Des saumons dans le désert

With a title like Salmon Fishing in the Yemen, it's either a story about the impossible, or that which deals with fishing. It's thankfully the former which makes it a little more engaging and less of a focus on what could be a solitary activity, and a romance-comedy-drama that centers about the theme of hope, even though this British film has plenty of elements to keep one entertained, especially the good ol British wit and humour that comes fast and furious when the need calls for it.

Directed by Lasse Hallstrom whose last film was an adaptation of Nicholas Sparks' Dear John, Salmon Fishing in the Yemen is based on the novel by Paul Torday, that tells the unlikely romance that sparked between Dr Fred Jones (Ewan McGregor) and investment consultant Harriet Chetwode-Talbot (Emily Blunt) while working on a theoretically possible project funded by a rich Yemeni Sheikh Muhammad (Amr Waked). Dr Jones, the bureaucrat stuck in a dead end job and happily coasting along in spite of having useless superiors, is the initial skeptic, preferring the status quo than to question and set challenges for himself, being the expert on fishing and a mean fly-fisher himself, while Harriet is that can-do go-getting consultant who doesn't take no for an answer, herself in a sub story arc involving a British soldier sent to the frontlines in Afghanistan.

Together, they work under a programme mooted by the Sheikh to bring salmon fishing to his country, which of course has plenty of detractors especially from extremists who see this as a waste of resources spent on infidel activities involving the West, especially so since Kristin Scott-Thomas' thrash talking Bridget Maxwell, the publicist for 10 Downing Street, sees it as opportunity to raise the Anglo-Yemeni friendship and profile. The character of Bridget Maxwell is probably the one bringing in most of the laughs for her potty mouth ways, with expletives almost always finding their way into her communications, verbal, over the internet, or otherwise, and you'd wonder just how the Prime Minister's Office could have survived one PR disaster after another.

Most of the narrative circled around the friendship and relations formed between the trio of Dr Jones, Harriet and the Sheikh, developing bonds that wouldn't have existed if not for this 50 million pounds project. It's not as if it is about those with plenty of oil money and finding themselves not knowing what to do with it, but about the spreading of far larger ideals that go into community bonding. And the romantic tale almost felt like an after thought into the second half, finding it irresistible not to have now fellow colleagues fall in love because it's a waste of good looking talent not to. There isn't any threat in the film to put things in a spin other than the battle against nature and elements that get systematically addressed, and extremists who don't get air time lest this film gets spun into a war on terror story, aside from an assassination and sabotage attempt.

It's been too long since Ewan McGregor played an Englishman, and one with impeccable manners at that, which is something his character will strike you from the onset, minding his Ps and his Qs, with the penchant for the prim and the proper. The subplot involving a slowly estranged wife was something seen coming since it stood in the way of a possible relationship with Emily Blunt's Harriet, and essentially is a weak point in the narrative that could have been done without, since it added little emotional depth to the plot. Harriet on the other hand had an equally tit-for-tat plot arc that also didn't do wonders for the story, and together they made it feel as if there was a need to throw each character into their respective romance (or lack thereof) arcs with someone else until work got in the way. It didn't help of course when Kristin Scott-Thomas was in her element being cast against type.

ultimately it's a feel good movie about hope and that leap of faith, so long as someone is funding a dream to fruition or failure. The more important central arc of fulfilling the titular dream was the most engaging, with sub plots being nothing more than a distraction that didn't offer any emotional depth, and padded the story to a feature length one. Thankfully there's comedy thrown in now and then, otherwise this would really have been like a solo fishing trip and attempt that calls for plenty of patience for something to finally bite.

"You can't catch faith with a fishing rod." After Harriet (Blunt) contacts Dr. Alfred Jones (McGregor) about a Shiek from Yemen who wants to bring the sport of salmon fishing to his country he laughs it off. After being given no choice in the matter Jones begins to do just enough to keep his job. After meeting the Shiek and helping Harriet through a crisis his outlook begins to change. He puts everything he has into making the dream possible. The sign of a good movie is one that keeps you interested and makes you like it when you aren't even in the mood to watch it. I wanted to watch this based off the preview, but at the time I sat down to see it I really wasn't in the mood for a movie like this. It did start off a little slow but quickly sucked me in and by the end I was so into it that I couldn't remember why I didn't want to watch it. I have fished many times but I'm not what you would call an avid fisherman. The reason I say that is because this movie has the perfect balance of enough fishing to keep fisherman entertained, but not enough to make it all about fishing, much like the way "A River Runs Through It" did. The last twenty minutes of the movie makes you feel a proverbial "rollar-coaster" of emotions. Every few minutes something happens that changes how you feel while not turning into the cheesy and sappy ending that it could have been. Overall, a good movie that people who fish and those who don't will both enjoy. I liked it. I give it a B+.

