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Fabian ou le chemin de la décadence

Titre original : Fabian oder Der Gang vor die Hunde
  • 2021
  • 12
  • 2h 56min
NOTE IMDb
7,1/10
2,5 k
MA NOTE
Fabian ou le chemin de la décadence (2021)
Regarder Official Trailer
Lire trailer2:30
3 Videos
16 photos
DramaRomance

Le Dr Jakob Fabian, qui travaille dans la publicité pour une entreprise de cigarettes, tombe amoureux d'une actrice. Alors que sa carrière d'actrice commence à s'épanouir, les perspectives p... Tout lireLe Dr Jakob Fabian, qui travaille dans la publicité pour une entreprise de cigarettes, tombe amoureux d'une actrice. Alors que sa carrière d'actrice commence à s'épanouir, les perspectives pour son avenir commencent à décliner.Le Dr Jakob Fabian, qui travaille dans la publicité pour une entreprise de cigarettes, tombe amoureux d'une actrice. Alors que sa carrière d'actrice commence à s'épanouir, les perspectives pour son avenir commencent à décliner.

  • Réalisation
    • Dominik Graf
  • Scénario
    • Erich Kästner
    • Constantin Lieb
    • Dominik Graf
  • Casting principal
    • Tom Schilling
    • Albrecht Schuch
    • Saskia Rosendahl
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,1/10
    2,5 k
    MA NOTE
    • Réalisation
      • Dominik Graf
    • Scénario
      • Erich Kästner
      • Constantin Lieb
      • Dominik Graf
    • Casting principal
      • Tom Schilling
      • Albrecht Schuch
      • Saskia Rosendahl
    • 6avis d'utilisateurs
    • 55avis des critiques
    • 68Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 10 victoires et 19 nominations au total

    Vidéos3

    Official Trailer
    Trailer 2:30
    Official Trailer
    Fabian: Going to the Dogs
    Trailer 1:53
    Fabian: Going to the Dogs
    Fabian: Going to the Dogs
    Trailer 1:53
    Fabian: Going to the Dogs
    FABIAN: GOING TO THE DOGS - official US trailer
    Trailer 1:53
    FABIAN: GOING TO THE DOGS - official US trailer

    Photos15

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    Rôles principaux88

    Modifier
    Tom Schilling
    Tom Schilling
    • Jakob Fabian
    Albrecht Schuch
    Albrecht Schuch
    • Stephan Labude…
    Saskia Rosendahl
    Saskia Rosendahl
    • Cornelia Battenberg
    Michael Wittenborn
    Michael Wittenborn
    • Justizrat Labude
    Petra Kalkutschke
    • Frau Fabian
    Elmar Gutmann
    • Herr Fabian
    Aljoscha Stadelmann
    Aljoscha Stadelmann
    • Produzent Makart
    Anne Bennent
    Anne Bennent
    • Baroness Ruth Reiter
    Meret Becker
    Meret Becker
    • Irene Moll
    Eva Medusa Gühne
    Eva Medusa Gühne
    • Frau Hohlfeld
    Julia Preuß
    • Kyra
    Lukas Rüppel
    • Weckherlin
    Michael Hanemann
    • Professor
    Oliver Reinhard
    Oliver Reinhard
    • Direktor Breitkopf
    Jörg-Uwe Schröder
    • Dr. Moll
    • (as Jörg Uwe Schröder)
    Brian Völkner
    • Kollege Fischer
    Thomas Dehler
    • Kriminalkommissar Donath
    Luise Aschenbrenner
    Luise Aschenbrenner
    • Die Kulp
    • Réalisation
      • Dominik Graf
    • Scénario
      • Erich Kästner
      • Constantin Lieb
      • Dominik Graf
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs6

    7,12.5K
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    Avis à la une

    6kosmasp

    Different times

    The movie does feel like it is not from this world. The way it begins, the way our main character "acts" ... it all feels so detached from reality. Of course that is intended and of course this playing almost one hundred years ago plays a major role too. Acting wise this is quite something - everyone involved is giving it their best.

    You may still feel at least a little bit detached from whatever you are watching. This is not an easy movie to watch - add to that the exhausting running time, the relationships, the different goals and some seemingly aimless "goals" this seems to hunt down ... you'd be excused for being on the fence about it. It is art though and in art everything is possible. Also you may like it's narration style more than others - pacing "issues" for some may be the greatest way to tell the story for others ... if you have a lot of spare time and like it like that, give it a shot. It surely is not a bad movie.
    10Patrik_Johansson

    Germans dare explore their history

    With so much allied disinformation and anti-German propaganda from the war, it's refreshing to see Germans diving into their own history. Of course still manipulated by the powers that be, but perhaps soon they date opening the Laterna Magica in full.
    10saxondave-24066

    A decent adaptation of Kastner's masterful book

    Despite the somewhat odd and in some places minimalist cinematography, this movie is a true gem. It captures the atmosphere, at some places reminds me of Babylon Berlin (not a coincidence given the theme of the film). Tom Schilling and Saskia Rosendahl both shine here. I was very happy to see them again as co-stars after Florian Henckel von Donnermarck's masterpiece, Never Look Away (Werk Ohne Author). German cinema is truly something to discover, with many great actors and great movies. Despite the relatively long running time this film after getting used to the cinematography, instantly draws you in. This is art, and not for the mainstream lovers that's for sure but if you are into this kind of movies, you don't want to miss out on this one.
    6programmerare00

    an aimless story

    It is a long movie (almost 3 hours) and it defiantly felt like it. The story in whole felt quite aimless. There was long parts of the movie where it felt like nothing particularly was going on.

