Rampart
- 2011
- Tous publics
- 1h 48min
En 1999 à Los Angeles, l'ancien agent de police Dave Brown, dernier des flics renégats, travaille pour prendre soin de sa famille et se bat pour sa propre survie.En 1999 à Los Angeles, l'ancien agent de police Dave Brown, dernier des flics renégats, travaille pour prendre soin de sa famille et se bat pour sa propre survie.En 1999 à Los Angeles, l'ancien agent de police Dave Brown, dernier des flics renégats, travaille pour prendre soin de sa famille et se bat pour sa propre survie.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 6 nominations au total
Avis à la une
Writer James Ellroy (LA Confidential) and director Oren Moverman (The Messenger) present to us Officer Dave Brown, known to his fellow cops (and even his daughter) as "Date Rape" Dave. The moniker stems from a vice incident where Brown dished out street justice to a serial date rapist. With no proof of his guilt, Brown remained on the force and his rogue manner has escalated to the point where he is a constant danger to himself and others. This guy has no moral filter for everyday living.
Officer Brown is played with searing intensity by a Woody Harrelson you have never before seen. As loathsome a character as you will ever find, you cannot take your eyes off of him. He is hated by EVERYONE! Somehow he has daughters by two sisters and they all live together in a messed up commune where hate is the secret word of the day, every day. Most of the time no one speaks to Dave except to tell him to "get out". He spends his off hours drinking, smoking, doing drugs and having meaningless sex. Heck, that's just about how he spends his time while on duty as well.
The supporting cast is phenomenal, though most aren't given but a scene or two. This includes Robin Wright (who nearly matches Dave in the tortured soul department), Sigourney Weaver, Anne Heche, Cynthia Nixon, Ned Beatty, Ben Foster, Ice Cube, and Steve Buscemi. The first hour feels like an Actor's Retreat as most every scene introduces another familiar face.
Still, as terrific as Harrelson is, and as deep as the cast is, the film is just too one note and downbeat and hopeless to captivate a viewer. I also found some of Moverman's camera work to be quite distracting and the sex club scene was pure overkill. Downward spiral is much too neutral a term to describe this character and ultimately, that prevents the film from delivering any type of message.
Harrelson is great. He's an engaging actor, totally believable. It's a shame the script isn't.
Harrelson plays a brutal, murderous cop who is caught beating down a black guy in the street. Yet his home life is ultra liberal, he lives with two sisters, with whom he's had two kids during separate relationships. One of his daughters is pushing boundaries yet Woody doesn't seem to challenge this, one of the sisters is an artist, again not exactly fitting in with the hard-line discipline Harrelson is dishing out on the street. He's immediately defined as a sexist, racist homophobe, yet we're asked to believe that he's knocked up two intelligent, lefty sisters, who are still willing to accommodate him in their lives, and indeed home, despite his lifetime of indiscretions and violence and that he's managed to split this work and home life without a significant issue developing through the life of the girls (the eldest of who is mid teens at least). The family dynamic could have been interesting but it wasn't explored at all really, it just got crammed in and thus didn't fit with the character at all.
The supporting cast is really strong and the acting is solid throughout but not one of the plots get developed and not one aspect reaches a conclusion. Obviously, this was done on purpose but if I pay to see a film, I want to see the whole ****ing film, not just half a story! Buscemi has about three lines. Ice Cube, who I rate highly, has a handful of scenes as an internal investigator, all of which are well enough constructed but end without any resolution. Robin Wright is great, foxy as ****, but again, other than to identify Harrelson as a paranoid womaniser, we get nothing back. Anne Henche and Cynthia Nixon play his former partners and both are well played again but they're just sketches of characters, as is Sigourney Weaver, also restricted to about 3 minutes of screen time.
Basically, it feels like the first, long, episode in a made for TV series. If that was the case, I'd certainly watch more because there is a lot there and the on screen talent is superb but as a stand alone film it's a massive let down and it goes absolutely nowhere at the end of 2 hours.
Oh, and the sex club scene is particularly pointless, if any such scene can be. It just seems like a random bit of editing that has shoved a half idea into an already over-stretched concept.
What you have to accept (if you can), is the fact, that this is a very dark miserable, but strangely endearing person. The character Woodys playing does not feel he's doing anything wrong. And you have to admire the honesty (he doesn't pretend, he's a straight shooter). Sometimes you may admire him, sometimes you may hate him. But you cannot say that he is fake.
Having said that, this matter will decide if you like or hate the movie. It's not really an easy movie at all. I wouldn't dare calling the watching experience as pleasant, but it sure was something incredible!
7.8/10
Film is a very shaggy dog story---Not much really happens throughout the movie other then just watching Woody Harrelson walk around and talk tough---he tries to bond with his teenage daughter, he tries to make it right with his ex wives, he tries to figure out what Internal Affairs wants to hear so he can get his job back, and yeah that's about it really. I feel like the events of the end don't really add up to much, and the big climactic scene at the ending is well again not much of anything really. Film is basically a 70's Esq character study of this guy and his life that seems to be arbitrarily falling apart around him. That said, the film's well shot, its nicely acted and not just by Harrelson, the actress playing his teenage daughter i feel scores just as many points as Woody does in their handful of scenes together. There's enough here that you wish it was better instead of the mish-mash stew we got going on here. still its worth a look on cable should you stumble on it.
Le saviez-vous
- AnecdotesTo achieve Dave's gaunt appearance, Woody Harrelson sought advice from Christian Bale. Bale told Harrelson to eat very little and run as fast as possible.
- GaffesAt the beginning of the film, the screen is black and a graphic states "Los Angeles 1999" As the film fades into a wide shot overview of the hamburger stand, a 2005 Cadillac CTS drives through the intersection.
- Citations
Dave Brown: [to Kyle Timkins] Bear in mind that I am not a racist. Fact is, I hate all people equally. And if it helps, I've slept with some of your people. You wanna be mad at someone, try J. Edgar Hoover. He was a racist. Or the Founding Fathers, all slave-owners.
- ConnexionsEdited into Rampart - Behind the Scenes (2012)
- Bandes originalesControl Machete
Written by Toy Selectah (as Antonio Hernandez), Fermin Caballero and Raul Chapa
Performed by Control Machete
Courtesy of Universal Music Mexico S.A. de C.V.
Under license from Universal Music Enterprises
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- How long is Rampart?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Tranh Đấu
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 12 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 972 512 $US
- Week-end de sortie aux États-Unis et au Canada
- 60 446 $US
- 12 févr. 2012
- Montant brut mondial
- 1 567 905 $US
- Durée1 heure 48 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1