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Enjoying a film like "Salmon Fishing In The Yemen" is similar to acquiring a taste for actual fishing. Like the sport that some find invigorating while others find it dreadfully dull, this film has its draggy moments. However, there are also enlightening points to the movie that come when you least expect them.

Of course, that is not to say that you have to actually LIKE fishing, or understand it, to enjoy "Salmon Fishing In The Yemen". Fishing serves as a crucial plot point, but you don't have to be a card-carrying member of Cabella's or L.L. Bean to enjoy it.

The film has elements of romantic comedy, environmentalism, foreign relations drama, and insightfulness that makes it difficult to concretely categorize. Fortunately, all these facets combine to create a story that's far from predictable. Just like a current, there are times you don't know where the story is going.

Ewan McGregor plays Fred Jones, a fisheries expert for the British government who receives an odd request from legal representative Harriet Chetwode-Talbot (Emily Blunt). Harriet represents a wealthy sheik (Amr Waked) who resides in both Great Britain and Yemen, and has an unusual fondness for salmon fishing. He wants to take a healthy population of salmon from the British lakes, and transport them to the Yemen River to live and breed.

The reason this plot does not make for good cocktail party small talk or water cooler chatter is because it takes such a long time to describe the rationale behind such an ambitious task. For instance, can salmon, who thrive in cold water, even survive in the Middle East, where it's obviously hot? Plus, why would people from Yemen even be interested in fishing? The film answers these questions and others very well, and allows the story to breathe better as each subplot reveals itself. Nothing is rushed in this movie, which, while a few parts drag here and there, is overall a welcome departure from certain high-octane multiplex drivel that passes as entertainment.

Once you actually listen to the characters and hear their reasoning, a lot of the story makes sense. This fact is especially true for Amr Waked, who is not yet a well known actor, but whose character has a profound impact on the film.

Western audiences are not used to seeing a Middle Eastern character that is not a terrorist, let alone one who credibly connects fishing and faith better than any PBS show even could. Waked, who is Egyptian in real life but whose character is Yemeni, does so incredibly well, and is truly the breakout star of this movie. It's a shame that Oscar season just ended, because the early release of this film alone hurts his chances of receiving a Best Supporting Actor nomination, although he deserves it.

The inevitable love story in the movie is also unpredictable, if only because you're not sure whether McGregor and Blunt should be together. McGregor's Fred is married, and Blunt's Harriet has a boyfriend who is sent off to fight in the Afghanistan War. There are plot twists for both characters, but even you, the audience, remains unsure whether the two characters working together so well to bring salmon to Yemen means they should be together. It creates a necessary tension few romantic comedies dare to address.

As for their performances, McGregor seems to play a more mature leading role than in other films he's made before. His character here is more practical than idealist (as in "Moulin Rouge" (2001)), more professional than playboy (as in "Down With Love" (2003)), and knows where his morals lie (unlike "Trainspotting" (1996)). While he was good in those other films, he can only play those roles for so long.

Emily Blunt also delivered a balanced, multi-layered performance, and worked very well off McGregor. I thought there would be an explanation for why her character's last name was hyphenated, as you almost never see characters with two last names in movies. Could there have been a failed marriage in her past, perhaps? It wasn't ever explained, nor was it really crucial to the plot.

Kristin Scott Thomas also provides some unexpected comic relief as a press secretary for Parliament who chats with the British Prime Minister on Instant Messenger. Her character spearheads the campaign to transport the salmon to Yemen in order to divert public attention from the Afghanistan War. Again, a crucial subplot, but one that has to be seen, not explained second hand.

"Salmon Fishing In The Yemen" is enjoyable like some find fishing to be: there's a lot of calm to it, but when the funny parts happen, they can be as surprising and as fulfilling as catching a big fish. Also, if you actually listen to Amr Waked's character the same way some expert fisherman have pearls of wisdom, the movie's enjoyment may even come as a bigger surprise.

A rich sheik has decided that he would like to bring the faith and sport of fly-fishing to Yemen. British fisheries expert, Dr. Alfred Jones (Ewan McGregor), thinks it's a joke. But the PM likes the idea of positive Anglo-Yemeni cooperation and the 2 million potential voters who fish. Dr. Jones still thinks it's a joke. The sheik transfers $50 Million over to his consultant's firm, and thus the project begins.

