Rocket Singh: Salesman of the Year

As I came out of the theatre, a lady was telling to her husband, in one of the most innocent tones possible in Mumbaiyya Hindi, which roughly meant: "I did not get what they were talking throughout the film". It did not surprise me at all. During the interval, my brother had called me. He was in the interval too, coincidentally. We talked for 10-15 seconds. And in that short period, we mutually agreed: it is a difficult film.

What do you expect from the director of 'Ab Tak Chhappan' and the writer of 'Company' and 'Khosla Ka Ghosla'? What do you expect from the next project by this duo, after the hugely successful 'Chak De India'? The problem is, whatever you expect gets hugely affected by the promotion of the current film, and the filmography of these talented people remains nothing more than factual details in the minds of people who care.

This problem, promotion, or selling itself, is the biggest error committed by a film that, ironically, comes with a tag line: "Salesman of the Year." And this could be fatal for the film. It has been promoted as the story of a protagonist who appears to be funny enough to entertain. Sadly, the film is not a comedy. So, if you want a laugh-riot that can make your weekend, it is not the correct film for you. It is a difficult film. And not all difficult films are masterpieces! Rocket Singh is far from that. It is not even the story of this young Sardar. The protagonist of the movie is 'Rocket Singh' which does not exist in person, but as an idea. That idea is the theme, the story and the protagonist of the film. That idea is the message.

But this film manages to achieve something that is rare in this industry madly following a 'formula' that does not exist. This film takes some daring steps. It tries to bridge the gap between the actual changes Indian society has been going through and the stagnancy that has plagued the commercial cinema of this country. The traditional villain has been replaced by the corporate set-up. The point of confrontation is not modesty of a woman or the love-interest of the hero. Here the humiliation is not physical. It is verbal and mental. And it hurts you as much as it has always done. And you want revenge. But even the revenge is not relying on adrenaline, but on planning and making smart moves, and taking calculated risks. There is no comedian. The life itself is a big, dark comedy. And the hero is not a tough guy protecting the poor, but a middle-class man who is running as a salesman in spite of having a place to live, food to eat, and friends to party with. But this is what the life of today has become. And this film tries to explore that reality. The reality that does not have strong, emotional points of conflict, but which is a continuous, never-ending struggle.

In its attempt, it has become a difficult film. During the interval I was thinking: is this subject powerful enough to be made into a feature film? The second half picks up and there are some genuinely funny moments. And a convincing Ranbir Kapoor tries his best to keep you emotionally connected, as does most of the support cast. But in the end, Rocket Singh remains an honest and gutsy 'salesman' that did many things right, but failed while trying to sell itself. If you can ignore this mistake and appreciate the attempt, you might like it. An actor who makes her debut with this film has said that it does not belong to any genre, and this is what will work for the film. I almost agree with the first part of the statement. But will it work? If it is successful, I would be pleasantly surprised, but it is unlikely. As for me, well, I liked it, almost.

Rocket Singh:Salesman of the year 8/10

One of the best movies of this year.

Well, watched it last night but couldn't get a chance to write about it. I had my eyes on it since its news came in papers that a movie of such a name is going to be released. I made a it in my mind it being a must watch and yesterday I got a chance to watch it.

Its about a new guy in salesman-world, how he handles all those un-realistic goals set by his boss, clients and tackles his ideologies.

Now the movie has very dynamic characters with most witty and cut-throat dialogs ever seen or heard.

Don't go to watch this movie thinking of watching Ranabir giving a very powerful performance. IMO each and every character has given same brilliant performance as anyone.

Specially mentionable are D. Santosh (PC assembler), he has the most witty and funny lines in the movie. After he opens his mouth in the movie for the first time, you'll always be eager to listen to him whenever he comes again. And, he never disappoints you. Koena (Gauhar Khan as operator) has the all cut-throat dialogs. Executes her role properly. Nitin (the boss) is very good. His parts are very well crafted. One thing I want to mention is that, only two scenes in the movie brings out the feel that this is a movie and its the two scenes where he's leading. Chotelal as peon, is a good character. Puri as the M.D. is also good character.

Another thing I like is the choice of girl as GF for Ranbir. She is not very beautiful or so-called actress material. She is just another girl-next-door character that u interact everyday but ignore. Yes that is the kind of gal who can be GF of the character Ranbir is playing in this movie. Hats off to whoever did the casting. Not a single character is out-of-place.

If I analyze the movie:- Acting: Brilliant Screenplay: Asset of the movie Directing: Brilliant Cinematography: Very good, just watch out for the initial scenes when the title rolls and the background chosen for it. Simple but portrays enough. Editing: One and only weak point of this movie. Could have been much shorter than its current length. A few stretched scenes just spoils its sleek approach.

