The Great Escaper

This is one of those contemporary, really quite touching, dramas that we won't be able to make for too much longer. It centres around an elderly couple, who have been together for seventy years, and live a semi-independent life in a care home. During a routine chat with their nurses, "Rene" (Glenda Jackson) discovers that her husband "Bernie" (Sir Michael Caine) had wanted to go to the impending celebrations for the 70th anniversary of the D-Day landings, but that all the tickets had gone. She makes it pretty clear that if he wants to go, well then he ought to just go! Armed with a only a carrier bag and a few quid, he takes a ferry and heads off on a trip that is going to induce some fairly horrific memories of events in 1945 - which we sparingly see in flashback - but is also going to provide him with a degree of fulfilment and closure on issues that have dogged him ever since. Snag? Well he didn't actually tell anyone he was going, so the home are worried, the police are looking and the media soon get hold of his tale of determination and a degree of celebrity beckons. It's a very characterful story, this, with a gentle chemistry between Jackson and Caine, and also between Caine and his newfound travelling companion "Arthur" (a proud performance from John Standing) as they both have to face their demons past and present. There's plenty of humour - a decent soupçon of sarcasm; along with a spirit of optimism and reconciliation that works well, without drifting into cheesy sentiment, for ninety minutes. It reminded me of the equally poignant BBC drama "A Foreign Field" (1993) and is a good, at times thought-provoking watch.

The world will probably never forget the Normandy landings for a variety of reasons.

1 of those is because it was a time of huge sacrifice, pain and suffering, leading to joyous success.

But then despite lives lived in the intervening years by the survivors, the story of sacrifice, pain and suffering continues for all concerned.

"There's no escape for anyone", but at least those who survived "Made a life worth living".

The roles of Bernard and Irene were played with such nuance and intelligence by Caine and Jackson that it brought me to tears. 90 and 87 years old respectively and they still act with such grace and authenticity. They reminded me of what made this country and what helped make the world a relatively peaceful place afterwards.

But people like Bernard live an unseen life, with all of their memories usually forgotten when they die. Which is sad because war is about people, experiences, and memories, and when the people die the memories die with them.

This film should stand as a tribute to the very few who are left, and remind us to make a life, so that the ones who lost their lives didn't do so in vain.

Both Michael Caine(? Last film) and Glenda Jackson (her last film)give touching performances as husband and wife, in this nice, decent drama based on a true story.

I hope both Laura and I see out our days in a residential home by the seafront, like the one they live in here!!!

After a slew of hard going thriller/horrors- Nowhere, The Passenger it's nice to see something light and friendly- like a hot chocolate under the duvet on a cold wet day.

I took Mum to see this at the Curzon and she enjoyed it- seeing it at home with Dad in a fugue of cigarette smoke and heavy atmosphere would have dimmed the experience.

The general consensus of the elderly patrons at the screening was that it was a nice, moving film, well acted- I agree.

A fabulous cast with amazing performances demonstrating why Jackson and Caine are so highly regarded. Covers many difficult topics - longevity, friendship, guilt, trauma, illness, alcoholism, forgiveness and redemption. My husband and I both cried on a number of occasions, but there was also some great humour - we laughed, we cried, we enjoyed the cinematography. I'm not sure it was a true reflection of the average care home, it all seemed a bit too lovely. An effective juxtaposition with the couple as their younger selves, which was well cast. My only criticism was I felt the shoe horning into the plot of the traumatised much younger modern soldier didn't really work and for some reason those scenes jarred. It felt like an editor had requested the writers add them in later and it didn't quite work. A lovely film, but take some tissues.

So much to enjoy in this film. Caine and Jackson are superb. Glenda died soon after completing work on the film and Michael has more than hinted that this might be his final film. That being the case, what a tremendous film for them both to go out on. The film is beautifully photographed on the English south coast and in France and has a gorgeous score by Craig Armstrong that supports and enhances the narrative. A story of determination, love, life, death and hope. The story is simple but none the worse for that. Set in 2014, Bernie and Rene live in a carehome in Hove. Bernie decides to attend the 70th anniversary of the D-Day landings in Normandy despite missing out on a place on the offical trips. So he gets a bus from Hove to Dover and travels by ferry to france. The film tells the story of the people he meets and places he goes. Poignent and sad but also life affirming this is a fabulous film. However, when we saw it we were the only people in the cinema and I read it has so far failed to find a distributor for the US market. I sense this could find it's audience when shown on TV and it wouldn't surprise if BBC are saving it to show next June as part of the 80th anniversary celebrations.