Dr. Jones still thinks it's a joke. And that is where the film shines. The filmmakers don't really treat it as if it's a true story and keep the humour sharp throughout. It's more closely related to a light-hearted romantic comedy rather than a sharp-edged political memoir. But again, this is where it shines, because it's so much better than a light-hearted romantic comedy. McGregor nails his serious character, allowing us to experience his whimsical sense of humour beneath his scientific demeanor. It's a character that I instantly connected with and it has never been better written or portrayed as it was here.

To me, the second best character was Sheikh Muhammed (Amr Waked). (Although at this point most people would prefer to mention the foul-mouthed press secretary by Kristin Scott Thomas). The sheikh splits his time between the desert of Yemen and the beautiful flowing streams through the mountains and glens of Scotland. He wants to bring the serenity and faith that fly-fishing brings to his people in the Middle East. Dr. Jones fishes but he is not religious. The sheikh found this a very confusing dichotomy in his character until they both realized that faith is not the same thing as religion.

"Salmon Fishing in the Yemen" is very funny and approaches political satire level. We know, and Dr, Jones knows, that fish do not survive in the desert. So obviously this is all a big joke, but as we also all know, money and power outweigh common sense. But it starts becoming clear that this might actually work after we realize that the sheikh is driven by faith – not religion, nor money. And the media comes in and creates war heroes and emotions out of nothing. As I said, the film is very funny but it doesn't skewer the politicians or media as much as we would want them to. At that point it becomes a romantic comedy.

The genre shouldn't really matter though because it's so cute and charming, and enjoyable on every level. I'm assuming the book focuses more on the political and engineering maneuvers required to bring salmon to Yemen; here we just stuck with the characters. But I loved these characters.

This one did snag me with a lure most appealing. Be forewarned that this 2012 romantic dramedy is idiosyncratic and full of whimsy, which should come as no surprise as the director is Lasse Hallström whose most successful films ("Chocolat", "The Cider House Rules", "My Life As a Dog") turn on flights of fancy. Besides, it's certainly not every romantic comedy that encompasses hydro-engineering, environmentalism, Middle East tensions, and British populism. What holds these disparate subjects together is the pipe dream one Yemeni sheikh has to bring salmon fishing to the wadis of his homeland. Adapted by Simon Beaufoy ("Slumdog Millionaire") from a popular 2006 Brit-lit book by Paul Torday, the story primarily concerns the two people who get caught up in Sheikh Muhammad's dream - tweedy fisheries expert Dr. Alfred Jones, Fred to his friends, and super-efficient public relations consultant Harriet Chetwode-Talbot.

They are enlisted by Patricia Maxwell, the hell-on-heels press officer for the British prime minister who is desperate for a feel-good distraction from the bloodshed occurring in Afghanistan. She is immediately drawn to the human interest angle of the salmon fishing story as well as the revelation that there are at least two million anglers in the U.K. Fred thinks the idea is ridiculous and for good reason – the plan is to build a dam (which looks as big as Hoover Dam), construct an elaborate irrigation system, and stock the waters with 10,000 North Atlantic salmon, all for the hefty price tag of fifty million pounds. Alas, Fred gradually succumbs to the deeply spiritual nature and ecological sensibilities of the sheikh's quest as well as Harriet's quiet persistence and demure charms. Complicating matters is the fact that Fred is unhappily married, while Harriet is getting serious with a handsome soldier who gets shipped to Afghanistan.

Given the attractive leads, the romantic sparks are not surprising, but their cautious relationship and soulful connection provide much of the movie's unforced charm. The more fanciful events in the last half-hour do bring a level of incredulity for which Hallström has become renowned, and the terrorist subplot is woefully underdeveloped relative to the love story. However, the actors in exchange deliver nicely turned performances with Ewan McGregor ("Beginners") at his most modestly suppressed as Fred. Usually cast in brittle or saucy roles, Emily Blunt ("The Young Victoria") brings unfettered charm to Harriet without sacrificing her steely intelligence. Kristin Scott Thomas ("The English Patient") easily steals all her scenes as Maxwell with acidic panache, while Amr Waked ("Syriana") brings a charismatic calm to the sheikh. Kudos should go to Terry Stacey ("50/50") for his handsome cinematography which captures London, Morocco (subbing for Yemen), and especially Scotland in postcard-worthy tableaux.

