Capitaine Phillips

What a stunning film - the imminent threat of deadly violence tempered with the tragic circumstances that drive people to such desperate actions made for a very human story.

If Hanks is nominated for an Oscar for this, then Barkhad Abdi deserves a nomination too, because their scenes together were electric - never once did Abdi appear the junior party, every bit Hank's equal as two cunning foes trying to outfox one another.

The best lines in the film were perhaps when Phillips beseeched of Muse: "Surely there's something other than fishing and kidnapping people you could do?"

To which Muse replied, sombrely: "In America, maybe".

It's a must see, the best film I've seen this year.

Paul Greengrass has proved his talents with two fantastic Bourne films, The Bourne Supremacy and The Bourne Ultimatum, and two impressive real-life dramas, Bloody Sunday and United 93. Green Zone, while being a little like Bourne in Baghdad, was also a worthy thriller. Captain Phillips sees Greengrass deliver another true story to the big screen, proving that he is indeed the current king of cinematic re-enactments.

Tom Hanks gives one of his finest performances in a long time. His Captain Phillips is a professional, serious man that keeps his emotions in check while sternly ensuring his crew understands his expectations. As the situation escalates, his emotions begin to creep through. Leading towards a final release that is both heartbreaking and relieving. Hanks' character isn't explored too deeply, but we are nevertheless with him every step of the way.

In a fantastic casting choice, Tom Hanks is more than matched by Barkhad Abdi, who truly shines as the lead pirate. We're given more access than expected to this character – to all four pirates for that matter. Abdi manages to evoke empathy from a character that could have easily succumbed to stereotypical villainy. His performance provides a complex level of emotion to the proceedings. He knows that the situation has easily ran away from him, yet he naively decides to re-assure himself – and Captain Phillips – every chance he gets.

This is no-nonsense filmmaking of the highest order. Paul Greengrass' kinetic camera rises above the sometimes dizzying approach from some of his last films. The hand-held factor works beautifully here, ensuring the you-are-there level of realism is cranked to a ten at every second. As the events escalate, we are always kept aware of what is happening. While skipper jargon and navy terms are exclaimed every which way, care is placed on making sure we still know exactly what is going on. Billy Ray (Breach, State of Play, The Hunger Games) constructs a taut and clear screenplay that compliments Greengrass' filmmaking style.

To call this tense is an understatement. Henry Jackman's score pushes every sequence to an almost unbearable level of tension, Barry Ackroyd's cinematography beautifully captures the sweat and intensity of every moment, and Christopher Rouse's masterful editing brings it all home.

Exhausting and thrilling, Captain Phillips is all the more powerful with the knowledge that you're witnessing a true story. Paul Greengrass and co. have crafted an experiential film that you won't be forgetting in a hurry.

• thereelword.net

Although it is basically a true story, I must be one of the few who did not know the ending already, since I had never heard this specific story. How much it matters if you already do or not I cannot say, but for me the film was not really about the resolution until near the end because for most of the time it is about the moment and what is going on there and then. It does this by breaking the story down pretty well into such contained but yet connected moments so that it is effective at the time and also has a flow to it.

There are moments where it doesn't really keep that up – some of them it needs, but others it doesn't. In the tension and in the lulls, the film does well to keep things evenly balanced so that you don't completely turn against the Somalis as if they were generic baddies, but at the same time it never pushes anything down your throat about their situation. The one thing I was surprised that it came on strong about was the military response. I'm not sure if the film was trying to make a comment by playing it quite so "Hollywood" at the end, but to me it did feel a bit odd in the film to have the music, camera-work and dialogue of a Michael Bay movie occurring in a situation where they were facing down a couple of guys with more feet than shoes. It still worked, don't get me wrong, but at the same time it had a generic feel to this aspect that I could have done without – particularly since earlier it seemed smarter than that.

What helps it in these moments (and throughout) is that Hanks is great. He plays it out in a natural and convincing way, whether he is over- confident or in shock. Much has been made of Abdi's performance and I do see why, because it is frequently easy to forget that he is acting because he does seem quite real throughout. The supporting cast perhaps have fewer opportunities for nuance but they are still convincing and play their parts well, particularly those in the confines of the lift raft.

Captain Phillips could have been a little shorter and been better for it and, while I don't totally see the film that others did, I did still enjoy it. It is tense and yet nuanced throughout, only really producing some aspects that don't work quite as well in the meantime.

