L'histoire vraie du Capitaine Richard Phillips et du détournement en 2009 par des pirates somaliens du MV Maersk Alabama, le premier navire de fret américain à être détourné en deux cent ans... Tout lireL'histoire vraie du Capitaine Richard Phillips et du détournement en 2009 par des pirates somaliens du MV Maersk Alabama, le premier navire de fret américain à être détourné en deux cent ans.L'histoire vraie du Capitaine Richard Phillips et du détournement en 2009 par des pirates somaliens du MV Maersk Alabama, le premier navire de fret américain à être détourné en deux cent ans.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 6 Oscars
- 17 victoires et 155 nominations au total
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"It was supposed to be easy. I take over ship, get paid, no one gets hurt." In 2009 a Somali named Muse (Abdi) is in trouble and needs to get money for his boss fast or face the consequences. His plan is to hijack a cargo ship and hold it ransom until he gets his money. When he boards a ship captained by Rich Phillips (Hanks) he thinks he found his answer to his problems, but things only get worse for all involved. This is a true story. It's always more fun to watch a movie that is also a true story and even better when you see one that you remember the events when it was happening. As far as the movie goes it starts off pretty slow but grows more and more tense as it goes on. As great an actor as Tom Hanks is I found myself thinking that this is really a part that many people could pull off. Then I watched the last 20 minutes and realized why they got Hanks. Much like the movie Apollo 13, when you watch a movie that you know how it ends but still end up shedding a tear it is because of great filmmmaking. This falls into that category. A movie that builds momentum the entire time. Starts off slow but by the end you are hoping for more. I liked it. Overall, tense and makes you think about both sides of the event and if the pirates were really evil or not. I give it a B+.
Captain Phillips is a biographical drama thriller movie directed by Paul Greengrass and stars Tom Hanks, Barkhad Abdi, Michael Chernus and Faysal Ahmed.
The best thing particularly I liked the most was the authenticity and realistic approach by the director and it will be like that you are watching a real abduction scene.
Tom Hanks again did a commendable job in the role of an abducted captain. Support cast was also impressive. Background music is another strong aspect of the movie and supports the screenplay.
Screenplay is gripping and will keep you on the edge of your seats. Direction is good. Another strong point of the movie is it's beautifully cinematography.
The movie should be on the list of every movie lovers. In my opinion one of the movie with very close to the reality.
The best thing particularly I liked the most was the authenticity and realistic approach by the director and it will be like that you are watching a real abduction scene.
Tom Hanks again did a commendable job in the role of an abducted captain. Support cast was also impressive. Background music is another strong aspect of the movie and supports the screenplay.
Screenplay is gripping and will keep you on the edge of your seats. Direction is good. Another strong point of the movie is it's beautifully cinematography.
The movie should be on the list of every movie lovers. In my opinion one of the movie with very close to the reality.
Captain Phillips is a biopic based on 2009's Maersk Alabama hijacking incident, which was an intriguing story and ordeal of the people involved. This film adaptation mostly plays as a straightforward thriller with only brief backstories. In spite of whatever comment regards to the accuracy this film is getting, it didn't hurt how much of an exhilarating piece of cinema this is. Merits obviously goes to director Paul Greengrass and star Tom Hanks. It's quite predictable what you'll get if you put those talents together, but the result is somehow surprising like you've never see it coming.
There's nothing much interesting happening at the first act when the film was exploring the personal life of Richard Phillips, but that seems to be the point: the dreariness of the intro immediately presumes that he really is just an ordinary guy. Though, there isn't actually enough detail about his personal life in those scenes aside of his job and his family, same with the Somali pirate leader, Muse. Everything becomes more alive when the actual plot starts going. Lives turn upside down, tension rises every minute passes, and the humanity of both Phillips and Muse are becoming more and more visible. It's a down to earth matter of life and death where both sides aren't too perfect enough to succeed or survive, and their actions could end up causing even worse situations.
Even before the release, everybody has already been betting that Tom Hanks will get a nod for this(probably because of the accent or he's just Tom Hanks). Other than mimicking the real Phillips' accent, Hanks really gives his character a palpable sense of fear and pressure. But there is one scene in his performance that will definitely give the viewers a total impact, which it might've made the camera linger. That whole scene could be a trick for some to love this movie even more, but even without it, Hanks is still spellbinding as Captain Phillips. Another amazing performance is first time actor, Barkhad Abdi. Abdi manages to be threatening, sympathetic, and strangely charismatic at the same time as Muse, thus it makes the character more effective.