This one did snag me with a lure most appealing. Be forewarned that this 2012 romantic dramedy is idiosyncratic and full of whimsy, which should come as no surprise as the director is Lasse Hallström whose most successful films ("Chocolat", "The Cider House Rules", "My Life As a Dog") turn on flights of fancy. Besides, it's certainly not every romantic comedy that encompasses hydro-engineering, environmentalism, Middle East tensions, and British populism. What holds these disparate subjects together is the pipe dream one Yemeni sheikh has to bring salmon fishing to the wadis of his homeland. Adapted by Simon Beaufoy ("Slumdog Millionaire") from a popular 2006 Brit-lit book by Paul Torday, the story primarily concerns the two people who get caught up in Sheikh Muhammad's dream - tweedy fisheries expert Dr. Alfred Jones, Fred to his friends, and super-efficient public relations consultant Harriet Chetwode-Talbot.

They are enlisted by Patricia Maxwell, the hell-on-heels press officer for the British prime minister who is desperate for a feel-good distraction from the bloodshed occurring in Afghanistan. She is immediately drawn to the human interest angle of the salmon fishing story as well as the revelation that there are at least two million anglers in the U.K. Fred thinks the idea is ridiculous and for good reason – the plan is to build a dam (which looks as big as Hoover Dam), construct an elaborate irrigation system, and stock the waters with 10,000 North Atlantic salmon, all for the hefty price tag of fifty million pounds. Alas, Fred gradually succumbs to the deeply spiritual nature and ecological sensibilities of the sheikh's quest as well as Harriet's quiet persistence and demure charms. Complicating matters is the fact that Fred is unhappily married, while Harriet is getting serious with a handsome soldier who gets shipped to Afghanistan.

Given the attractive leads, the romantic sparks are not surprising, but their cautious relationship and soulful connection provide much of the movie's unforced charm. The more fanciful events in the last half-hour do bring a level of incredulity for which Hallström has become renowned, and the terrorist subplot is woefully underdeveloped relative to the love story. However, the actors in exchange deliver nicely turned performances with Ewan McGregor ("Beginners") at his most modestly suppressed as Fred. Usually cast in brittle or saucy roles, Emily Blunt ("The Young Victoria") brings unfettered charm to Harriet without sacrificing her steely intelligence. Kristin Scott Thomas ("The English Patient") easily steals all her scenes as Maxwell with acidic panache, while Amr Waked ("Syriana") brings a charismatic calm to the sheikh. Kudos should go to Terry Stacey ("50/50") for his handsome cinematography which captures London, Morocco (subbing for Yemen), and especially Scotland in postcard-worthy tableaux.

OK I had read the book and did'nt know quite what to expect from the film. It is different great in its own way. Its a very British film with all the gentle humour irony and brilliant acting you would expect. Kristin Scott Thomas steals it for me as the pushy Press Secretary to the Prime Minister and really deserves recognition as supporting actress. The scene where she is getting her kids off to school and her comments to her son are hilarious in street talk. Emily Blunt is delicious and Ewan McGregor plays his most understated but elegant role yet. Loved the scene with his wife Mary in the bedroom with him wearing flannel blue striped pyjamas Great casting, great acting, great script,great photography. What's not to like,oh the salmon were fantastic , don't actually know if any were hurt in the filming, but bet if they were they tasted great! Lovely movie

There's a line in the movie that goes, "We need a good story about the Middle East that doesn't have explosions." This is it! Hilarious and touching, Ewan, Emily, and Amr are fantastic. Ewan plays this homely, heads-down British government biologist to a T. Amr is a promising newcomer. And Emily is always amazing. I saw this at the opening in Toronto and the audience loved it. No wonder it was the first one sold at the festival. A big of an underdog, a lot of other people thought it was the best they saw too. Maybe they should change the name to something catchier. That's my only suggestion. I hope this changes how people view the middle east, even in a small way.