Les crimes de Snowtown

Still makes me shudder when I think of it. One of the most intensely distressing movies I have ever seen. Seriously raw stuff. Chilling in its depiction of the Snowtown murders. Recommended viewing, but not for the squeamish.

The acting is so credible that I feel like I am really in the home of these working class Australians that I have known in my childhood in the 1990s. This is a dark, dark film, but so it should be. It sticks in my mind when I think of the deepest, most nihilistic chasms of this world, and whatever we do in life, that place is always there. The crimes begin with a grain of righteous intent and spiral down into that deepest sea trench. Recommended if you can face it.

Brilliant in it's authenticity and simplicity. The attention to detail, costume and set design deserve recognition and credit. As the viewer you actually feel like your in the 90s, from the Nike Air sneakers to the Sega Master System etc. There is no clear distinction between characters at the beginning of the film, who are complex to say the least.This may leave some audience members confused, but also add to the intended emotions of the film. The actual murders were committed amongst the seemingly mundane and relatively normal lower class suburbs of Adelaide. The director Justin Kurzel, does a fine job at recreating that image. I loved this film because I am some what a crime buff and have a profound interest in Australian criminal history. This movie captures the very essence that is Snowtown. Crime buffs especially will enjoy this movie. The director doesn't necessarily rely on graphic imagery to the extent some people may think. More the psychological game of fear and suspense is applied through out the feature with impeccable brilliance. My heart was racing for a majority of the time, even the quieter moments don't allow you time to relax as the suspense builds. Snowtown is definitely not for the faint hearted or squeamish, but it is for those who can appreciate gritty Aussie crime flicks.

16 year-old Jamie lives with his mother and abusive brothers. He is taken by his mother's new lascivious boyfriend. John and his crowd of self-appointed neighborhood watch takes Jamie under their wings. They drive out the boyfriend. The relationship leads to a spree of torture and murder.

This is an Australian film based on true events. This is a highly disturbing movie. To say that they are white trash is to insult white trash. The rampant homophobia is shocking, but then it gets much much worst. I feel that I have to warn that it dives head first into pedophilia and serial torture murders. It is truly soul grindingly gruesome. It gets really tiring to one's being. I do like the atmosphere in the movie although it does drag at times. It is a tough watch, and good only for people who are willing.

Snowtown follows the experience of young Jamie Vlassakis as he partakes in the infamous 'bodies in the barrels' murders. Director Justin Kurzel has created a film that gradually pulls away the illusion of justified vigilantism to reveal the sadistic and evil core of John Bunting and his co-accused. The rare scenes of violence have such a profound impact that they are difficult to witness, the imagery of the Australian welfare suburb is captured with such florescent realism that you can almost taste the atmosphere. While at times fragmented, Snowtown is a rare and expertly crafted biopic that will tear at your senses and stun you into submission

The press junket and first wave of critical notices built Snowtown up as a throat ripper that will cause you nightmares. That didn't do it any favours as per expectation levels for the horror enthusiast. However, this is a superb piece of film making, a real gritty and grainy deconstruction of the human condition gone sour. As with all films of this type that are based on real life incidents, it pays to read up on the facts if you be so inclined.

Debut director Justin Kurzel doesn't shirk from the horrors of the case, but skillfully he doesn't bang everyone over the head with shock tactics to grab the attention. It's a relentlessly bleak picture, there's a continuous build of impending dread, of human devastation wrung out by a master manipulator (Daniel Henshall as John Bunting superb), the depressing story told through the eyes of the simple and confused Jamie Vlassakis (Lucas Pittaway).

Not to be watched if one is looking to be cheered up! But that doesn't mean it shouldn't be sought out as essential cinema. It's a strong and potent film, worthy of inspection by adults who understand that not all film is about entertainment. 8.5/10