Now for Greengrass, his aesthetics are all there. Shaky camera bringing momentum in every action scene, action scenes filled with nerve wracking suspense, and sidelines taking place in control rooms. But this is his challenging side, such as United 93, when there aren't any much explosions nor fighting set pieces practically involved. The title might give one an assumption that the film is about a captain who fights off pirates. But it turns out, they're just hopeless victims who do not have a single gun to defend themselves from their armed enemies. The kind of thrill here is anxiety. You will always get the sense that there is something wrong going to happen in every step these pirates take, leading the hostages really need to depend on the government and the Navy SEALs. What's smart about this is it's all mind games. They're troubled by complicated decisions, yet have awareness of naivety. At the second half, the excitement is now relied by figuring out which of them is going to be fooled by whose tricks. By the end of the film, you will then realize how limitlessly enticing it was while realistic at the same time.
Captain Phillips is almost just a very great thriller, then it eventually becomes more powerful. Despite of calling his achievement heroism, it was more like a test of courage. The movie is wise to make sure Phillips is no glossy superhero, but a regular human being who gets to face a situation that may lead anyone to trauma, just to sacrifice the risks of his crew. Simply, that may tend to inspire which is why it's so focused to his point of view. Otherwise, the filmmaking did an astonishing job, although you already know what these people can bring. But surprisingly, it still defies our expectations. It's amazing how Tom Hanks' talent can still surprise many, and how Paul Greengrass' obvious style feels unique and fresh (in this movie, at least). Rating the film can be somewhat difficult. It's so engrossing and excellent, it's hard to notice any terrible flaws about it. Later on, it doesn't matter. Captain Phillips is a satisfying ride that ultimately does its best.
There's nothing much interesting happening at the first act when the film was exploring the personal life of Richard Phillips, but that seems to be the point: the dreariness of the intro immediately presumes that he really is just an ordinary guy. Though, there isn't actually enough detail about his personal life in those scenes aside of his job and his family, same with the Somali pirate leader, Muse. Everything becomes more alive when the actual plot starts going. Lives turn upside down, tension rises every minute passes, and the humanity of both Phillips and Muse are becoming more and more visible. It's a down to earth matter of life and death where both sides aren't too perfect enough to succeed or survive, and their actions could end up causing even worse situations.
Even before the release, everybody has already been betting that Tom Hanks will get a nod for this(probably because of the accent or he's just Tom Hanks). Other than mimicking the real Phillips' accent, Hanks really gives his character a palpable sense of fear and pressure. But there is one scene in his performance that will definitely give the viewers a total impact, which it might've made the camera linger. That whole scene could be a trick for some to love this movie even more, but even without it, Hanks is still spellbinding as Captain Phillips. Another amazing performance is first time actor, Barkhad Abdi. Abdi manages to be threatening, sympathetic, and strangely charismatic at the same time as Muse, thus it makes the character more effective.
Now for Greengrass, his aesthetics are all there. Shaky camera bringing momentum in every action scene, action scenes filled with nerve wracking suspense, and sidelines taking place in control rooms. But this is his challenging side, such as United 93, when there aren't any much explosions nor fighting set pieces practically involved. The title might give one an assumption that the film is about a captain who fights off pirates. But it turns out, they're just hopeless victims who do not have a single gun to defend themselves from their armed enemies. The kind of thrill here is anxiety. You will always get the sense that there is something wrong going to happen in every step these pirates take, leading the hostages really need to depend on the government and the Navy SEALs. What's smart about this is it's all mind games. They're troubled by complicated decisions, yet have awareness of naivety. At the second half, the excitement is now relied by figuring out which of them is going to be fooled by whose tricks. By the end of the film, you will then realize how limitlessly enticing it was while realistic at the same time.
Captain Phillips is almost just a very great thriller, then it eventually becomes more powerful. Despite of calling his achievement heroism, it was more like a test of courage. The movie is wise to make sure Phillips is no glossy superhero, but a regular human being who gets to face a situation that may lead anyone to trauma, just to sacrifice the risks of his crew. Simply, that may tend to inspire which is why it's so focused to his point of view. Otherwise, the filmmaking did an astonishing job, although you already know what these people can bring. But surprisingly, it still defies our expectations. It's amazing how Tom Hanks' talent can still surprise many, and how Paul Greengrass' obvious style feels unique and fresh (in this movie, at least). Rating the film can be somewhat difficult. It's so engrossing and excellent, it's hard to notice any terrible flaws about it. Later on, it doesn't matter. Captain Phillips is a satisfying ride that ultimately does its best.
10Colmo2k4
What a stunning film - the imminent threat of deadly violence tempered with the tragic circumstances that drive people to such desperate actions made for a very human story.
If Hanks is nominated for an Oscar for this, then Barkhad Abdi deserves a nomination too, because their scenes together were electric - never once did Abdi appear the junior party, every bit Hank's equal as two cunning foes trying to outfox one another.
