Dark Blue
- 2002
- Tous publics
- 1h 58min
Une enquête sur un homicide avec vol qualifié déclenche une série d'événements qui amèneront un officier corrompu de la police de Los Angeles à remettre en question ses tactiques.Une enquête sur un homicide avec vol qualifié déclenche une série d'événements qui amèneront un officier corrompu de la police de Los Angeles à remettre en question ses tactiques.Une enquête sur un homicide avec vol qualifié déclenche une série d'événements qui amèneront un officier corrompu de la police de Los Angeles à remettre en question ses tactiques.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 nominations au total
- Eldon Perry III
- (as Chapman Russell Way)
Avis à la une
The second thing going for this is the backdrop of the L.A. race riots in 1992. A simmering undercurrent of violence runs throughout the movie, from the casual violence of the opening robbery to the bravura climax. The atmosphere is frightening, a perfect match for the ruthlessness of the cops who think they're above the law, and perfectly realised.
Add in a taut script, a seasoned round of pros (Brendan Gleeson, Ving Rhames) and a fairly good performance from newcomer Scott Speedman and you have a solid, highly watchable drama.
In case you're interested in more underrated masterpieces, here's some of my favorites:
imdb.com/list/ls070242495
This film was slightly over-hyped when it came out. I agree that it is a solid cop thriller that rises above recent offerings from the genre but to give it as much praise as it garnered at the time is to give it more than it deserves. The basic plot is on two levels. On the first level the film is about police corruption and sees a corrupt house of cards teetering on the brink of collapse. This bit works well and the cop thriller element works well even if it treads familiar ground. The second level is the background of the Rodney King trial and the LA riots. This aspect is very much wallpaper and I didn't really feel it was necessary for the main narrative to work. At best it complimented the ongoing tensions between community and cops, at worst it distracts from the main thrust.
Russell does give one of his strongest performances in recent years and is not afraid to be an unsympathetic lead character. However the rest of the cast are either not as good or not as well used. Speedman has to carry most of the moral weight of the film and it is clearly too heavy for him and can't do it convincingly. Rhames is simply not used very well and is almost supplementary to requirements. Gleeson is miscast - he is an able actor but the film required him to be a generation older than Perry, in reality they were the same age more or less. Michele is sexy and is reasonably well used for a support character and Kurupt is good even if he is playing the character that he plays daily in his rapper personae.
Overall this was a superior cop thriller that was enjoyable as same. It did a reasonable job looking at the real life issues of corruption in the LAPD but not as well as perhaps other reviews would have led you to believe - it is more a wallpaper or just a theme that is used to prop up the narrative rather than a real good historic look at the time.
The story goes on from there, and takes several unexpected turns, and proves to be highly entertaining, just like the rest of the movie. Kurt Russel's acting is top-notch, but unfortunetly Scott Speedman doesn't really deliver a very striking performance. But other than Speedman's lacking acting skills, the movie is very good. The story keeps you on the edge of your seat, and there are several subplots that all come together in the end, giving us an ending which leaves us all satisfied.
Now, this is definetly not an action movie. Instead it relies on its story and the characters, and that's a very good move by the director. But there are still moments where we are in awe of the movie, such as the riot scenes. Scenes of absolute anarchy.
All in all, a very good movie. Recommended to all who wants a good story to sit back and enjoy. 8/10
Le saviez-vous
- AnecdotesJames Ellroy declared that he had nothing to do with this film. David Ayer entirely re-wrote his script and only preserved the names of some characters.
- GaffesDuring the sex scene between the young detective and Beth, their underwear is showing under the covers.
- Citations
Jack Van Meter: Get the hell down from there. While you're grandstanding here the city is starting to burn. Jimmy, for Chrissakes!
Det. Sgt. Eldon Perry Jr.: If the city is starting to burn, Jack, it's partly because of guys like you and me. And I may be a goddamm alcoholic but that doesn't mean I can't tell the truth - and I've got all the deep deep dirt right here. Somebody put the cuffs on me - let me start talking!
- ConnexionsFeatured in Code Blue (2003)
- Bandes originalesNeighborhood Sniper
Written by Michael Bell, Cold 187um (as Gregory Hutchison), Jerry Long and Paul Turner
Performed by Eazy-E
Courtesy of Ruthless Records/Priority Records
Under License from EMI-Capitol Music Special Markets
Meilleurs choix
- How long is Dark Blue?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- El Rostro Oscuro De La Ley
- Lieux de tournage
- Wilmington, Los Angeles, Californie, États-Unis(riot scenes)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 9 250 301 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 880 688 $US
- 23 févr. 2003
- Montant brut mondial
- 12 150 301 $US
- Durée
- 1h 58min(118 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1