"You can't catch faith with a fishing rod." After Harriet (Blunt) contacts Dr. Alfred Jones (McGregor) about a Shiek from Yemen who wants to bring the sport of salmon fishing to his country he laughs it off. After being given no choice in the matter Jones begins to do just enough to keep his job. After meeting the Shiek and helping Harriet through a crisis his outlook begins to change. He puts everything he has into making the dream possible. The sign of a good movie is one that keeps you interested and makes you like it when you aren't even in the mood to watch it. I wanted to watch this based off the preview, but at the time I sat down to see it I really wasn't in the mood for a movie like this. It did start off a little slow but quickly sucked me in and by the end I was so into it that I couldn't remember why I didn't want to watch it. I have fished many times but I'm not what you would call an avid fisherman. The reason I say that is because this movie has the perfect balance of enough fishing to keep fisherman entertained, but not enough to make it all about fishing, much like the way "A River Runs Through It" did. The last twenty minutes of the movie makes you feel a proverbial "rollar-coaster" of emotions. Every few minutes something happens that changes how you feel while not turning into the cheesy and sappy ending that it could have been. Overall, a good movie that people who fish and those who don't will both enjoy. I liked it. I give it a B+.

A British fisheries expert is presented with a offer from a Yemenese sheikh to bring the sport of fly fishing to the Sahara in this charming, likable drama from Lasse Hallstrom. It features beautiful cinematography, even for those who don't particularly care about such things, and winning performances by Ewan McGregor and Emily Blunt. Salmon Fishing in the Yemen, at its heart, is not a movie about fish at all; it is about different kinds of faith and the degree to which people place their trust in them. Alfred Jones (McGregor) is an expert in all things ichthyic and works for the UK's version of the Department of the Interior. He is approached by the representative of a idealistic sheikh who loves to fish. The sheikh has it in his head that bringing the art of fly fishing for salmon to the Yemen River would be beneficial to his people (the river is dried up in places and is, obviously, in the middle of a desert). It is not a popular idea, and Jones, before and after taking a perfunctory meeting with Harriet, dismisses it as ludicrous, unsound, and downright absurd. (Dr. Jones is a bit of a straight arrow, you see.) And it would seem that would be the end of it, except that the Prime Minister's press secretary (Kristin Scott Thomas) sees this as an opportunity to foster Arab-Anglo relations at a time when, well, they're not so good. Long story short – Jones has to make the project work.

There are many obstacles to overcome. The water must be the right temperature and with the right amount of oxygen. Fish have to be found, somewhere, and imported. Negotiations must be had with local tribes who feel that bringing water to the desert is an abomination of some sort. And meanwhile, pressure mounts and mounts for Jones to pull it all off, since the sheikh is paying handsomely to the British government.

Alfred – Fred – and Harriet each have home lives that are in their own unique turmoil. Fred has been married for several years with no children, and it's clear that the love he and his wife once shared in full has dwindled considerably; she suddenly takes a job in Geneva, promising to visit him every so often. As for Harriet, the first man she has fallen for is suddenly deployed to Afghanistan. Each takes solace in their Yemen project.

What works best in this movie is the chemistry between Blunt and McGregor; the former plays an optimist ready for new challenges, and the latter is more of a stick-in-the-mud with little sense of humor. Okay, you who are reading this know that this is a plain setup, as this is not just a drama: it a romantic drama. Luckily for all of us, the movie doesn't descend into double entendres, sideward glances, awkward silences, and the like. Blunt and McGregor manage to avoid making the romance too light, too believable; we shouldn't be able to easily guess precisely how things will wind up, and we can't. Theirs is a working relationship that neither acknowledges as being anything but, and each is torn between their subconscious feelings for each other and for their respective significant others.

At one point, the sheikh asks Jones if he is a man of faith, and the expert replies that he is not. The sheikh rightly points out, however, that fishing itself relies on faith – the hope that something will occur, however improbable. A man puts a lure into the water. The outcome is not predetermined; he will most likely reel it in untouched. But he has faith that a fish will nibble at it and take the bait. The sheikh feels the same way about his fishing project. He has faith that doing so will enable the poor communities surrounding the river to thrive.

In the end, this is a quiet, elegant movie about love and hope, both of fishing and humanity. Excellent performances by the leads and able direction by Hallstrom make this a sort of soft-edged drama with romance and a bit of action.