The best lines in the film were perhaps when Phillips beseeched of Muse: "Surely there's something other than fishing and kidnapping people you could do?"
To which Muse replied, sombrely: "In America, maybe".
It's a must see, the best film I've seen this year.
If Hanks is nominated for an Oscar for this, then Barkhad Abdi deserves a nomination too, because their scenes together were electric - never once did Abdi appear the junior party, every bit Hank's equal as two cunning foes trying to outfox one another.
The best lines in the film were perhaps when Phillips beseeched of Muse: "Surely there's something other than fishing and kidnapping people you could do?"
To which Muse replied, sombrely: "In America, maybe".
It's a must see, the best film I've seen this year.
Although it is basically a true story, I must be one of the few who did not know the ending already, since I had never heard this specific story. How much it matters if you already do or not I cannot say, but for me the film was not really about the resolution until near the end because for most of the time it is about the moment and what is going on there and then. It does this by breaking the story down pretty well into such contained but yet connected moments so that it is effective at the time and also has a flow to it.
There are moments where it doesn't really keep that up – some of them it needs, but others it doesn't. In the tension and in the lulls, the film does well to keep things evenly balanced so that you don't completely turn against the Somalis as if they were generic baddies, but at the same time it never pushes anything down your throat about their situation. The one thing I was surprised that it came on strong about was the military response. I'm not sure if the film was trying to make a comment by playing it quite so "Hollywood" at the end, but to me it did feel a bit odd in the film to have the music, camera-work and dialogue of a Michael Bay movie occurring in a situation where they were facing down a couple of guys with more feet than shoes. It still worked, don't get me wrong, but at the same time it had a generic feel to this aspect that I could have done without – particularly since earlier it seemed smarter than that.
What helps it in these moments (and throughout) is that Hanks is great. He plays it out in a natural and convincing way, whether he is over- confident or in shock. Much has been made of Abdi's performance and I do see why, because it is frequently easy to forget that he is acting because he does seem quite real throughout. The supporting cast perhaps have fewer opportunities for nuance but they are still convincing and play their parts well, particularly those in the confines of the lift raft.
Captain Phillips could have been a little shorter and been better for it and, while I don't totally see the film that others did, I did still enjoy it. It is tense and yet nuanced throughout, only really producing some aspects that don't work quite as well in the meantime.
There are moments where it doesn't really keep that up – some of them it needs, but others it doesn't. In the tension and in the lulls, the film does well to keep things evenly balanced so that you don't completely turn against the Somalis as if they were generic baddies, but at the same time it never pushes anything down your throat about their situation. The one thing I was surprised that it came on strong about was the military response. I'm not sure if the film was trying to make a comment by playing it quite so "Hollywood" at the end, but to me it did feel a bit odd in the film to have the music, camera-work and dialogue of a Michael Bay movie occurring in a situation where they were facing down a couple of guys with more feet than shoes. It still worked, don't get me wrong, but at the same time it had a generic feel to this aspect that I could have done without – particularly since earlier it seemed smarter than that.
What helps it in these moments (and throughout) is that Hanks is great. He plays it out in a natural and convincing way, whether he is over- confident or in shock. Much has been made of Abdi's performance and I do see why, because it is frequently easy to forget that he is acting because he does seem quite real throughout. The supporting cast perhaps have fewer opportunities for nuance but they are still convincing and play their parts well, particularly those in the confines of the lift raft.
Captain Phillips could have been a little shorter and been better for it and, while I don't totally see the film that others did, I did still enjoy it. It is tense and yet nuanced throughout, only really producing some aspects that don't work quite as well in the meantime.
Le saviez-vous
- AnecdotesThe line "Look at me! I'm the captain now!", was an ad-lib by Barkhad Abdi.
- GaffesCaptain Phillips unberths and leaves port all by himself. In reality, there would be a local pilot on board giving steering and engine commands which the captain then repeats to his bridge crew.
- Citations
Muse: Look at me.
Captain Richard Phillips: Sure.
Muse: Look at me.
Captain Richard Phillips: Sure.
Muse: I'm the captain now.
- Crédits fousBefore the end credits, it reads: "Richard Phillips returned to Vermont on April 17, 2009 and was reunited with his family. Abduwali Muse was convicted of piracy and is currently serving 33 years at the Federal Correctional Complex, Terre Haute, Indiana. On July 25, 2010, Captain Phillips went back to sea."
- ConnexionsFeatured in The Tonight Show with Jay Leno: Épisode #22.48 (2013)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Capitán Phillips
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 55 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 107 100 855 $US
- Week-end de sortie aux États-Unis et au Canada
- 25 718 314 $US
- 13 oct. 2013
- Montant brut mondial
- 218 791 811 $US
- Durée
- 2h 14min(134 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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