Get Millie Black

This was heading for a solid eight or nine stars until episode four. I just couldn't believe what was being left behind and the callous way it was done. It was completely out of character and incongruous with the whole thrust of the return to Jamaica. I also had difficulty believing the substitution in the episode on the plane.

Apart from this there were action aplenty, plot twists, loads of murders, intrigue. All of them melded into a coherent narrative that came together in the final episode.

Running through the storyline was a theme of how gay men are treated in Jamaica and the homophobia they suffer. We saw two ways that gay guys dealt with this - one way was to be completely overt and camp like Millie's trans sister. The other was to remain deeply in the closet like Millie's colleague Curtis. Neither way is satisfactory. One leads to brutal beatings and murder, the other leads to exposure and ostracism. Jamaican society is savagely anti-gay, partly a legacy of colonial laws and partly a result of the American evangelical churches that have poisoned discourse on the island. This theme is an interesting human interest strand in the overall crime story.

I really liked this. I just didn't like parts of episode four. I recommend it strongly nonetheless.

I am really loving this TV series so far! The representation of ethnic diversity is commendable, adding depth to the storytelling that resonates with viewers from various backgrounds. The plot has been engaging, keeping me hooked with every episode, and I eagerly anticipate what happens next. The characters are well-developed, relatable, and authentic in their experiences. This concept is refreshing and highlights cultural nuances that deserve to be celebrated. It makes me proud of my Jamaican heritage and showcases the beauty of our culture. I hope the show continues on this fantastic trajectory!

I thought this was a really good series and couldn't believe the low 6.5 rating in IMDb. I am a fan of police/crime/thriller/mystery dramas, however so many are mundane, formulaic, and predictable. So I welcomed this series which was a refreshing break from the formulaic stuff being churned out nowadays. I thought it fast-paced and believable with clever and moving interwoven plotlines.

I did have a problem understanding the Jamaican dialect which I'm not accustomed to and wished subtitles had been provided (not available with my edition). Yet one still cares about the main protagonists and what will happen to them. I did lose a sense of plot twists occasionally but that didn't affect my overall enjoyment of the series. I'm already on the lookout for Season 2.

Millie-Jean Black grew up in The UK, but was originally born in Kingston, Jamaica, until she clashes with her mother and was sent to London. After a tough time in The Met, Millie returns to Jamaica, where she's investigating murder, abduction and trying to help her sister.

I loved that this felt different, unlike any other procedural cop show I've seen in ages, it's well paced, intriguing, has several actions scenes, it just manages to keep you interested.

I really did enjoy the look at West Indian, Jamaican culture, very interesting and refreshing, and whilst it did spend a lot of time criticising British culture, it's just worth pondering attitudes on being gay in both countries, one is hugely accepting, one isn't. I don't think the writer ignored that, to his credit.

Tamara Lawrence did an excellent job, I really hope we get to see more Millie Black.

8/10.

Meet Millie Black" is a standout series that sets a new benchmark for filmmaking in Jamaica. From the opening scene, it's clear that this is a love letter to the island, showcasing its raw beauty and cultural complexity with unparalleled authenticity. The writing is refreshingly natural, capturing the rhythms of Jamaican life and language without artifice or cliché. Each dialogue feels organic, pulling the viewer deeper into Millie's world.

The acting is equally stellar, with performances that resonate on both emotional and intellectual levels. The titular character, Millie Black, is brought to life with nuance and depth, her struggles and triumphs portrayed in a way that feels deeply relatable. Supporting characters shine just as brightly, creating a rich tapestry of personalities that reflect Jamaica's vibrant spirit.

What truly elevates Meet Millie Black is the visual storytelling. The cinematography captures Jamaica in a way rarely seen on screen, highlighting its beauty, grittiness, and the unique interplay between modernity and tradition. This level of attention to detail and craftsmanship has been sorely missed in Jamaican cinema, and it's a joy to see it executed so masterfully here.

This series is a game-changer, not just for Jamaican storytelling, but for global audiences hungry for fresh, authentic voices. Meet Millie Black has set a high standard, and I can't wait to see more projects of this caliber emerge. It's a must-watch.