam veterans, often not wanting to talk about their war experiences, Ms. Kennedy deftly interweaves the soldiers stories who were there, with an out of touch US ambassador who refused to believe that Saigon would ever be defeated, to a Congress that blocked any more funding to support a falling regime. But the soul of this story is how they all were morally and personally torn by leaving behind many of their Vietnamese counterparts who could not be evacuated in a very hasty and uncoordinated US departure. To add another original dimension, one of the US Kirk navy men had hours of 8mm footage of the evacuation that was uncovered in his attic and remastered by Ms. Kennedy for use on the documentary. One of our soldiers spoke for many of our troops when he said "that he sometimes even dreamed in Vietnamese." In one of the same, this may have been a small part of the war's history, but at the same time epitomized the entire war in 98 minutes of drama, skilled cinematography, stunning resolution and sound, and the riveting pain of war. As an educator and child advocate, I would urge that this be used as a resource in every social studies, history, and political science class rooms in the country.

After building enough history to emphasize about the exodus event itself the movie nicely serves the incredible sub stories that happen during the incident. I really like the movie's approach of previously serving the interviews without giving out the speaker's names, building up the start of their opinions and then weave together all those sub stories into link to the greater story of the event. What makes this movie very good is that the movie makers were able to obtain many authentic footage and photographs that give visuals to the stories told by the interviews.This makes the movie deeply visual, without having to resort to other ways to invoke the drama and emotions.