Elfie Hopkins

If you like the dark humor of the Seth MacFarlane animated sitcoms, perhaps you will like this. It was described as a horror movie in the TV listings I saw, but it's not really a horror movie. More of a creepy comedy/mystery. Toward the end it does become quite violent and the laughs stop. Not everyone is going to survive to the end, and as is often true with horror movies, even someone you care about is not safe.

Despite her "whatEVER" attitude toward everything, I had to like Elfie. I know nothing about Jamie Winstone but there's something adorable about her, despite her hate for the world and lack of concern for her looks, though somehow she looks sort of pretty.

Aneurin Barnard I have never heard of, but Dylan was very likable. I did find one thing strange: Dylan is a computer genius but this movie was made in 2012. If it was set at that time, why is Dylan using 1992 computer technology? He uses what is essentially the Internet but gets there the way geeks did when people in general started using PCs.

Rupert Evans as the mysterious neighbor shows quite a range, going from friendly to downright creepy in a humorous way.

Ray Winstone is memorable as a butcher who is also a creepy storyteller.

Either one actress is either really good at pretending to be still or someone really talented recreated her head. You might either love the scene for its humor or be totally repulsed by it.

Is it good? Well, I did enjoy it as long as it was funny. The ending is effective if not pleasant.

I wanted to like ELFIE HOPKINS but wasn't really sure what to think. The film itself is a misguided little mystery mixed with horror and blackly comic overtones. The main problem it suffers from is that Jaime Winstone is a pretty poor and unlikeable lead actress and the supposed comedy double act of her and her pot-smoking friend doesn't come across very well, these characters feel desperately like they want to be an likable awkward hero a la SCOTT PILGRIM VS THE WORLD but they just feel irritating and self-centred.

Otherwise the small-town mystery is built up nicely and I particularly liked the kooky members of Gammon family, lead by the dastardly Rupert Evans (a guy well versed in playing baddies after this and his turn in the TV miniseries WORLD WITHOUT END). But ELFIE HOPKINS is better at building atmosphere than it is incident, and the action when it hits is very poorly handled and cheap-looking. This is particularly noticeable in the climax, which should be a large-scale and exciting set-piece but instead which comes across as completely lacklustre and disappointing thanks to indifferent direction. CGI blood effects don't really help either. This film is an interesting stab at doing something different but it's only semi-successful in my opinion.

An aspiring teen detective (Jaime Winstone) stumbles into her first real case, when investigating the mysterious new family in her neighborhood... are they cannibals?

I really have no review to put here because it just is not a film that captured my imagination. I do not want to say it was good or bad, because it never really amounted to much one way or the other. I felt like there was potential, but it just did not try hard enough.

To properly review this I would have to watch it again, which I have no intention of doing. I cannot recall ever being so apathetic concerning a title ever... which is pretty bad. Typically there is something that jumps out as great or terrible... I guess I really liked the music in the third act, but that is not saying much.

I came across this title in one of the horror magazines I read and having a child called Elfie I saw this laying for a dumping price at a sell out of one of the HMV stores in London. What I did know was that people hated it or loved it. In between didn't exist.

Elfie Hopkins (Jaime Winstone) lives in a boring village on the country side and the only thing she does is getting a fight with her step-mother and doing investigations with her friend Dylan Parker (Aneurin Barnard) throughout the town and getting stoned together. Suddenly new neighbours appear, the Gammons and people disappear in the town. Both they start to do their homework on the Gammons.

What the film delivers is a lot of blah blah. It's only at 1 hour that we see what the Gammons really are. It's also the moment that a bit of black humour comes in with the severed ear for example or the waving with the arm but for many it will be too late to save this slow moving flick. It takes maybe 3 minutes and we move further into a lot of blah blah because nobody believes Elfie.

You can easily spot that Dylan is in love with Elfie and that takes an important part too throughout Elfie Hopkins. There isn't any gore or nudity to spot. It's just about two friends involving into a story they couldn't see coming.

Did I like it or hate it. It's hard to tell because it isn't for everybody due the talking and it do has a severed head here and there. On the other hand it isn't like Twilight were nothing really happens except whispering towards each other. And it isn't also an arty horror. Just one of those flicks that stands alone, maybe forget the first hour, it's from that point that it turns into a nasty thing.

Gore 1,5/5 Nudity 0/5 Effects 2/5 Story 3/5 Comedy 1/5

Bored stoner Elfie Hopkins (Jaime Winston) tries to make village life a little more interesting by dabbling in amateur detective work, investigating the lives of other locals with a little help from fellow weed-toker Dylan (Aneurin Barnard). When a sophisticated city family, The Gammons, moves into the house next door, Elfie's investigative nature begins to tell her something isn't quite right with her new neighbours. Digging into their background, she uncovers a horrific secret that puts the lives of her nearest and dearest in mortal danger.

It took me a while to warm to Elfie Hopkins: at first I found the central character rather irritating, Jaime Winston's attempts at cool and quirky seeming just a little too calculated to appeal to the cult movie contingent (her lovable slacker routine reminding me a little of Simon Pegg in Shaun of the Dead). But as the story progressed, the film gradually started to grow on me, Winston's appeal winning through, the whimsical nature of the story and creepy antagonists slowly getting under the skin. By the time all becomes clear for the final act, I actually found myself enjoying proceedings. The finalé is a real crowd-pleaser, Elfie tooling up for a revenge-driven gore-fest that really gets the blood pumping.

To sum up: the film's offbeat and rather relaxed approach makes it hard to get involved, but perseverance pays off, with a particularly fun finish. A sequel with Elfie investigating even more outlandish situations wouldn't be entirely unwelcome. 6/10, although a repeat viewing might see me bump my rating up to 7.