Agents très spéciaux : Code U.N.C.L.E.

Gimmicky Director Guy Ritchie is on full Restraint in this Reboot of the Popular 1960's TV Show. Deliberately making a Movie that Bucks postmodern Trends and audience Expectations.

It's a Smoothy of a Groovy Movie as it takes its Time presenting Action Scenes with Screen Time that allows the Brain to take in what the Eye Sees, and what the Eye Sees is a Beautifully Crafted Film that not only takes place in the Sixties, but could have been a Movie Edited in the Sixties.

Elegant, Frothy, and full of Eye Candy that often times looks like Magazine Ads and just as Glossy. There is no shortage of Beautiful People on Screen as Armie Hammer, Henry Cavill, and Alicia Vikander try to find a Nuclear Scientist that has been Kidnapped, before He can Deliver a Device.

It's standard Cold War Stuff and the Movie handles it Cool. It is a welcome Breather from the Hyper-Ness of other Franchise, Super-Hero, Spy Stuff and Audiences should be Prepared for the Change.

Because Frankly it is quite a Different way to Present This type of thing Today and the Knee-Jerk reaction is to Reject its deliberate Style. But it mostly works as one can see the Pendulum Swinging Back to another Era in the way Movies were made and Enjoyed.

It's Retro in the purist Sense and deserves Kudos for giving it a try, because it isn't a Given that this Type of Thing will be Accepted. Overall, if one gets the Vibe, it can be a pleasant Diversion and a Delightful Experience if nothing more than a Contrast to Current expectations.

This film is set in the early sixties and opens in East Berlin as CIA agent Napoleon Solo attempts to extract a German woman, Gaby Teller. Her father had worked for the Nazi missile programme before being taken to the United States; now he has gone missing and is presumed to be working for a group that will make atomic bombs for anybody who will pay them. A Soviet agent, Ilya Kuryakin, who is clearly highly skilled, tries to stop them but is ultimately unsuccessful. Shortly afterward, in West Berlin, the three of them are reunited and they are told that they will be working together in a joint US/USSR mission. Travelling to Rome, with Ilya posing as Gaby's fiancé and Napoleon posing as a thief they make contact with Gaby's uncle and attempt to find her father and infiltrate the criminal organisation.

As a child I enjoyed watched repeats of the original TV show so was a little unsure about watching this new version. I needn't have worried. As it tells a story of Napoleon and Ilya's first mission together no prior knowledge of the characters is needed. The early scenes to a fine job of introducing the key characters and their mission. The action gets started early and continues throughout; it is exciting without being gory... in fact the style reminded me of early Bond films but with the level of humour turned up. The humour was unforced and didn't get in the way of the story. Everything about the film adds to the sixties feel without it becoming a pastiche. The cast is solid with Henry Cavill and Armie Hammer impressing as Napoleon and Ilya respectively and Alicia Vikander delighting as Gaby. Elizabeth Debicki also does a fine job as antagonist Victoria Vinciguerra. Overall I'd definitely recommend this to fans of lighter '60s spy thrillers; it captures the feel and delivers laughs and excitement... along with a few good twists.

Never watched the show, so can't compare the two, or whether or not this is a faithful adaptation of it or not, but I loved this film. It perfectly rides the fine line between straight 1960s spy movie throwback, and satire of one.

Villain is pure 1960s vamp/ femme fatale, Henry Cavill and Armie Hammer's chemistry alone makes this worth watching. Hammer's twitch as his anger reaches boiling point is a great bit of detail. Cavill really reminded me of Roger Moore's Bond, specifically from The Spy Who Loved Me. He has a suave, "Trust me, I know what I'm doing" attitude throughout.

Several scenes creatively have the action taking place in the background, while the focus is on the foreground. A perfect example, and maybe my favourite scene in the film, is Cavill sitting in a truck, basically picnicking, with a large sandwich and bottle of Chianti, while boat chase is playing out in front of him, reflected on the windscreen.

The film is rated PG13, but it doesn't look watered down to get that rating, ... Henchman's electrocution torture scene was both graphic and simultaneously funny- another case of the action playing out in the background, while Cavill and Hammer debate the fate while in the next room.

The plot is a bit of a mess, especially toward the end, but a great cast, sharp dialogue, and great attention to detail, and good action makes this a winner

I just saw a sneak preview of this movie and I have to say I thoroughly enjoyed it. I will have to preface this review by saying that I have not seen the original show, so I can't say whether this paid appropriate homage to the original, or if it is a bastardization.

The opening sequence chase scene featured heavily in the previews, but surprisingly the trailer did not ruin the scene. It actually came across even more crisp and clever in the theater and was a great beginning for the movie. It perfectly sets the tone of the two spy characters and establishes their respectful rivalry.

The movie isn't wall-to-wall action, but there are enough action scenes to keep the pace lively. There is also a second chase scene towards the end of the movie that is perhaps even better than the opening scene's chase.

I think the real strength of the movie is the comedic element. The banter is quite snappy and a few of the lines I couldn't hear because of the laughter filling the theater. In particular Henry Cavill delivered as the slick cool spy Solo.

Armie Hammer also delivered as the Russian counterpart, Illya. In many ways he plays the straight man to Cavill's comedian, which is actually the harder part to play. It was also apparently the harder part to direct and/or film since a few of his scenes came across as a bit clichéd.

The third part of the group is Gaby, played by Alicia Vikander. The part she played is the most uneven of the group. To an extent it seemed like they couldn't quite figure out her role, so she ended up being a bit of a third wheel. That being said, she didn't detract from the movie, and serves as another foil for the two main characters.

As long as I'm mentioning actors/actresses, I have to say that Hugh Grant did a superb job in a relatively minor role. Also Elizabeth Debicki did an excellent job as the female villain.

Since this is a period piece, I think it's important to point out that they went through a lot of effort to get things right. Fortunately for me, they did such a good job that it, that it didn't feel like I was being beaten over the head with the 60's. There were a number of iconic outfits, but overall it was subtle enough that I wasn't jarred out of the movie, which says a lot about the great job they did.

Overall, I thoroughly enjoyed the movie, and would recommend it for anyone who enjoys spy movies, or action/comedies. Also, if you've seen the trailer and thought it showed promise, then you should definitely see the movie, because the trailer doesn't show all (or even most) of the good parts, but gives a good sampling.

I love this movie so much. The first time I watched it with a friend, we jumped back in the movie so many times to rewatch all our favourite parts over and over again. I've watched it a couple of times, and I still like it so so much. I've always liked spy movies. Growing up watching Bond. This movie is fun and clever and it's just a great movie. I might just go and rewatch it right now actually.

Yes, I know this review is stupid positive. But when you find a movie that you can enjoy without finding any big mistakes or things you get annoyed about, you just have to feel happy.