In a nutshell: its directed to a part of the crowd, not everyone would like it or understand it. But, whoever is somehow related to sales or any corporate would find something in it. (At least for India its true :P)

Frankly speaking, "Rocket Singh" is not the usual bollywood kind of movie with the same ages old ingredients of action, love & comedy. It may not be appreciated by the masses, but for a change it's a simple and refreshing flick with everything just in the right proportions as required. The movie neither has any sick side stories yelling loudly to impress the viewers nor there are any silly unwanted songs jumping into the screenplay from nowhere. In other words it's a great piece of art made by a thinking team strictly on the lines of innovative Hollywood projects which are based on variety of subjects written around our daily routine life.

The story talks about a fresh and honest graduate who is looking for a descent job to make his future career. The wickedness of his colleagues and seniors in the office helps him transform into a clever and strategic businessman. But in the process he also has to opt for some unethical means and uses his present job office and resources for his personal benefit. The innovative plot not only enlightens us about the cut throat competition in the Sales line but it also showcases the hardships faced by the innocent customers due to the evil practices adopted by the service providers. The film commences slowly and starts growing on the viewer with its to the point narrative and highly realistic sequences. In fact most of the viewers will find it very easy to relate with various characters in the script portrayed just like the real life people we meet every day.

After his masterpiece "Chakk De India", Shimit returns with another brilliant work which again has a huge contribution coming from his writer Jaideep Sahni. Shimit's subtle treatment of the subject never slides down and he maintains a firm grip on the movie right till its impressive climax. Interestingly, all the incidents in the movie strongly point towards some similar personal experiences of either Shimit or Jaideep in the past. Jaideep splendidly comes up with the most original description of his characters quite close to his "Khosla Ka Ghosla" which also revolved around Delhi and its Punjabi culture. Actually the whole setup of a computer company and its premises in "Rocket Singh" is more relevant to New Delhi's computer hub, Nehru Place (which Jaideep must have seen) and everyone who has visited the premises would readily agree to that. Taking into account all their works together in the past, the writer-director duo is a great team in formation and you can easily expect many more brilliant projects coming from them in the near future.

In the performance arena there are good things to write about almost everyone in the cast. With the most authentic Sikh character's portrayal on the screen till date, Ranbir Kapoor once again excels and makes everyone in the Kapoor family feel proud of their young energetic and hardworking kid. His choice of projects after the unexpected debacle of "Saawariya" clearly proves his gifted cinematic sense and intuition power. While watching him on screen, not even once you feel that he is in a fictional get up of a Sikh. In simple words he just slips into the body of Harpreet Singh Bedi and delivers an effortless, enjoyable and the most impressive performance of his career.

Prem Chopra delivers a lovable cameo. Gauhar Khan impresses in her role of a receptionist and she surely has got the oomph factor to burn the screen. Shazahn Padamsee is fresh and confident as Ranbir's customer cum friend. Everyone else in the team lead by Rocket Singh is perfectly chosen and they skillfully act as true to life realistic characters, especially the computer engineer and his sexy desktops glowing in the night. Cinematography is nothing exceptional and Salim-Sulaiman music is just above average with all the songs used shortly along with the background score.

However, the only probable mistake, the marketing team of "Rocket Singh" has made is that they wrongly promoted the film as a comedy. The promos with Ranbir dancing to the tune of "Pocket Mein Rocket Hai" clearly give you an idea of the movie being a funny take on office politics and life of an salesman. Whereas in reality it's a sensible story of a fresh graduate who goes on to make a confident mark in his very first job of a salesman. Though it has many comedy sequences coming in at regular interval throughout, but still that doesn't allow anybody to simply call it a comedy movie. In fact all the viewers coming in for seeing just another routine, over the top, bollywood comedy may get highly disappointed from the end result they get. So, once again it's an example of wrong promotion tried by the makers to bring in some more crowds in the opening weekend.

But if you ask me then just don't take it as a comedy and go for it if you really want to see a fresh, cool and uplifting movie completely different from what we have been seeing in all this year. In short, "Rocket Singh" is one of those few rare movies which are made without thinking of any favorable box office results. If majority of the viewers like it then that's a good sign of progress being made in the Indian Cinema. But if most of them take it otherwise then that will be the most unfortunate outcome of 2009.

Highly recommended for everyone yearning for a change in Bollywood's choice of subjects.

The way the opening credits are presented, they raise your expectations from the film. And the first 30 minutes are typically reflective of a salesman's life. It is easy to connect with the situations and giggle at the workplace jokes. Our protagonist has just barely graduated & wants to make a career in sales. But he is naive, and has to learn the tricks of the trade soon. To complicate matters, he has demanding bosses & non co-operative peers. Been there.

