Kenjû zankoku monogatari

(1964) Cruel Gun Story/ Kenjû zankoku monogatari (In Japanese with English subtitles) CRIME DRAMA/ ACTION

The Japanese equivalent of "The Killing", "Riffifi" and "The Asphalt Jungle" to name a few ...starring Joe Shishido as Togawa experiencing his early release set up by the syndicate, instructs him to rob the Japanese derby, only to find out later that he and his partner were tricked and double crossed. The fourth of five movies of the Nakkatsu Noir Criterion.

I was like, kind of hoping that this Japanese heist equivalent of both American and UK movies was not going to end in the same manner as the other heist movies, if one were to watch enough of them made during that era may define it as cliche at this point.

"Cruel Gun Story" stars one of the weirder actors of his era, Jô Shishido. I say weird because Shishido actually paid to have surgery to give him bizarre cheeks--making him appear, somewhat, like a human chipmunk! This apparently made him quite popular in Japanese crime films (I didn't realize that Japanese criminals were cursed with this odd facial characteristic!). I've seen him in quite a few films including: "Branded to Kill", "Youth of the Beast", "Detective bureau 2-3" and "Gate of Flesh" and he is the epitome of Japanese cool.

When the story begins, you learn that Shishido's been in prison for killing a man who ran over Sashido's sister. As a result, the sister is wheelchair-bound, so Shishido felt compelled to kill the guy. Now, he's been sprung from prison early--apparently some mob boss wants him lead a team in an armored car robbery. Shishido agrees--as he hopes that the money can pay for some miracle surgery to heal her. Unfortunately, there's more to the plan than Shishido is aware of and perhaps this is NOT a good way to make a fast buck. Can our anti-hero somehow survive this bold caper? I could say more, but it would spoil the film.

This is a very taut and exciting crime film thanks to a great plot, good acting and Shishido's character--a nice mixture of coolness, machismo and, in an odd way, honor. Plus, I sure liked the very dark ending--what a finale. Overall, I'd say this is one of the best examples of Japanese noir I have seen and it's well worth seeing--whether or not you are a fan of the genre.

A gritty Japanese film noir from 1964. Joe Shishido stars as a recently released thief who gets a job from a Yakuza boss to pull off an armored car heist. Accepting the job & picking out his own gang (even testing them by giving them a beating to see if they would hold up under police questioning), the team is set & the crime is pulled off nearly w/o a hitch but then the inevitable double cross comes down (both by the Yakuza & his own gang) but he manages to blast his way to freedom, gaining the aid of a rival Yakuza gang when they kidnap the Capo's son but then the right hand man of the Capo decides to double cross his boss during the exchange (the son's killed) which finds Shishido w/the upper hand (recovering the loot) until they find his hiding spot right before he sets sail to South America. Will Shushido make it to the bitter end? Knowing the genre in which this film resides should give you the answer as the shade wearing anti-hero is always all business from the film's start to finish w/Shushido (who according to Eddie Muller's Noir Alley intro/outro got cheek implants so that he would be taken seriously as a distinctive actor) meting out his own brand of justice to any & everyone.

Fairly mundane set up, criminal looking to do one last job, with fairly typical characters, but well done and with a Japanese outlook and form. Bleak and dark with some nice action and final act. Worth seeing for old Chipmunk Shishido who plays it cool as usual.

Film 4/5 in the Nikkatsu Noir series, and like Take Aim at the Police Van before it, Cruel Gun Story has a great title.

This one is less noir-ish and more of a straightforward heist film than any of the films in this boxset that came before, and I was perfectly okay with that. Heist movies are always satisfying when they get the basic components right, and all the stages are executed fairly well here- the planning, the heist itself, and then the inevitable fallout and consequences.

There's some good shootouts, and Jo Shishido makes for a good lead, as he always seems to do. I wish the aftermath of the heist had been a little more engaging, or at least on par with the first two chunks of the film, but it still had a decent conclusion overall.

Easy to recommend if you want something like Stanley Kubrick's The Killing, which is another tight and satisfying black & white heist movie that I should maybe revisit some day.