Le brillant avenir d'un directeur adjoint du MI6 bascule soudain lorsqu'une rencontre avec une espionne russe l'oblige à remettre sa vie entière en question.Le brillant avenir d'un directeur adjoint du MI6 bascule soudain lorsqu'une rencontre avec une espionne russe l'oblige à remettre sa vie entière en question.Le brillant avenir d'un directeur adjoint du MI6 bascule soudain lorsqu'une rencontre avec une espionne russe l'oblige à remettre sa vie entière en question.
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I was looking forward to watching Charlie Cox in a spy thriller. Seemed promising with actors like Ciaran Hinds ad Olga Kurylenko attached to it. After watching the first episodes, it was underwhelming, to say the least.
From the get-go, the premise is not believable. Cox plays the deputy to the MI6 Control, who is thrust into heading up MI6 in a huff. Through horribly rapid pacing, everything is just a frantic, chaotic mess of storytelling, with ridiculously silly tropes that will make you eyes roll.
And it just continues from there-a lot of shouting, hysteria, and tense soundtrack to ramp up the sense of urgency and intrigue-pretty cheap theatrics. Maybe it'll settle down, but I won't make it that far.
From the get-go, the premise is not believable. Cox plays the deputy to the MI6 Control, who is thrust into heading up MI6 in a huff. Through horribly rapid pacing, everything is just a frantic, chaotic mess of storytelling, with ridiculously silly tropes that will make you eyes roll.
And it just continues from there-a lot of shouting, hysteria, and tense soundtrack to ramp up the sense of urgency and intrigue-pretty cheap theatrics. Maybe it'll settle down, but I won't make it that far.
This series is neither suspenseful nor a thriller. It seemed like it had potential In the beginning, so I was dubious of the terrible reviews. However this quickly devolved to being the bland and forgettable tripe that seems to have infected all streaming services. This is a very condensed series. It's like they threw every spy thriller cliche and plot twist into a few shows at the expense of character development and pacing, and removed any common sense or logic. The only thing that sets this apart from all the other forgettable shows of this genre is that there aren't nonstop car chases or gunfights. Big snore.
Find it difficult to believe MI6 boss needs to be and is expected to be home for dinner and to put his kids to bed every night. Ridiculous to see the wife overreacting & dishing to her long lost friend that her husband had to go to a record store at 10:00pm to get a gift for someone when she knows his job probably entails weird, secret behaviors and actions. He's a spy, he does spy stuff. You should know this and not get all upset and jealous when he's on his laptop in the middle of the night. I thought the show looked interesting, but shut it off before end of first episode because too far fetched.
Ridiculous plots destroy what could have been a good show, the twists are so silly and childish they are well beyond belief.
The hero who gets promoted to chief of MI6 is totally clueless, too young and too compromised to even look real.
At every stage, individuals are infiltrating MI6 with a mobile phone while sitting at home, MI6 is this bunch of no nothing guys sitting around in flash offices wearing flash suits cracking jokes and making childish remarks about National security, there doesn't appear to be any security around them or their families, its just too silly.
The episodes move along quickly mainly because the script is si weak and silly it cannot sustain long conversations.
The hero who gets promoted to chief of MI6 is totally clueless, too young and too compromised to even look real.
At every stage, individuals are infiltrating MI6 with a mobile phone while sitting at home, MI6 is this bunch of no nothing guys sitting around in flash offices wearing flash suits cracking jokes and making childish remarks about National security, there doesn't appear to be any security around them or their families, its just too silly.
The episodes move along quickly mainly because the script is si weak and silly it cannot sustain long conversations.
Oh this had so much potential to be great, but for me it fell way short of Spooks and Slow Horses, disappointing. Anyway, after two episodes I realised it wasn't going to get any better, but I wanted to know the story and it's the week i between Christmas and NY and I've got nothing else to do.
Most of the acting was good but, again it seems the director didn't get the best out of the talent. The show also seems to have lacked a decent budget in post and particularly in music and editing.
That said, if you want a semi-predictable low budget British, London-based spy movie, then this is perfect.
Most of the acting was good but, again it seems the director didn't get the best out of the talent. The show also seems to have lacked a decent budget in post and particularly in music and editing.
That said, if you want a semi-predictable low budget British, London-based spy movie, then this is perfect.
Le saviez-vous
- AnecdotesLeading ladies Olga Kurylenko (Kara) and Oona Chaplin (Maddy) both appeared in the James Bond movie Quantum of Solace (2008), Oona's mother Geraldine Chaplin having played a bit part in the earlier Casino Royale (1967).
- GaffesMaddy does not know her own ethnic origin: She denies that her name "DaCosta" is Portuguese (which it is) and states that it is Spanish (which it can't be. That would make her name "De La Costa", and she comes from what originally would have to be the Spanish aristocracy)
- ConnexionsFeatured in Jeremy Vine: Épisode #6.35 (2023)
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- Treason
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- Durée41 minutes
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