Vortex

Watched Vortex at the very first night it was screening in Paris. To be fair, I don't understand French and there were no subtitles, but it made me feel vulnerable and bitter even in that circumstance.

The movie doesn't contain scenes of any kind of abuse as other Gaspar Noe movies, but still, it leaves you looking blank at the screen. Before going in to the movie theater I knew what the movie was about and I've seen the trailer as well; however, Noe still managed to impress me and others. When the movie ended everyone at the theater was extremely quite, and their faces looked like the movie touched their souls somehow; and I think that's because every single scene is so real. There are no surreal settings or extreme characters that you probably wouldn't meet throughout your life, every scene feels like you could have been there.

Also, the split screen (in my opinion) explains how even though you meet people and spend some, or most of your life with them, at the end, you're all alone. I feel like this is a common theme Noe enjoys reminding his viewers, and to me, this technique did the job quite right. I especially enjoyed watching Françoise Lebrun's facial expression and hand while the screen was splitting: I don't know whether this was done on purpose, but it made me think that she was anxious because she was realizing how they're drawn apart, and tried to prevent it until the very last moment.

Structure-wise, it's nothing like other movies of Gaspar Noe's- I guess it's more of an experimental one; so you might be disappointed if you expect the crazy visuals, the scenes built around 'dirty realism', or that underground feeling in general. But feeling-wise, Gaspar Noe once again managed to draw the audience into their own inner worlds and leave them alone with their staggering emotions. I definitely think this movie is more than another product of the culture industry that you consume mindlessly and instinctively, and rather an actual piece of art that makes you feel emotions. Can't wait to see the English version!

Françoise Lebrun delivers an outstanding and unforgettable portrayal as Elle, a lady in her senior years struck down with dementia and living in a world that's alien, confusing, bewildering and extremely dangerous. So convincing is her presentation that you spend most of the film half believing that she must genuinely be suffering, that this is a documentary, a fly on the wall observation. Similarly, Dario Argento fulfils the role of the loving but ever so slightly irritated grumpy old man, wishing to get on with his life while more often than not, turning a blind eye to his wife's descent, knowing only too well the consequences once others take control of the situation.

This film recognises what most people have gone through, or will go through, either directly or as close witnesses. Filmed in an imaginative style by the progressive Gaspar Noé, my only complaint is that I was extremely keen for the end to arrive as it outstayed its welcome by around 30 minutes and, as such, I'm unlikely to revisit it again any time soon.

Ok, so Gaspar Noe chose this story, a heartbreaking story on its own. But the fact that he himself had a life-threatening brain hemorrhage makes this film much more personal. And this somewhat unique approach (that feels a bit of a gimmick) to filming this family drama makes it all a layer deeper and more interesting.

I just can hope my parents don't go on the mental health issues route at an old age. I can hope that for everyone but for some it is inevitable. Right now I feel incapable of forming meaningful words regarding this film. It was interesting to see Dario Argento as a main character, he did a great job and he carried this movie.

All in all, it's still a very Gaspar Noe film in the sense that it makes you uncomfortable with such ease it turns into a horror movie.

Even by Noe's standards, Vortex is truly unflinching and horrifically brutal, and does so without showing the sorts of extreme sexual and/or violent content that can often be found in his other films.

There's no real optimism or sentimentality. This film is just "getting old is horrible and here's what can happen" with no filter. The characters are similarly honest- Dario Argento's character is asked how his wife is. He bluntly replies "Not good." His character's son echoes a similar sentiment.

It takes a similar premise to 2012's Amour yet makes it even more impactful. It uses a bolder stylistic decision too, which I won't spoil here (I think it kind of works. It makes some moments extra devastating, but I couldn't always work out its explicit purpose on a scene to scene basis).

While it's definitely not a fun or fast-paced movie, 142 minutes passed by surprisingly quick, which I think speaks to how absorbing and well-acted it is. It may well be Gaspar Noe's best film so far.

Intimate, haunting, quiet, and sad with very raw and incredible performances by the two main characters. It's very slow but the unique transitions paired with the split screen keeps your eyes constantly darting around trying to take in everything which at times isn't much at all. I have to admit this was uncomfortably long and it didn't completely sink in until the very final scene. Getting old is so scary.