But soon enough, our guy, with a few other employees of the same company, hatches a plan to prove a point & make some money by creating a dummy company that provides superior service & works on ethical lines only. A good intentioned simple storyline from Jaideep Sahni, but a bit too far-fetched. So, once again, it is up to the director & the actors to elevate it. And they do. Once you get past the fake moustaches & loose wigs, the movie engages you. The script is kept tight & there are no silly song & dance routines to break the flow.

Ranbir Kapoor & Prem Chopra (who plays Ranbir's grandfather) have very good chemistry & all their scenes together are so real & touchy. Ranbir's friends & his love interest do have their moments in the sun, but the movie is not about them. As the director did with ChakDe India, the characters who take the movie forward, including the office peon & the receptionist, are developed well & are given ample screen time & they also carry their characters with ease. Salim-Suleiman have little to do barring the title track (which is missing in the movie), because the movie is not a dramatic melting pot a la Chakde. The screenplay is good, direction is good, and the actors deliver. What the film really lacks is a climax. It ends without a bang; it ends all so smoothly, with a social message thrown in.

One thing that this film confirms is that, in Ranbir Kapoor, we have found the next big thing. As with all his other movies this year, he gets right under the skin of the character, hence making it utterly believable. A director's actor, never the star. 2009 may well be the year in which all his movies came oh too close to being the biggest hits of the year. Rocket Singh may well be the next in that category.

Rocket Singh: Salesman of the Year is a film about the importance of basic goodness. In an industry driven by opening weekends and bumper collections, it's that oddball film that seldom compromises on its intentions for the sake of becoming more box-office friendly. As a result the film feels too long, indulgent even, and ever-so-often it appears uncinematic. That's hardly surprising, considering much of the film is shot in basic office spaces and features long conversations between its characters. But don't be fooled by its appearance; Rocket Singh: Salesman of the Year is a film with all heart. Ranbir Kapoor plays Harpreet Singh Bedi, an idealistic young graduate who lands a sales job in a computer firm run by a boss who sets unrealistic targets for his team. His rose-tinted glasses come off early in the day as he watches receptionists being wooed for prompt appointments with busy managers, and security guards being bribed for information on rivals. For his own part, he stays strictly upright, going so far as to file a complaint against a client who wants his palm greased. That act of honesty, however, is rewarded with a demotion. Convinced that a business can be run clean, Harpreet sets up his own company within the one he works for, roping in a handful of fellow colleagues as partners. Operating honestly and diligently, this team discreetly sets up a thriving business that eventually rivals the one they work for. Meticulously written by Jaideep Sahni, the genius behind such gems as Khosla Ka Ghosla and Chak De India, the script of Rocket Singh is its real star. Seeking inspiration in real life and real people, the film avoids stereotypes and goes for characters and situations that are refreshingly familiar – the team-leader who fudges conveyance vouchers, the cut-throat competitive co-workers, the porn-surfing maintenance guy, even the promotion-seeking receptionist. Taking the cue from Sahni's script, director Shimit Amin bravely resists any temptation to glamorise the world they've set the film in, by rooting the drama in a space that is basic and without frills. An office party scene is filmed with colleagues drinking out of plastic cups, loosening their ties and dancing to songs being played out of a computer. Even the film's opening credits sequence in which the camera lovingly floats over a middle-class home's bric-a-brac is evidence of the makers' commitment to authenticity. But Rocket Singh touches a chord because it's that rare film that urges us to examine our lives and to question the rules by which we live it. It has a life-affirming quality that will appeal to every one of us who has ever hesitated before taking the easy way over the right way. The film isn't without hiccups, though. Overly long, especially in its first half, Rocket Singh suffers on account of sluggish pacing, and occasional indulgences like that unduly stretched-out confession monologue by Harpreet's boss in the film's climax. Remarkable casting has resulted in some fine performances by key players, although even the bit parts are filled out convincingly. D Santosh as the affable maintenance guy, Mukesh Bhatt as the tea-man with computer-repair skills, Naveen Kaushik as the oddly sideburned team head, and Gauhar Khan as the cutting receptionist pitch in commendable performances. Of course it's topped off by Ranbir Kapoor's compelling, effortless portrayal of Harpreet Singh Bedi. Ranbir adds the little touches that make all the difference: combing the beard, tucking in the turban, lifting the 'kada' further up his arm before dipping his hand into a bucket of wet clothes. He's an actor you can't take your eyes off. In the end, Rocket Singh is a clean, honest film with noble intentions. It requires patience to appreciate it fully, but deserves a viewing because films like this are hard to find. I am giving a thumbs up for director Shimit Amin's Rocket Singh: Salesman of the Year; whatever else you do , don't miss this film.