Anjaana Anjaani

The suicide attempt of two strangers gets inter-twined. "I scratch your back, you scratch mine" becomes the mission statement of their collaboration. What ensues next is flashbacks of their reasons to end their lives, discover each other and the beauty of life itself. Did I forget to mention all this in the process of futile suicide attempts?

♫ Priyanka Chopra:: Good writing in certain parts of her character though sometime she appears quite bubbly and sometimes low-down. Priyanka gives her best shot.

♫ Ranbir Kapoor:: Gets to showcase various emotion of the character and the layers to it. Delivers at ease. A black horse to watch out in the Bollywood arena.

♫ Zayed Khan:: He falters regardless of an intense scene, casual scene or melodramatic scene. Nonetheless, no great damage to the fly-in-the- ointment character.

For starters, the movie should have been "Anjaani Anjaana" for the premise of Priyanka Chopra has a greater depth which had the potential to leave lasting impact had the movie started on that thread. Ranbir's starting point is quite weak and ill-written. The plot could have connected well if it was based in India and the journey of the protagonist would have revolved around "Discovery of India". The weakest of the movie are the excessive cinematic liberties in the plot, hence the reference Kismet Konnection stated.

The outline of the plot is clueless whether it was meant to be comedy or love-story under the framework of suicide mission. Owing to which the writing is poor is both fronts.

The song "Aas Paas Hain Khuda" is a standard piece of line which is placed whenever there is Kismet Konnection moment. Having said that music is not as rich as "Hum Tum" or "Bachna Ae Haseeno".

With "Robot" released alongside I got the impression that AA suffered but frankly that wasn't the case. Even the multiplex crowd (read that generation next) could not fancy the meat in the plot. The only takers I suppose must have been Ranbir and Priyanka's fan-base.

It has story of half an hour but exaggerated for 2 and half hour. Not so exciting yet predictable. But the music was awesome so 2 extra stars for that. Thank you.

I am sure my review won't be any different from the ones already posted. The movie starts with an unusually depressing premise for a bollywood style romance. It sounds promising but the director was probably instructed not to be too experimental because he quickly recovers himself and falls back into the routine of making a painfully boring love story. The first half has a few rare, blink and u miss it funny moments.The saddest part is that Priyanka and Ranbir actually have an excellent chemistry. So much scope and talent gone to waste! The hypocrisy also kills the mood. On one hand the protagonists are shown as modern , living on their own terms kind of characters who share an apartment , and when need arises , even a bed. Yet it becomes necessary for the director to force their virtuousness down our throats. Anyway the second half adds nothing to the story except some tears and then some more. Instead of making an entire movie on killing themselves they should have just made those two kill someone. Now that would have made an interesting story.

Priyanka is the showstealer of this movie. Her flawless and effortless acting make it an absolute pleasure to watch the character of Kiara go through a roller coaster of emotions from guilt, grief, and depression to jubilation, ecstasy, and love. Ranbir is also fantastic. He always gives a subtle but powerful performance. Both Priyanka and Ranbir's comic timing is right on the money, and the duo keep you in splits.

The script, the backbone of the film, is terrific. I can't give too many details without giving away the story here. The entire process of making the film, from cinematography and direction to the most minute details such as depicting accurate weather across the US in winter, has been done very professionally. I personally really like how the film confronts the difficult times that the US is going through and, in a fun, light-hearted, and fully entertaining way, turns a devastating situation into a positive one. The entire soundtrack is awesome with fresh, soul-stirring music. The movie is a great, fun experience and has repeat value.

A Bollywood movie revolving around only two major characters with its major scenes emphasizing only on their verbal conversations was surely a brave subject to choose for the director Siddharth Anand. But sadly this time too, he follows his same old path of inspired themes and copied scenes and comes out with a film which is tailor made only for the multiplex and college going audience.

Right from the release of its first look, the film gave out few negative signals as its initial poster was straight away a copy of "An Education" (2009) with the genders changed, which was later pulled off due to its criticism. And today on its release, when the movie started on the screen, it's very first scene was exactly a copy of the French movie "Girl on the Bridge" (1999) with again the genders changed. The moment I saw this exactly similar execution of the scene as in the French film, my whole excitement to watch ANJAANA ANJAANI vanished into the thin air and I simply felt like cheated.

I agree 90% of the audience would surely be not aware of this truth and neither would they be interested in knowing about it. But it does affect my watching experience of a movie when I see an entire sequence simply lifted from another source of World Cinema, without any kind of courtesy note or acknowledgment. So for me, ANJAANA ANJAANI failed from that very moment and it is simply made on the same formula of Siddharth Anand, which more or less remains dependent on ingredients taken from its VARIOUS SORUCES. Though after its opening lifted scene, the film moves on to different path talking about the relationship between the lead pair. But undeniably its main subject and theme is quite close to the original "Girl On The Bridge" on the whole (with also a reference to "The Bucket List").

Moving ahead of this inspirational angle, ANJAANA ANJAANI does try to incorporate something fresh on the screen, with only the two lead characters in its script till the end. But the problem is that along with its novel theme, the director still keeps clinging to the ages old love formulas of Hindi Cinema, wherein the realization of true love comes towards the climax and the movie ends as usual with a rushing airport sequence. Now this raises a logical question that if we are intelligent enough to get inspired from such beautiful masterpieces made in the other parts of the world, then why we keep on adding our own rotten and overused formulas into it which totally ruin an otherwise good project in the end. The process simply takes away the beauty of the subject and results in a poor project in comparison to its worth watching original.

On a positive note, ANJAANA ANJAANI has surely got some original entertaining moments showcasing few bold discussions going on between the couple. But these moments are not consistent throughout the movie and there are several dull moments too which spoil the spirit of the movie as a whole. The second half is a bit lengthy and should have been edited severely to leave a more solid impact on the viewers.

Musically, the film has only two tracks which score above the rest and as I felt the background music was more enjoyable then the whole soundtrack. Rahat Fateh Ali Khan's song has now become a must for every good budget movie irrespective of the fact that whether his voice suits on any character in the film or not. But still he somehow manages to score in his most of the tracks, which is remarkable as an artist. Cinematography is one of those rare aces in the movie along with its eye catching costume designing.

Collectively, ANJAANA ANJAANI can only be watched for Priyanka and Ranbir alone as they remain the soul of the film, with their brilliant, realistic performances of the Losers. The first half certainly is more entertaining than the second having the few worth watching moments for the youth. Both Priyanka and Ranbir once again prove their mettle with this movie and confidently declare that they can easily carry off a project on their shoulders alone without the help of any major supporting cast. But in absence of an adequate, strong and emotional script, their performances unfortunately just remain floating on the surface. As a surprise package, Zyed Khan is also there acting seriously in some scenes along with Priyanka.

However, the film once again made me think that when the directors choose an inspired subject for their films or when they shoot an exactly similar sequence, secretly taken from another source, then do they inform this truth to their leading stars or they keep them in dark forever?

Anyway, ANJAANA ANJAANI couldn't impress me a lot as it was not based on an original thought and lacked a fine execution but you may like it if you are a fan of Priyanka and Ranbir.