"Chopper raconte l'histoire passionnante de Mark ""Chopper"" Read, un criminel notoire qui a écrit son autobiographie tout en purgeant une peine de prison. Son livre, ""From the Inside"", su... Tout lire"Chopper raconte l'histoire passionnante de Mark ""Chopper"" Read, un criminel notoire qui a écrit son autobiographie tout en purgeant une peine de prison. Son livre, ""From the Inside"", sur lequel le film est basé, a été un des livres les plus vendus""Chopper raconte l'histoire passionnante de Mark ""Chopper"" Read, un criminel notoire qui a écrit son autobiographie tout en purgeant une peine de prison. Son livre, ""From the Inside"", sur lequel le film est basé, a été un des livres les plus vendus"
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 12 victoires et 14 nominations au total
Renée Brack
- Television Interviewer
- (as Renee Brack)
Avis à la une
This film is very well done. I can see why a lot of people compare it to Refn's Bronson. Both revolve around psychopaths who spend the majority of the film inside of a cell block.
As expected with Andrew Dominik, the dialogue and cinematography are extremely well done. His transition shots are damn near flawless and the tongue and cheek dialogue is fun while keeping the audience interested. He also does some neat little things to allow the audience to see the film through Choppers perspective.
Eric Bana gives a stellar performance (better than Munich in my opinion). With all the weigh he put on, he seems larger than life on the screen (with credit also going to Dominik for the "Larger then life" personality of Chopper). Fair warning though, Their are some parts that are not for the light stomached, but definitely a movie I would suggest to watch.
As expected with Andrew Dominik, the dialogue and cinematography are extremely well done. His transition shots are damn near flawless and the tongue and cheek dialogue is fun while keeping the audience interested. He also does some neat little things to allow the audience to see the film through Choppers perspective.
Eric Bana gives a stellar performance (better than Munich in my opinion). With all the weigh he put on, he seems larger than life on the screen (with credit also going to Dominik for the "Larger then life" personality of Chopper). Fair warning though, Their are some parts that are not for the light stomached, but definitely a movie I would suggest to watch.
Mark Brandon Read, nicknamed "Chopper", was a notorious criminal in Australia who after spending most of his life in prison, went on publishing books with anecdotes of those years becoming a successful writer of Best-Sellers. While he has been accused of exaggerating things about his life in his books, the stories presented still are realistic and shocking, and give insight about the mind of this complex and often-troubled man, regardless if if they are real or fiction. "Chopper", the movie, is not based exactly on Read's life, but in the series of anecdotes he wrote in his first books.
Eric Bana plays Chopper and gives one of his best performances to date, capturing the very essence of the living legend Chopper has become now. It is not a surprise that this film gave him recognition out of Australia and turned him into an international star. but even when the movie is centered around Chopper, Simon Lyndon and Kate Beahan's performances shine in their roles as Chopper's cell mate Jimmy and Chopper's girlfriend Tanya respectively.
Like Read's books, the movie is not exactly a biography, but a collection of tales surrounding the now-mythical figure of "Chopper", presented in a way that perfectly mixes strange surrealism with harsh realism. The gritty semi-documentary look the film has enhances this feeling as well as the cold way the violence is presented. Like the real Chopper, the film walks the fine line between fact and fiction, and that's what makes it very appealing and interesting.
It could be said that Director Andrew Dominik painted an accurate portrait of "Chopper" the legend, not of the real person; and that's probably what the real Chopper may prefer. Domink plays with the moods, going from serious drama to awkwardly funny scenes in this character study that presents us a charming yet dangerous man, who probably has been through more than what we would like to do, yet less than what he would likes us to believe.
The film is very intense and "tough", and very good at it; Bana is perfect as Chopper and shows great promise as an actor. His characterization makes very difficult to don't like this common man with a very uncommon life. Director Dominik makes a straight-to-the-face film that stays true to Chopper's persona (fictional or not), and does it without being pretentious or manipulative. It basically lets Chopper's charisma speak for itself playing with the audience's fascination with crime and violence.
If as flaw was to be found, it would be that it never tries to go beyond its goal or push too much the envelope. It is not much of a flaw, as the results are still brilliant, but leaves one wondering at how far could it had gone considering the talent of those involved. Anyways, Eric Bana and Andrew Dominik are set to a bright future and this film is a brilliant start for these two new talents. 7/10
Eric Bana plays Chopper and gives one of his best performances to date, capturing the very essence of the living legend Chopper has become now. It is not a surprise that this film gave him recognition out of Australia and turned him into an international star. but even when the movie is centered around Chopper, Simon Lyndon and Kate Beahan's performances shine in their roles as Chopper's cell mate Jimmy and Chopper's girlfriend Tanya respectively.
Like Read's books, the movie is not exactly a biography, but a collection of tales surrounding the now-mythical figure of "Chopper", presented in a way that perfectly mixes strange surrealism with harsh realism. The gritty semi-documentary look the film has enhances this feeling as well as the cold way the violence is presented. Like the real Chopper, the film walks the fine line between fact and fiction, and that's what makes it very appealing and interesting.
It could be said that Director Andrew Dominik painted an accurate portrait of "Chopper" the legend, not of the real person; and that's probably what the real Chopper may prefer. Domink plays with the moods, going from serious drama to awkwardly funny scenes in this character study that presents us a charming yet dangerous man, who probably has been through more than what we would like to do, yet less than what he would likes us to believe.