'SALMON FISHING IN THE YEMEN': Three Stars (Out of Five)

Lasse Hallstrom (of 'CIDER HOUSE RULES', 'CHOCOLAT' and 'WHAT'S EATING GILBERT GRAPE' fame) directs this romantic comedy-drama about a fisheries expert who reluctantly helps a financial adviser aid a sheik in bringing fly-fishing to the dessert of Yemen. It stars Ewan McGregor as the fishery expert and Emily Blunt as the financial adviser. It was written by Simon Beaufoy and based on the book, of the same name, by Paul Torday. The movie is moving and funny at times but it doesn't ever reach a really enjoyable level. It's never really boring but it's never that entertaining either. Good performances and decent directing though.

McGregor plays Doctor Alfred Jones (It was funny to hear him called Doctor Jones throughout the film), a fishery expert who's asked to help with a project bringing salmon fishing to the yemen. A Yemeni sheikh (Amr Waked) believes that bringing fly-fishing to his people will help better their lives, as he sees fishing as something very similar to religion (as it requires a great deal of faith). Jones is not a spiritual man and sees the project as unrealistic and preposterous. His help is pursued aggressively by the sheikh's financial adviser Harriet Chetwod-Talbot (Blunt) though and when the British Prime Minister's domineering press secretary (Kristen Scott Thomas) sees the project as a way to improve on negative press (mostly dealing with mosque bombings in Afghanistan) Doctor Jones finds himself being blackmailed into doing the job. Although at first Jones and Harriet have little in common they grow fond of each other and romance blossoms, especially after Mrs. Jones (Rachael Stirling) leaves on a job assignment in Geneva and Harriet's boyfriend (Tom Mison) goes missing in action in Afghanistan.

The film was nominated for three Golden Globes including Best Picture - Comedy or Musical and Best Actor and Best Actress (in a Comedy or Musical). I think the award recognition hype is part of the reason I was let down by expectations. I expected a little more from McGregor, Blunt and Hallstrom (although I thought 'CHOCOLAT' and 'CIDER HOUSE RULES' were over-hyped as well). The movie isn't bad at all there's just not a whole lot to it. It is charming in places and I liked the comparisons of fishing to faith and religion. The acting is all fine and the directing is decent. It's a nice and somewhat inspiring tale, just don't expect too much from it.

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Just when I thought I was finished going to movies because so many are just plain vulgar, boring, and loud and not worth the investment of my time, along comes this near perfect piece of filmmaking. The story, the characters, the actors that were chosen, and the dialogue (refreshingly witty and at times thought provoking)... it all comes together in so enjoyable a fashion that I did not want the show to end! Aside from the foul-mouthed politicians (what a surprise, right?), there was not one minute of the movie I would change in any way. If you want to come away from a movie-going experience feeling good with plenty of information to discuss afterwards with your date, then RUN to see "Salmon Fishing in Yemen"!

I was dubious at first, trying to imagine myself liking a fishing movie but it is more than just that, it is a romance movie among other things, although it does keep you guessing throughout whether or not the two lead actors are eventually gonna end up together or not, and that's what kept me watching. I found the dialogue quite alright as well. I would recommend it, it's just not a movie you'd invite your friends over for on a Friday night or something. I think you enjoy it best on your own.

The nearest I can get to comparing it to another movie is "seeking a friend for the end of the world" which I did like, but the story behind the two movies nothing alike.

There's a line in the movie that goes, "We need a good story about the Middle East that doesn't have explosions." This is it! Hilarious and touching, Ewan, Emily, and Amr are fantastic. Ewan plays this homely, heads-down British government biologist to a T. Amr is a promising newcomer. And Emily is always amazing. I saw this at the opening in Toronto and the audience loved it. No wonder it was the first one sold at the festival. A big of an underdog, a lot of other people thought it was the best they saw too. Maybe they should change the name to something catchier. That's my only suggestion. I hope this changes how people view the middle east, even in a small way.

Sheikh Muhammed (Amr Waked) with unlimited resources wants to bring the sport of salmon fishing to the desert. It sounds really stupid, and the characters all know it. Sparing no expense, his representative Harriet (Emily Blunt) has to turn his dream into reality. That's when she contacts government fisheries expert Dr. Alfred Jones (Ewan McGregor) to study its feasibility. Of course, he is beyond awestruck.

