The Ledge

I have rarely seen such an understated, effective movie before. Parts of the movie can be seen as completely predictable, but wait for it...think about it. I walked out of this movie thinking I could take it at face value and yet it nags me, makes me think. It demands attention, and discussion.

I have a tear in my mind, I'm slightly outraged; no predictable film should have such an effect on me. And yet...

Viewers of the film may nitpick the details, but they must stop at the fringes to be concerned with the superficial-alities. The meat of the film lies in debate and action - what the characters do, not blowing things up kind of action. Are you willing to put action to your most devout beliefs?

Fine acting, a fine plot; I wholeheartedly recommend this film.

I think the harsh criticisms of the film are outright ridiculous—along with the excessive accolades. From a basic film critique: The Ledge definitely delivers on maintaining tension/suspense. I think the subtleties here (e.g., Liv Tyler's anti-make-up "make-up") will cause people to feel uncomfortable, but without knowing that it's all intentional.

There is a massive delusion among Christians that fundamentalism and religiously inspired bigotry only manifest in a small percentage of extremists. This just isn't true. If it was, I'd feel dramatically safer and more comfortable in public discussing atheism with a stranger!

The atmosphere is very realistic, and the uncomfortable (at times) dialog is accurate to the reality of proselytism in the guise of philosophical discussion. The movie even captures how many atheists feel when observing prayer, and this is very rare to see in the spot light.

I really wasn't convinced by any of the characters' back-stories. They seemed unnecessarily extreme in a movie that is driven by its subtleties. They really contrasted with the rest of the writing, and broke the illusion of realism. I also didn't find the acting convincing on this level. In particular: Given Shauna's history, she seemed to be unrealistically open and trusting towards Gavin—their interactions felt a bit contrived and very rushed.

Unfortunately the film doesn't explore its topics at much depth, while presenting more rudimentary/common arguments. However, this only added realism to the dialog for me. I feel it has more intellectually to offer symbolically than literally.

The Ledge displays a psychological perspective of an atheist through its atmosphere, and that alone makes it unique and worth seeing.

I saw a preview of The Ledge two months ago and instantly thought it is the beginning of a whole new genre of film that gets away from the cliché world of most films. It explores nuances of life, ethics, love and religion that are not easily classified. While it is a thriller, it is also much more. If you are not thinking about this movie for days or weeks after, you probably weren't watching. I challenge you to put yourself into each of the characters and recognize how powerful world views can influence decisions and behavior. Of all the characters, I thought the policeman and his life dilemma was most compelling. It seems to tie the whole movie together. I think the final scene of the movie was a little weak and may have actually detracted from the overall effect. I would have done the ending a little different but it is a small quibble over a great viewing experience but that is why it gets a 9 instead of a full 10. The fact that I am writing this review two months after seeing the preview is testament to the impact it can have.

The film opens from the edge from a ten-story building ledge, as a cop who has just been told of his wife's infidelity attempts to save a man who has decided to jump off the building--that's a good start! The rest follows and fascinates as there are two parallel tales are simultaneously related.

One of the marks of this film's fascination is that it can be read in many different ways--essentially a thriller, it is also a story that questions the nature of human love, of our place in the universe, as well as the human relationship to whatever God might be worshiped. It features some outstanding ensemble acting by a quartet of four, each of whom defines a character with both strengths and flaws...rather perversely, one waits out the film to see a possible suicide, and as Hitchcock so often implicates members of the audience as voyeurs, one feels similarly (if willingly) manipulated here.

Not the most reasonable. but fundamentals. shadows. and faith and trust and options. good performances. a touching story. and something more. a state who escapes from easy definitions. because it reminds known stories about sad love stories. and impressive thrillers. and good dramas. all in the admirable manner. the performance of Patrick Wilson is real great. maybe, because his character remains a gray one . Charlie Hunnam did a splendid job as a young man looking for sense to a life dominated by past. Christopher Gorhan gives the necessary spice to a story who, after the end of film, remains fresh and powerful. so, a special film. more Christian than you expect.