Ajouter une intrigue dans votre langueVinnie gets out of jail after serving 10 years and tries to find out who killed his younger brother - played by a young Robert de Niro.Vinnie gets out of jail after serving 10 years and tries to find out who killed his younger brother - played by a young Robert de Niro.Vinnie gets out of jail after serving 10 years and tries to find out who killed his younger brother - played by a young Robert de Niro.
- Réalisation
- Scénario
- Casting principal
Jarred Mickey
- Andrew Moore
- (as Jerry Micky)
Matt Greene
- Marge's Assistant
- (as Matthew Greene)
Robert De Niro
- Sam Nicoletti (1969 scenes)
- (images d'archives)
Jennifer Warren
- Erica Moore (1969 scenes)
- (images d'archives)
Terrayne Crawford
- Carole Moore (1969 scenes)
- (images d'archives)
Martin J. Kelley
- Mitch Negroni (1969 scenes)
- (images d'archives)
- (as Martin Kelley)
Jack Slater
- Party Guest
- (images d'archives)
Phyllis Black
- Marge Negroni
- (images d'archives)
- (non crédité)
Viva
- Girl With the Hourglass
- (images d'archives)
- (non crédité)
Avis à la une
Incorporates scenes from the 1969 film "Sam's Song" of Robert DeNiro (as Sam) playing an aspiring director who meets a couple (Warren and Mickey) and an apparently single woman (Crawford) with whom he develops mutual bonds over one party-filled weekend at the beach. But when he's murdered, his fiercely protective brother (Charnotta) vows to avenge his death and ten years' later upon his release from gaol, he pieces together Sam's final days to seek retribution.
Neither DeNiro nor Warren - whose stars had risen in the intervening years between the 1969 footage and this 1979 re-edit - appear in the subsequently shot scenes, though naturally much is made of their names in the credits for marquee value. Both Mickey and Crawford reprise their roles, but Charnotta is essentially the central character here, his interrogations abetted by Lisa Blount as his frustrated chauffeur who once 'worked' for his brother. James Brown has a couple of scenes as a detective warning Charnotta not to dig too deeply into his brother's murder, and the sultry Sybil Danning playing the modern-day Warren role is entirely wasted sitting behind a desk.
Tedious attempt at a film noir, bereft of action and suspense, just a dreary series of one-on-one conversations interspersed with flashbacks of the melodramatic romantic quartet, making the most out of DeNiro's scant, unrelated footage. Though there's an occasional promise of something entertaining, it never eventuates. Even the film's climax is a non-event, hampered by a shoestring budget that teases, but fails to deliver.
Neither DeNiro nor Warren - whose stars had risen in the intervening years between the 1969 footage and this 1979 re-edit - appear in the subsequently shot scenes, though naturally much is made of their names in the credits for marquee value. Both Mickey and Crawford reprise their roles, but Charnotta is essentially the central character here, his interrogations abetted by Lisa Blount as his frustrated chauffeur who once 'worked' for his brother. James Brown has a couple of scenes as a detective warning Charnotta not to dig too deeply into his brother's murder, and the sultry Sybil Danning playing the modern-day Warren role is entirely wasted sitting behind a desk.
Tedious attempt at a film noir, bereft of action and suspense, just a dreary series of one-on-one conversations interspersed with flashbacks of the melodramatic romantic quartet, making the most out of DeNiro's scant, unrelated footage. Though there's an occasional promise of something entertaining, it never eventuates. Even the film's climax is a non-event, hampered by a shoestring budget that teases, but fails to deliver.
Great material for some future SNL skit. This one was a real stinker even back in the day as I recall. There's not much good that one can say about this film however it does give a reasonably realistic feel for the times back then.... but "groovy" it is not. I think this movie could be redone as a comedy however several attempts may have already been tried (aka Starsky & Hutch, The Legend Of Ron Burgundy,and, well you get the picture). I'm sure Mr DiNiro still winces when this one is brought up in conversation....but hey, it was "the crazy sixties" and decent indie vehicles were just in their infancy back then. The plot is overly simplistic and the film quality is grainy and basically matches the content for quality, or lack thereof. I wouldn't consider this film as "awful" but it won't be on my next Saturday Night At The Movies list for sure. (terrible waste of good popcorn!)
Don't be duped by this. This is a poor movie. I made better in high school in the early nineties. It's preposterous that they had any right to use old footage of the great Robert DeNiro. Don't watch, it leaves a bad taste in your mouth.
In 1969, Sam Nicoletti (Robert de Niro) is a film editor. He gets killed by a mysterious stranger. Ten years later, Sam's brother Vito gets out of prison. He starts investigating Sam's death as De Niro appears in flashbacks.
In 1969, an unknown Robert De Niro starred in a little movie called Sam's Song. It is little seen. Director Jordan Leondopoulos uses footage from that movie to incorporate into his new movie. He obviously couldn't get De Niro or anybody from the first movie. This is a jumble mess. I would love to watch a young De Niro in a nothing movie like Sam's Song. This is watching snippets of disjointed sections of that movie. I couldn't follow Sam's story and Vito's story is horribly stiff. Sam's Song looks like a bad indie and the new footage looks infinitely worst. Other than seeing a younger De Niro, this is not worth the effort.
In 1969, an unknown Robert De Niro starred in a little movie called Sam's Song. It is little seen. Director Jordan Leondopoulos uses footage from that movie to incorporate into his new movie. He obviously couldn't get De Niro or anybody from the first movie. This is a jumble mess. I would love to watch a young De Niro in a nothing movie like Sam's Song. This is watching snippets of disjointed sections of that movie. I couldn't follow Sam's story and Vito's story is horribly stiff. Sam's Song looks like a bad indie and the new footage looks infinitely worst. Other than seeing a younger De Niro, this is not worth the effort.
"The Swap" doesn't look like a sequel to me. I've seen sequels with archives of the original film. This revenge film shows mostly flashbacks of the original made 10 years ago. The brother of Sam(Robert DeNiro) gets out prison and would go after the people responsible for his death. Sam has moved to California to do film there. Only this time, he was doing pornographic stuff. One night, Sam was working, and someone has jumped him from behind. The brother learned about his murder and would go place to place and speak with the people he knew.
This revenge film was a little bit weak. Too cliche in every way. Revenge is a dish served cold. This movie is cold.
Only the Ford cars were the only things that I liked in it. The rest of the movie needs a lot of work.
2 out of 5 stars
Le saviez-vous
- AnecdotesAll the scenes with Robert De Niro are re-used shots and out-takes from Leondopoulos' first feature film, Sam's Song, used without De Niro's knowledge or permission. Reportedly De Niro was so angered by the release of The Swap that he wanted to take legal action against the film's production company, Cannon.
- Citations
Vito Nicoletti: I pray to God, there is a God.
- Versions alternativesThe original Vestron Video VHS, as well as some later public domain VHS/DVD releases, feature an edited-for-TV print that removes the sex and nudity.
- ConnexionsEdited from Le Contrat (1969)
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