This is a really likable British rom-com. At first glance, it's a stupid premise, but they actually worked it through to a point of movie believability. And it's fitting for a movie rom-com, because the chemistry between Emily Blunt and Ewan McGregor also has movie believability. It's a fine piece of rom-com.

Seriously, "Salmon Fishing in The Yemen" is simply a joy to watch. Not since "Hugo" have I seen a film with so much heart to it. What makes this such a joy is its impish sense of humor, irreverence toward the British government, the simply delightful acting of leads McGregor and Blunt (who has never looked so good as she does here), the appealing nature of so many characters, and, perhaps most of all, its unpredictability. The audience enjoyed an awful lot of laugh out loud moments, a few tears, and a bit of excitement and danger. The film had you rooting for its the Sheik and the two lead characters -- and unlike all too many films, you don't see where it's going. If you enjoy a whopping good time at the flicks, this is a film you should see on the big screen while you still can.

A lot of the other reviews have said this film is trite, whimsical, sickly, dull, stupid, fluffy and melodramatic. They are all correct. But none of that stopped me enjoying it greatly.

The story is as old as the hills; two very different people have to go and perform a task against their wills; find out they get on, but shock horror things get in the way. There is a reason this story is so old, because it works.

Here it is excellently told and totally engaging. The characters are painted with a big brush using bright colours, but they are interesting, unusual and easy to emphasise with.

Because you get attached to the characters the film becomes tense in places and although their is little action I found it quite exciting in a subtle way. We laughed out loud, sighed and groaned in all the right places.

Some people have been quite harsh about this film saying it brings down British politics or demeans foreign cultures; I think they are watching this film with their serious hat on. Don't expect Apocalypse Now this is a light comedy about fishing in the desert with a bit of romance thrown in.

OK I had read the book and did'nt know quite what to expect from the film. It is different great in its own way. Its a very British film with all the gentle humour irony and brilliant acting you would expect. Kristin Scott Thomas steals it for me as the pushy Press Secretary to the Prime Minister and really deserves recognition as supporting actress. The scene where she is getting her kids off to school and her comments to her son are hilarious in street talk. Emily Blunt is delicious and Ewan McGregor plays his most understated but elegant role yet. Loved the scene with his wife Mary in the bedroom with him wearing flannel blue striped pyjamas Great casting, great acting, great script,great photography. What's not to like,oh the salmon were fantastic , don't actually know if any were hurt in the filming, but bet if they were they tasted great! Lovely movie

Well, this is an okay movie. Somehow, in my individual opinion, it involved too much love. I expect this to be a more practical one.

About the storyline, it is averagely acceptable. As I know, this is too based on a novel with the same name by Paul Torday, I guess the novel did its job better with the storyline. I mean, people would misunderstanding its purpose that it is a romantic movie or salmons? Yes, salmons and Yemen. I would prefer salmon and Yemen. But then, I just have to accept the fact that it is in the categories of Comedy, Drama and Romance.

And the characters, I do not blame the actors and actresses, Emily and Kristin are great but their characters are not. Their thoughts and feelings change rapidly. I blame the movie's time structure. I keep asking why while watching: How so? How does that coming? Wt*? In total, this movie is quite flat, not very inspiring, but it kept me watching till the end so I guess it's worth the time and energy. Anw, rated 6/10, quite reasonable, it could had been 5, but I'm being generous, thanks to the director and the novel by Paul Torday.

Been looking forward to this film for some time, having previously much enjoyed some other Lasse Hallstrom movies (especially 'My Life as a Dog', 'The Shipping News','The Ciderhouse Rules', even 'Casanova'). I certainly didn't expect anything profound, challenging or deeply engaging, but I was hoping for a good comedy, perhaps sharp and warm at the same time. But this was just an utter disappointment - or perhaps I am just getting fed-up with movie-making 'by numbers'. This film is not offensive, but it really doesn't do anything other than 'kill time'. The story is utterly predictable, the acting is wooden and emotionally totally unconvincing, the soundtrack is tired, the cinematography uninspired. It seems like everyone involved in this bit of feel-good fluff was just plain bored - so, by and large, the result, unfortunately, is just plain boring, too. One cannot help but wonder why they even bothered making this film, I could venture a guess, but, then, I don't want to be cynical... There is one exception: Kristin Scott-Thomas injects a much needed note of over the top humour and is always worth watching - thank you so much for that.