The film is very intense and "tough", and very good at it; Bana is perfect as Chopper and shows great promise as an actor. His characterization makes very difficult to don't like this common man with a very uncommon life. Director Dominik makes a straight-to-the-face film that stays true to Chopper's persona (fictional or not), and does it without being pretentious or manipulative. It basically lets Chopper's charisma speak for itself playing with the audience's fascination with crime and violence.
If as flaw was to be found, it would be that it never tries to go beyond its goal or push too much the envelope. It is not much of a flaw, as the results are still brilliant, but leaves one wondering at how far could it had gone considering the talent of those involved. Anyways, Eric Bana and Andrew Dominik are set to a bright future and this film is a brilliant start for these two new talents. 7/10
CHOPPER (3+ outta 5 stars) Nifty little character study of a notorious Australian criminal... well, notorious in his own mind, at least. The jury is still out on how much of the autobiographical details of the life of "Chopper" read are real and how much is fake... but it does make a compelling story either way. Eric Bana gives a great performance in the lead... nothing else I've ever seen him in prepared me for how good he really is. The character he plays is nasty, repellent, scary, ill-tempered... and still full of charisma. After a violent stint in prison (his motto appears to be "do unto others before they do it unto you") Chopper is sent back out into society. With no other skills besides his knowledge of crime, Chopper offers himself to the local police as a special undercover agent. They, of course, want nothing to do with his boneheaded scheme but he pretends that they do anyway. Inflicting pain (on himself *and* others) seems to be what he is best at and he gets plenty of opportunities to show his stuff. Amusing though it may be at times, the movie is not a glorification of violence... the ferocity and suddenness of it keeps the audience constantly on edge.
Chopper is the nickname of Mark Brandon Read, a notorious real life criminal whose crimes were chronicled in a best selling book by him. Eric Bana plays Read to perfection. An early scene brings to mind the Michael Madsen ear slicing portion of Reservoir Dogs. The camera stays on Bana for 90 percent of the hour and a half running time; and not a minute is wasted. The style is similar to the equally vicious Bronson, which also deals with an infamous Australian criminal. Both are must see movies for anyone who is a fan a the crime genre. The sardonic humor is the sort typically associated with films from Down Under. Just to watch Bana chew up the screen with the look of an actual sociopath, is worth the price of the DVD rental. The New York Times of April 13, 2013 has a profile of Mark Brandon Read which is an excellent companion to this adaptation. Do not miss Chopper.
Mark Brandon Read (Bana) gains a fierce reputation as a hard man [and the sobriquet: Chopper] as a consequence of 'hitting people just to get himself a name'. A very accurate observation even if 'Chopper' himself maintains his only victims are 'low-life drug dealers' and their ilk.
Excellent example of film as story telling. I saw this 'indie' film on the same weekend as A Beautiful Mind and, my God, the lessons that shambles could have taken from this. Chopper is economically and crisply written with the sweetest doses of irony; marvellously directed with a plethora of techniques that only ever serve the film and it's grossly engrossing story and acted by an ensemble high on talent and clearly working for one another. Bana is a stand-out as the bright, troubled and dangerous hard man making a pathetic journey to emotional as well as physical incarceration; walking a dramatic tight-rope of comedian/homicidal-maniac as he does so with admirable skill and thoroughly believable integrity. Worth viewing by anyone who thinks they like all the ingredients of film and art to come together in the same project. Not worth viewing by anybody who thought the same things came together in A Beautiful Mind!
Excellent example of film as story telling. I saw this 'indie' film on the same weekend as A Beautiful Mind and, my God, the lessons that shambles could have taken from this. Chopper is economically and crisply written with the sweetest doses of irony; marvellously directed with a plethora of techniques that only ever serve the film and it's grossly engrossing story and acted by an ensemble high on talent and clearly working for one another. Bana is a stand-out as the bright, troubled and dangerous hard man making a pathetic journey to emotional as well as physical incarceration; walking a dramatic tight-rope of comedian/homicidal-maniac as he does so with admirable skill and thoroughly believable integrity. Worth viewing by anyone who thinks they like all the ingredients of film and art to come together in the same project. Not worth viewing by anybody who thought the same things came together in A Beautiful Mind!
Le saviez-vous
- AnecdotesEric Bana spent two days living with Mark Brandon Read so he could get a better understanding of how to play his character in the film.
- GaffesAt Tanya's house you see the car lights are on as Chopper goes to her front door. When he comes back and beats the car in frustration --- they are off.
- ConnexionsFeatured in Today: Épisode datant du 27 janvier 2006 (2006)
- Bandes originalesDon't Fence Me In
Performed by Frankie Laine
Composed by Cole Porter
© 1944 Warner Bros. Inc. (ASCAP). All rights reserved
Courtesy of Prestige Records (UK) Limited
Licensed from Rajon Entertainment Pty Ltd
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- How long is Chopper?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Chopper, retrato de un asesino
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 5 000 000 $AU (estimé)
- Montant brut aux États-Unis et au Canada
- 236 185 $US
- Week-end de sortie aux États-Unis et au Canada
- 15 044 $US
- 15 avr. 2001
- Montant brut mondial
- 337 935 $US
- Durée
- 1h 34min(94 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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