En 1963, dans le Michigan, les sociétés Kellogg's et Post, rivales en affaires, s'affrontent pour créer un gâteau qui pourrait changer le petit-déjeuner pour toujours.En 1963, dans le Michigan, les sociétés Kellogg's et Post, rivales en affaires, s'affrontent pour créer un gâteau qui pourrait changer le petit-déjeuner pour toujours.En 1963, dans le Michigan, les sociétés Kellogg's et Post, rivales en affaires, s'affrontent pour créer un gâteau qui pourrait changer le petit-déjeuner pour toujours.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Primetime Emmy
- 3 victoires et 6 nominations au total
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If you think of this as an extended SNL skit,and keep that in mind while you're watching it, I think you'll really appreciate it.
It's silly but very funny in places because of it.
If you know Jerry Seinfeld's comedy you can see this is very much from his mind.
The story is simply fun but the performances of the cast, many of whom are stand-up comedians like Seinfeld, make it really watchable. I actually found it fun wondering which famous face might pop up next. When they do appear they often come with numerous historical or pop culture references. So, along with the basic silliness of what you're being told and shown it all adds up to a bowl full of happy. (No more cereal puns I promise). I originally put this film on while I was working just to have some background noise but found myself drawn to watching it properly because I was so amused but also really impressed with the visual style of the film. Apart from the beautiful aesthetics of the 60s, they managed to add to the visual appeal with the art / direction style. They convey a somewhat dreamlike or fantasy-esque appearance about what you're shown without it being too "Willy wonka". If you remember that what you're seeing is a story being told by an adult to a child, it completely works and simply looks grrrrreat. (Sorry).
Really good fun, deserves better reviews, hence why I felt compelled to write this one.
Nice one Jerry.
It's silly but very funny in places because of it.
If you know Jerry Seinfeld's comedy you can see this is very much from his mind.
The story is simply fun but the performances of the cast, many of whom are stand-up comedians like Seinfeld, make it really watchable. I actually found it fun wondering which famous face might pop up next. When they do appear they often come with numerous historical or pop culture references. So, along with the basic silliness of what you're being told and shown it all adds up to a bowl full of happy. (No more cereal puns I promise). I originally put this film on while I was working just to have some background noise but found myself drawn to watching it properly because I was so amused but also really impressed with the visual style of the film. Apart from the beautiful aesthetics of the 60s, they managed to add to the visual appeal with the art / direction style. They convey a somewhat dreamlike or fantasy-esque appearance about what you're shown without it being too "Willy wonka". If you remember that what you're seeing is a story being told by an adult to a child, it completely works and simply looks grrrrreat. (Sorry).
Really good fun, deserves better reviews, hence why I felt compelled to write this one.
Nice one Jerry.
Is this the funniest movie I've ever seen? No. But it is definitely the funniest movie I've seen lately. And that's quite an accomplishment, considering I'd have no reservations about watching this with my 8 year old nephew. Of course, a lot of the humor would be over his head, but who would have thought that a movie so utterly unobjectionable could also be so funny? Kudo's to Jerry Seinfeld, because I think he's succeeded in making a live action movie with a level of comedy similar to classic cartoons. You know what I'm talking about- absurd, slapstick, yet with that bit of wry, adult humor that the kids don't get but the adults find very funny. Not to mention that this movie also probably has one of the best comedy ensemble casts of all time. Granted, it may have gotten a little too silly at a few points, but no movie is perfect. I'm really surprised to hear people hating on it so much. I went in with very low expectations based on the reviews, but I was literally laughing consistently through the whole thing. The world could use more comedy like this. Nice work Jerry!
This feels like that Dick Turpin series on Apple TV: proof that no matter how talented the cast of comedians, if the script ain't funny, it ain't funny. It starts off like a weird but charming mix of Willy Wonka and Airplane, but then descends into a big budget car crash.
I imagine Jerry Seinfeld went to Netflix and said "I'd like to make a film about my love of cereal and I can get my mates to act in it" and at no point during production did anyone tell him that maybe it's not working.
It does have a couple of funny bits but outstays it's welcome by 90 mins. Enough here to fill a wacky sketch. But when 30 mins of jokes rely on them misnaming Pop Tarts "Trat Pop", you know you're in trouble. Avoid.
I imagine Jerry Seinfeld went to Netflix and said "I'd like to make a film about my love of cereal and I can get my mates to act in it" and at no point during production did anyone tell him that maybe it's not working.
It does have a couple of funny bits but outstays it's welcome by 90 mins. Enough here to fill a wacky sketch. But when 30 mins of jokes rely on them misnaming Pop Tarts "Trat Pop", you know you're in trouble. Avoid.
This a really funny film but the drawback is that the references are all so specific to the early 60's (with a few anachronisms) that a lot of younger reviewers will have their hair parted by the sheer volume of jokes going over their heads. They can however enjoy the stacked cast (loved Bill Burr as JFK) and I dare I say that it manages to redeem some actors like Amy Schumer and Melissa McCarthy who have been in the cultural doghouse for quite some time. The script is packed with all sorts of wild ideas and sometimes even gives some food for thought. What at first seemed like a silly idea for a story reminded me that that's what comedies are and the script had so much detail that I was reminded of all sorts of movies from Blake Edwards to Willy Wonka. Thanks Jerry for making an actual comedic movie - something I haven't seen in a long while.
This has a lot of funny references, it's definitely entertaining. I don't know why it's rated so low. It simply does not deserve that. The acting is great, the cast outstanding, the story is fun to follow.
The big actor names keep coming, and it certainly makes the movie! It's cute! I suppose, if you're looking for a realistic documentary on the birth of the pop tart, you'll probably be better off reading up on Kellogg's and Post but I don't think that's the intent of this movie. I watched this by myself and laughed out loud several times, I think that's a pretty good sign. Give it a try, I think you will enjoy it. Unless you're a super grumpy person.
The big actor names keep coming, and it certainly makes the movie! It's cute! I suppose, if you're looking for a realistic documentary on the birth of the pop tart, you'll probably be better off reading up on Kellogg's and Post but I don't think that's the intent of this movie. I watched this by myself and laughed out loud several times, I think that's a pretty good sign. Give it a try, I think you will enjoy it. Unless you're a super grumpy person.
Le saviez-vous
- AnecdotesElements in the opening diner scene matching Norman Rockwell's famous September 20, 1958 Saturday Evening Post cover illustration "Runaway" include the red hobo pack, the white-clad counter man, the white vertically ribbed wall, the Specials chalk board, the chrome bar stools with green cushions, the coffee maker on right, the pie case on left, and the wall mounted radio. Appropriately added for the film is a Kellogg's display. In the Rockwell painting, Seinfeld's place is taken by a police officer who suspiciously eyes the little runaway.
- GaffesWhen Post opens the Top Secret dingus case for the two kids to taste, there is a row of three. Two are burnt up in the toaster, leaving one. Then Miss Post removes two more to be tasted without being toasted.
- Citations
Thurl Ravenscroft: Beware of entrance to a quarrel. But once in it... beware of me.
- ConnexionsFeatured in Half in the Bag: 2024 Mid-year Catch-up (part 1 of 2) (2024)
- Bandes originalesIt Was a Very Good Year
Written by Ervin Drake
Performed by Frank Sinatra
Courtesy of Frank Sinatra Enterprises, LLC
Under license from Universal Music Enterprises
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Sin glasear
- Lieux de tournage
- UC Irvine, Aldrich Hall, Irvine, Californie, États-Unis(UCI Administration Building as Kellog's headquarters)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 14 200 000 $US (estimé)
- Durée1 heure 37 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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