    However, I decide to watch the movie because it was taged as a romance and it actually delivered. The part when Tom Schilling and Saskia Rosendahl were falling in love was undeniably beautiful but only lasted for a very short moment, then a boring story continued. If you have watched Never Look Away then you will probably, during the falling love part, be very much reminded of the similarities. Personally, I think it was the highlight of the movie and to be compared to a masterpiece like Never Look Away is only positive. Though, the movie felt a little bit like a bad knockoff of Never Look Away.

    The movie never made me care for the characters and thus I didn't really care what happened to them. At most I started to care about Fabian's friend Stephan but only slightly. And that was the problem with the movie it didn't evoke emotions even in the moments when you should care about the characters.
    9hexfaa

    "We are all on the same train traveling through time."

    "Fabian: Going to the Dogs" is much more than it's ImDB classification as love story/romance. Nevertheless, on the surface, it could definitly be classified as a love story.

    (The love story)

    The movie is set in Weimar-era Germany and addresses common mid 1920s cultural trends, such as the dissolution of social norms in a very unstable society. As a result, love is more about purpose than relationship. Here begins the unspectacular love story - yet, in my opinion, very well told.

    ("We look outside and saw enough")

    Fabian is not good at making decisions or taking responsibility for his own preferences. For example, he is a good writer but he doesn't make any attempt to write a book or doing something similar. He is more like an observer of his own life. His friend is basically the opposite. He is active in political movements, writes a lot, and - as a result - he always gets into trouble.

    ("and nobody knows how far we'll go")

    The movie portrays the unstable society very well. As an observer, Fabian is quite aimless and the whole society is caught in mounting tension. Although the main storyline sets in the Weimar Republic, the movie includes multiple scenes set during the Nazi regime or even today (not explicitly highlighted - the movie is worth watching twice!). These scenes contribute to the overall feeling of a sinking society. There are also numerous references to authors with specific political opinions, for example Lessing, who represents the enlightenment.

    (about to learn swimming)

    Besides love, the movie has a bunch of other central themes, for example water. Fabian cannot swim and although this is a problem for him, he doesn't do anything. At one point in the movie, there are even posters reading "Learn to swim!".

    To sum up, definitely don't expect a love story, otherwise, it will be very boring! To understand everything it's definitely worth watching the movie twice and reading a bit about the Weimar Republic, the movie has a crazy amount of historical-insider-moments. It tells the story of a society in decline, especially the love storyline is comparable to cultural drives during Weimar (... Cornelia's story, for example, is comparable to the novel "The Artificial Silk Girl", which was also written during Weimar Republic), but it's only one part of the story/movie. This film has definitely managed to turn story and plot into a medium to show more.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The movie's full title "Fabian - Going to the dogs" is actually the title that Erich Kästner wanted to call the novel originally. However the publisher rejected it so it was changed to "Fabian - The story of a moralist".
    • Gaffes
      When being in Labude's garden the meadow is watered by an impact sprinkler. It was first invented in 1933 in California, while the scene is set in Germany in 1931.
    • Citations

      Cornelia Battenberg: And what comes after ruin?

      Jakob Fabian: Stupidity.

    • Crédits fous
      During the closing credits the names and tasks of cast and crew keep switching based on the position of the credits. If the credits are right-adjusted, then first the name and then the job/role appears. If left-adjusted, then it is the other way around.
    • Versions alternatives
      For broadcast on the German TV channel ZDF in April 2023, the film was split up into a mini-series of four episodes, with no difference in Running Time or content. The four episodes are titled: 1. Die Zeit ist mit den Engeln böse (Time is Evil with the Angels) - 43 min 2. Die Bonzen von Babelsberg (The Bigwigs of Babelsberg) - 52 min 3. Zwei sind keine Bande (Two Are Not a gang) - 45 min 4. Die Welt geht vor die Hunde (The World is Going to the Dogs) - 39 min
    • Connexions
      Edited from Die Stadt der Millionen (1925)

    Meilleurs choix

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    FAQ17

    • How long is Fabian: Going to the Dogs?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 31 mars 2023 (France)
    • Pays d’origine
      • Allemagne
    • Sites officiels
      • Amilux Film (Austria)
      • Kino Lorber (United States)
    • Langue
      • Allemand
    • Aussi connu sous le nom de
      • Fabian: Going to the Dogs
    • Lieux de tournage
      • Görlitz, Saxony, Allemagne(main shooting location)
    • Sociétés de production
      • Lupa Film
      • DCM Pictures
      • Zweites Deutsches Fernsehen (ZDF)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 24 971 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 2 462 $US
      • 13 févr. 2022
    • Montant brut mondial
      • 40 661 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 56 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.37 : 1

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