Captain Phillips is a biopic based on 2009's Maersk Alabama hijacking incident, which was an intriguing story and ordeal of the people involved. This film adaptation mostly plays as a straightforward thriller with only brief backstories. In spite of whatever comment regards to the accuracy this film is getting, it didn't hurt how much of an exhilarating piece of cinema this is. Merits obviously goes to director Paul Greengrass and star Tom Hanks. It's quite predictable what you'll get if you put those talents together, but the result is somehow surprising like you've never see it coming.

There's nothing much interesting happening at the first act when the film was exploring the personal life of Richard Phillips, but that seems to be the point: the dreariness of the intro immediately presumes that he really is just an ordinary guy. Though, there isn't actually enough detail about his personal life in those scenes aside of his job and his family, same with the Somali pirate leader, Muse. Everything becomes more alive when the actual plot starts going. Lives turn upside down, tension rises every minute passes, and the humanity of both Phillips and Muse are becoming more and more visible. It's a down to earth matter of life and death where both sides aren't too perfect enough to succeed or survive, and their actions could end up causing even worse situations.

Even before the release, everybody has already been betting that Tom Hanks will get a nod for this(probably because of the accent or he's just Tom Hanks). Other than mimicking the real Phillips' accent, Hanks really gives his character a palpable sense of fear and pressure. But there is one scene in his performance that will definitely give the viewers a total impact, which it might've made the camera linger. That whole scene could be a trick for some to love this movie even more, but even without it, Hanks is still spellbinding as Captain Phillips. Another amazing performance is first time actor, Barkhad Abdi. Abdi manages to be threatening, sympathetic, and strangely charismatic at the same time as Muse, thus it makes the character more effective.

Now for Greengrass, his aesthetics are all there. Shaky camera bringing momentum in every action scene, action scenes filled with nerve wracking suspense, and sidelines taking place in control rooms. But this is his challenging side, such as United 93, when there aren't any much explosions nor fighting set pieces practically involved. The title might give one an assumption that the film is about a captain who fights off pirates. But it turns out, they're just hopeless victims who do not have a single gun to defend themselves from their armed enemies. The kind of thrill here is anxiety. You will always get the sense that there is something wrong going to happen in every step these pirates take, leading the hostages really need to depend on the government and the Navy SEALs. What's smart about this is it's all mind games. They're troubled by complicated decisions, yet have awareness of naivety. At the second half, the excitement is now relied by figuring out which of them is going to be fooled by whose tricks. By the end of the film, you will then realize how limitlessly enticing it was while realistic at the same time.

Captain Phillips is almost just a very great thriller, then it eventually becomes more powerful. Despite of calling his achievement heroism, it was more like a test of courage. The movie is wise to make sure Phillips is no glossy superhero, but a regular human being who gets to face a situation that may lead anyone to trauma, just to sacrifice the risks of his crew. Simply, that may tend to inspire which is why it's so focused to his point of view. Otherwise, the filmmaking did an astonishing job, although you already know what these people can bring. But surprisingly, it still defies our expectations. It's amazing how Tom Hanks' talent can still surprise many, and how Paul Greengrass' obvious style feels unique and fresh (in this movie, at least). Rating the film can be somewhat difficult. It's so engrossing and excellent, it's hard to notice any terrible flaws about it. Later on, it doesn't matter. Captain Phillips is a satisfying ride that ultimately does its best.

"It was supposed to be easy. I take over ship, get paid, no one gets hurt." In 2009 a Somali named Muse (Abdi) is in trouble and needs to get money for his boss fast or face the consequences. His plan is to hijack a cargo ship and hold it ransom until he gets his money. When he boards a ship captained by Rich Phillips (Hanks) he thinks he found his answer to his problems, but things only get worse for all involved. This is a true story. It's always more fun to watch a movie that is also a true story and even better when you see one that you remember the events when it was happening. As far as the movie goes it starts off pretty slow but grows more and more tense as it goes on. As great an actor as Tom Hanks is I found myself thinking that this is really a part that many people could pull off. Then I watched the last 20 minutes and realized why they got Hanks. Much like the movie Apollo 13, when you watch a movie that you know how it ends but still end up shedding a tear it is because of great filmmmaking. This falls into that category. A movie that builds momentum the entire time. Starts off slow but by the end you are hoping for more. I liked it. Overall, tense and makes you think about both sides of the event and if the pirates were really evil or not. I give it a B+.