Disconnect

Disconnect (2012)

**** (out of 4)

Excellent character study looking at a group of people who have their lives damaged due to activities that they do through the internet. One story deals with a married couple (Paula Patton, Alexander Skarsgard) who are mourning the loss of their child when they discover that their identity has been stolen. A lawyer (Jason Bateman) tries to understand what happened to his son that made him do something drastic. A television reporter (Andrea Riseborough) uses an internet sex actor (Max Thieriot) for her own needs. A former cop (Frank Grillo) discovers that his son might have done something morally wrong. DISCONNECT eventually brings all of these stories together. There's no question that none of these stories are masterpieces and I think it's fair to say that many of them play out exactly like you'd expect them to. Normally this here would kill a movie but director Henry Alex Rubin and screenwriter Andrew Stern do a terrific job at giving us characters we care about, want to know more about and this helps carry the entire picture. I think this film offers up a very good concept of how people have lost touch with reality and sometimes enter dangerous situations online simply because they have nothing better to do or they're looking for some sort of connection that they can't find in their own lives. The film really does a good job at explaining all of these characters and really developing all of them so that you really do feel as if you know these people and understand everything they're doing and why. It certainly doesn't hurt that we're given so many excellent performances. Both Bateman and Grillo really stand out as parents who fear that they have let their children down. Thieriot, making waves on 'Bates Motel,' also is very good in his part. The entire cast really does shine and this here says a lot about their talent but also the screenplay, which gives them so much to do. Again, I think many people will see the ending coming but it really doesn't matter because of the emotional connection that you get with the characters. DISCONNECT is certainly a gem of a picture that shows what a great script, direction and acting can do.

This movie has three parallel stories, with one important thing in common: real lives unravel as their presence on the media, especially the social media, spirals out of control. Moreover, as it turns out, each story ends up intersecting with one or both of the others.

There is Ben, a lonely teen who is hideously deceived and then callously exposed on the Web by two mean-spirited schoolmates. This drives Ben to make a grave decision that will leave his future hanging by a thread and his parents and sister reeling.

Then there are Cindy and Derek, who are trying to grapple with the death of their baby. As if that weren't enough of an issue in their life, they discover their credit cards have been maxed out. The private eye they hire, Mike, backtracks Cindy's and Derek's every online move, with unexpected revelations. Moreover, the result of Mike's investigation turns out to compound the problem rather than solve it.

Finally, there is Nina, an up-and-coming TV news reporter who gets her hands on the life story of Kyle, an older teen engaging in a salacious line of work performed online in front of a camera. Nina's TV piece is at first widely applauded, but its broadcast unleashes an avalanche of trouble for both Nina and Kyle, as well as for other people in their career lives.

A ready interpretation of the title "Disconnect" is to associate it with the dangers of "disconnecting" with real people in the real world. And indeed: people in this movie do communicate a lot via text messaging, and in chat rooms. In these spheres, things are sometimes not what they seem—and neither are people: two characters make up another, and communicate with someone else pretending to be that person, with potentially lethal consequences.

But the title "Disconnect" can also be taken as an imperative: "Disconnect!" Log off already! Otherwise, you will forget real existences cannot be edited, backed up, deleted, and restored like virtual ones. Actually, real life in this movie interferes with virtual plots in a way that even the latter take unintended twists and turns.

It turns out Mike not only changes Cindy and Derek's life (they set out to make a dramatic move as a result of Mike's investigations), he also is forcibly involved in the story around Ben. Ben's dad, in turn, is a legal counsel at the TV station where Nina works; that way, he is drawn on two fronts into the fallout from risky behavior of teens on the Internet.

While this is Nina's immediate connection to another story in this movie, the mere fact that she is a TV personality probably superimposes her story on the others: just as everybody is online these days, everybody still consumes sensational TV news. (Need it even be said: when you turn on your TV, you also "disconnect" from real life.)

The three stories progress at a similar pace and climax at the same time. After all the scheming, searching, plotting, and just plain misunderstanding emanating from cell phones and computer keyboards, the scenes suddenly stop in freeze-frame. Real-world existences clash in an ultimate, inevitable collision. The disconnect comes home to roost.

I see a lot of movies, and the great majority of them make little impression on me. They are fun and entertaining, but quickly forgettable. Not DISCONNECT, though. This is a powerful and provocative film that not only keeps you pinned to your seat but also makes you think about the consequences of your actions. It should certainly be required viewing not only for young people but also for anyone who uses social media or communicates via the Internet. This is a timely, well-written, well-acted, and well-paced movie that stays with you long after you leave the movie theater. I was also pleased by the fact that the director and writer did not take the easy way out. No glib, predictable solutions here, which is one reason why the film's events linger in your mind.

Why hasn't this movie been raved about? One of the best I have seen in a long time. Don't even think it got a cinema release in Australia. This is the sort of movie that should have Oscar nominations and a must see. An ensemble cast and all are outstanding. Jason Bateman is such an under rated actor but can just about do anything, probably hurt by Arrested Development although I must admit I did like that show. If you liked movies like Crash you should enjoy this. 3 stories going on at the same time which also have some intermingling, if there is such a word. IMDb rating is a bit low and I would rate it in the high 8's even getting close to a 9. Have banged on a bit as I didn't realize you needed to submit 10 lines of text to post a review/comment.

I'm going to keep this a simple review, there's plenty of longer ones if you want that. I went to this movie with zero expectations. I wanted to see a movie today and this just happened to be 1 of the 4 playing at my small theater. The movie was very well done. All 3 stories were intriguing and believable. Many sad stories such as these are often over-dramatized and make me hate them. However, I found this one to hit the drama level perfectly. They make you feel for the characters and believe their actions (to which I'll say all of the actors did an AMAZING job, particularly the kids).

I almost wish I could see a feature-length movie of 2 of the 3 stories in this. Those being the bullied kid and the other of cyber sex ring. Those 2 were definitely hit their mark. I thought the 3rd, with the couple who lost their money to identity theft, was good as well...but perhaps not to the same level as the others. To be fair though, the other 2 might just have been more intriguing of a topic for me.

Just a quick comment on the Rating: Personally, I think this movie should have been rated PG-13. There was only light violence (not gloritized, either) and very brief, tasteful nudity. All while 2 of the stories were relating to very real scenarios related to kids. Meh, maybe I'm just being silly thinking kids can handle movies about topics they clearly live through.